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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was
Non classifié
3 786
Piano & claviers
Piano seul
1 966
Piano, Voix
555
Piano Facile
339
Piano, Voix et Guitare
332
Instruments en Do
254
Orgue
138
1 Piano, 4 mains
35
Piano Trio: piano, violon, violoncelle
35
Accompagnement Piano
30
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Accordéon
7
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano grosses notes
5
Orgue, Trompette (duo)
4
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Fake Book
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
197
Guitare notes et tablatures
162
Ligne De Mélodie, (Paroles) et Accords
144
Ukulele
39
Basse electrique
25
2 Guitares (duo)
18
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
10
Mandoline
10
Ensemble de guitares
6
Dulcimer
4
3 Guitares (trio)
4
Banjo
4
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
Paroles et Accords
2
Guitare (partie séparée)
1
Ukulele Baryton
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Ensemble de Ukulélés
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
737
Chorale 3 parties
217
Chorale TTBB
122
Chorale 2 parties
84
Chorale SSAA
76
Voix Alto, Piano
70
Voix Soprano, Piano
65
Voix Tenor, Piano
58
Chorale Unison
54
Voix duo, Piano
40
Voix Baryton, Piano
39
Voix haute
13
Voix seule
8
Voix duo
6
Pack Instrumental pour Chorale
4
Chorale
4
Voix moyenne, Piano
4
Chorale SSATTB
3
Voix Tenor
3
Chorale SSAATTBB
2
Voix basse
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
462
Flûte traversière et Piano
376
Quatuor de Saxophones: 4 saxophones
342
Clarinette et Piano
320
2 Saxophones (duo)
303
Quintette de Saxophone: 5 saxophones
274
Flûte, Hautbois, Clarinette, Basson
243
Saxophone Alto et Piano
226
Hautbois, Piano (duo)
210
Quatuor de Clarinettes: 4 clarinettes
199
Saxophone Alto
176
Flûte traversière
170
Saxophone Soprano et Piano
149
2 Clarinettes (duo)
147
Saxophone Tenor et Piano
142
Saxophone Tenor
136
Ensemble de saxophones
133
2 Flûtes traversières (duo)
132
Clarinette
113
Ensemble de Clarinettes
106
Saxophone, Clarinette (duo)
101
Saxophone (partie séparée)
93
Cor anglais, Piano
93
Saxophone Baryton, Piano
77
Quatuor de Flûtes : 4 flûtes
76
Clarinette, Violon (duo)
73
3 Saxophones (trio)
67
Flûte, Clarinette (duo)
61
Clarinette, Trompette (duo)
60
Ensemble de Flûtes
59
2 Hautbois (duo)
55
Quintette de Clarinettes: 5 clarinettes
54
Hautbois (partie séparée)
53
3 Clarinettes (trio)
47
Clarinette Basse, Piano
44
Hautbois, Basson (duo)
40
Hautbois, Clarinette (duo)
39
Quintette de Flûte : 5 flûtes
38
Flûte, Violon
37
2 Flûte à bec (duo)
36
Clarinette et Alto
36
Saxophone
33
Quatuor de Flûtes à bec
33
Hautbois, Flûte
33
Flûte, Saxophone (duo)
30
Flûte, Trompette (duo)
29
2 Flûtes traversières, Piano
27
Flûte, Alto (duo)
25
Trio de Flûtes: 3 flûtes
24
Saxophone Soprano
24
Ensemble De Flûte à bec
22
Flûte et Guitare
21
Flûte à bec Soprano
21
Clarinette, Basson (duo)
20
5 Flûtes à bec
14
Flute (partie séparée)
14
Cor Anglais
14
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Guitare (duo)
12
3 Flûtes à bec (trio)
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte à bec Soprano, Piano
10
Clarinette (partie séparée)
8
Clarinette, Violoncelle (duo)
8
Flûte à bec Alto, Piano
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte à bec Alto
7
Flûte, Violoncelle
7
Flûte, Clarinette, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Clarinette, Violoncelle, Piano (trio)
6
Piccolo, Piano
5
Flûte à Bec
5
Flûte à bec Tenor
5
Flûte, Alto et Piano
4
Hautbois
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
4
Saxophone et Guitare
4
Saxophone et Harpe
4
Ensemble à vent
3
Flûte, Violon, Piano
3
3 Hautbois
3
Hautbois, Harpe
2
Ensemble de Hautbois
2
Piccolo
2
Hautbois, Guitare (duo)
2
Ocarina
2
2 Saxophones, Piano
2
Flûte à Bec, Piano
2
4 Hautbois
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
2
Cor anglais, Guitare (duo)
2
2 Flûtes à bec, Guitare
1
Flûte, Hautbois, Basson
1
Cornemuse
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Clarinette, Trombone (duo)
1
Saxophone Baryton
1
Flûte, Violon, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Harmonica
1
Saxophone et Orgue
1
Flûte irlandaise
1
Clarinette Basse
1
Flûte traversière, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
+ 115 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
476
Quatuor de Cuivres : 2 trompettes, trombone, tuba
284
Trompette
205
Trombone et Piano
186
Trompette, Piano
160
Trombone
121
Cor et Piano
118
Quatuor de Cuivres
97
Cor anglais, Piano
93
Euphonium, Piano (duo)
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
75
2 Trompettes (duo)
74
Trompette, Saxophone (duo)
72
2 Trombones (duo)
67
Ensemble de Trombones
55
Tuba et Piano
55
Trompette, Trombone (duo)
50
Cor
47
Quatuor de cuivres: 4 trombones
43
Ensemble de Trompettes
41
Trompette (partie séparée)
35
Tuba
30
2 Cors (duo)
26
Quatuor de cuivres: 4 cors
23
Ensemble de Cors
20
2 Euphoniums et 2 Tubas
17
2 Tubas (duo)
15
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
14
4 Tubas
14
Cor Anglais
14
3 Trombones (trio)
9
Trompette, Cor (duo)
9
3 Tubas (trio)
8
Trombone, Cor (duo)
7
Cor (partie séparée)
7
3 Cors (trio)
6
Tuba et Orgue
5
Trio de Cuivres
5
Bass Clef Instruments
4
Euphonium
4
Cor et Harpe
4
Euphonium, Tuba (duo)
4
Tuba (partie séparée)
3
Cor et Orgue
3
Trompette, Harpe
3
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Orgue
3
Trombone basse et Piano
3
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
2 Euphoniums (duo)
2
Trombone et orchestre
2
Trombone, Tuba (duo)
2
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Instruments en Sib
1
Trombone basse
1
Trompette, Euphonium (duo)
1
Instruments en Fa
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
736
Violon et Piano
435
Violoncelle, Piano
294
Alto, Piano
283
Violon
248
Violon, Violoncelle (duo)
182
Violoncelle
180
Trio à Cordes: violon, alto, violoncelle
126
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
100
Harpe
99
Quintette à cordes: 2 violons, alto, violoncelle, basse
90
2 Violoncelles (duo)
82
Violon, Alto (duo)
77
2 Altos (duo)
70
Alto seul
58
2 Harpes (duo)
40
Contrebasse, Piano (duo)
40
4 Violoncelles
32
Contre Basse
31
Alto (partie séparée)
30
Ensemble de Violons
20
Ensemble d'Altos
19
Trio à Cordes: 3 violoncelles
17
Alto, Violoncelle (duo)
16
Quatuor à cordes: 4 violons
16
Violon, Guitare (duo)
15
Violon (partie séparée)
13
Quatuor à cordes : 4 altos
12
Trio à cordes: 3 violins
11
Harpe, Flûte (duo)
11
Trio à cordes: 3 altos
11
Piano Trio: Violon, Alto, Piano
9
Contrebasse (partie séparée)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
4 Contrebasses
6
Violoncelle , Guitare (duo)
6
2 Contrebasses (duo)
5
Alto, Guitare (duo)
5
Harpe, Violon (duo)
5
Harpe, Voix
4
Alto et Harpe
4
Violoncelle, Contrebasse (duo)
3
Violoncelle (partie séparée)
3
Violoncelle, Basse continue
3
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Harpe, Violon, Violoncelle
2
Violon, Orgue
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
886
Orchestre
380
Orchestre à Cordes
284
Ensemble de cuivres
213
Orchestre de chambre
120
Ensemble Jazz
116
Cloches
55
Fanfare
50
Jazz combo
42
Ensemble de Percussions
40
Batterie
24
Vibraphone
10
Marimba
8
Batterie (partie séparée)
3
Orchestre, Violon
3
Percussion (partie séparée)
3
Xylophone
3
Piano et Orchestre
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
2
Big band
1
2 Xylophones
1
Vibraphone et Marimba
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Vous avez sélectionné:
As It Was
Flûte traversière et Piano
Partitions à imprimer
376 partitions trouvées
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376
As It Was
#
Flûte traversière et Piano
#
FACILE
#
Rock
#
Harry Styles
#
Gildson Cerqueira
#
As It Was
#
Gildson Cerqueira
#
SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1388467 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Roc...
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Piano,Soprano Flute - Level 2 - SKU: A0.1388467 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972002. Published by Gildson Cerqueira (A0.1388467). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
As It Was
#
Flûte traversière et Piano
#
FACILE
#
Rock
#
Harry Styles
#
Gildson Cerqueira
#
As It Was
#
Gildson Cerqueira
#
SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1388468 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Roc...
(+)
Piano,Soprano Flute - Level 2 - SKU: A0.1388468 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972003. Published by Gildson Cerqueira (A0.1388468). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
It Was a Lover and His Lass
#
Flûte traversière et Piano
#
FACILE
#
Renaissance
#
Thomas Morley
#
Jane Frasier
#
It Was a Lover and His Lass
#
Jane Frasier
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1194310 Composed by Thomas Morley. Arranged by Jane Frasier. Renaissance. Score and part. 8 pages. Jane Frasier #793684....
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Flute,Piano - Level 2 - SKU: A0.1194310 Composed by Thomas Morley. Arranged by Jane Frasier. Renaissance. Score and part. 8 pages. Jane Frasier #793684. Published by Jane Frasier (A0.1194310). The original musical setting was written by Thomas Morley and published in 1600. He was one of the few composers to have worked with Shakespeare during his lifetime. It was a song in Shakespeare’s play As you Like It. Morley was member of the English Madrigal school of composers.
$8.50
What Was I Made For?
#
Flûte traversière et Piano
#
FACILE
#
Pop musique
#
Billie Eilish
#
Milanov
#
What Was I Made For?
#
Milanov
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1273310 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwrit...
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Flute,Piano - Level 2 - SKU: A0.1273310 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865462. Published by Milanov (A0.1273310). What Was I Made For? From Barbie by Billie Eilish for flute and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
#
Flûte traversière et Piano
#
FACILE
#
Pop musique
#
Billie Eilish
#
Milanov
#
What Was I Made For?
#
Milanov
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1273313 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwrit...
(+)
Flute,Piano - Level 2 - SKU: A0.1273313 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865465. Published by Milanov (A0.1273313). What Was I Made For? From Barbie by Billie Eilish for flute and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
It's Been A Long, Long Time
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.592535 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366339....
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Flute,Piano - Level 3 - SKU: A0.592535 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366339. Published by David McKeown (A0.592535). It’s Been a Long Long Time is arranged as a solo for one Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
What Was I Made For?
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Flûte traversière et Piano
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FACILE
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1270459 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/T...
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Flute,Piano - Level 2 - SKU: A0.1270459 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #862843. Published by Glauco Fernandes (A0.1270459). Title: Piano and Flute Arrangement of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Experience the enchanting musical world of the 2023 film Barbie with our exquisite piano and flute arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for pianists and flutists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for piano and flute, accommodating musicians with various skill levels.- Sheet music provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy.2. Flexibility: Perfect for intermediate-level pianists and flutists, offering the option to perform the music as a solo or duet.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys.Embrace the captivating allure of What Was I Made For through our arrangement, and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your piano and flute performances with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
$6.99
Just As I Am, Gospel Hymn for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.592917 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sco...
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Flute,Piano - Level 2 - SKU: A0.592917 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413419. Published by David McKeown (A0.592917). Just as I Am is a beautiful hymn arranged here for Solo Flute and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
As It Was
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Flûte traversière et Piano
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FACILE
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Pop musique
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Harry Styles
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Tomaž Nedoh
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As It Was
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Tomaž Nedoh
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1106410 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Tomaž Nedoh. Pop. Score and par...
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Flute,Piano - Level 2 - SKU: A0.1106410 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Tomaž Nedoh. Pop. Score and part. 6 pages. Tomaž Nedoh #709526. Published by Tomaž Nedoh (A0.1106410).
$9.99
As It Was
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Harry Styles
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As It Was
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Ricardo Cesar dos Santos Castilho Filho
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1110960 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Ricardo Cesar dos Santos Castilho ...
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Flute,Piano - Level 3 - SKU: A0.1110960 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Ricardo Cesar dos Santos Castilho Filho. Contest,Festival,Multicultural,Pop,Rock,Wedding,World. Score and part. 10 pages. Ricardo Cesar dos Santos Castilho Filho #713227. Published by Ricardo Cesar dos Santos Castilho Filho (A0.1110960).
$8.99
As It Was
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Flûte traversière et Piano
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FACILE
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Harry Styles
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Isaac Gonçalves
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As It Was
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Simple Score
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1102153 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Isaac Gonçalves. Film/TV,Hip-Ho...
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Flute,Piano - Level 2 - SKU: A0.1102153 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Isaac Gonçalves. Film/TV,Hip-Hop,Multicultural,Pop,R & B,Standards,World. Score and part. 10 pages. Simple Score #705555. Published by Simple Score (A0.1102153). For Flute and Piano.
$5.00
Jesus Once Was a Little Child
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Flûte traversière et Piano
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DÉBUTANT
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Joseph Ballantyne and James R
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Rebecca Bogardus
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Jesus Once Was a Little Child
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Lillwy Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arranged by Rebecca ...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 5 pages. Lillwy Publishing #4109531. Published by Lillwy Publishing (A0.877921). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$2.99
Take My Life and Let It Be (Flute & Piano) Piano Accompaniment Track
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Flûte traversière et Piano
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Musique Sacrée
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Frances Havergal, Louis Herold
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Carol Troutman Wiggins
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Take My Life and Let It Be
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - SKU: A0.1065809 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration ...
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Flute,Piano - SKU: A0.1065809 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 142. Carol Troutman Wiggins #6320011. Published by Carol Troutman Wiggins (A0.1065809). Based on Romans 12:1, this hymn was written as a song of self-consecration by Frances Havergal and set to the tune Messiah by LouÂis J. HérÂold, 1830. ArÂranged by George KingÂsley, 1838. I urge you, brothers, in view of God’s mercy, to offer your bodies as living sacrifices, holy and pleasing to God-this is your spiritual act of worship. ~ Romans 12:1 Intermediate level piano & easy instrument part Great for preludes, offertories, baptism, and general worship. Key change from F to G Piano Track includes piano & instrumental part combined.
$4.99
Take My Life and Let It Be (Flute & Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Frances Havergal, Louis Herold
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Carol Troutman Wiggins
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Take My Life and Let It Be
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.727637 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Score and part....
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Flute,Piano - Level 3 - SKU: A0.727637 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Score and part. 4 pages. Carol Troutman Wiggins #6320003. Published by Carol Troutman Wiggins (A0.727637). Based on Romans 12:1, this hymn was written as a song of self-consecration by Frances Havergal and set to the tune Messiah by LouÂis J. HérÂold, 1830. ArÂranged by George KingÂsley, 1838. I urge you, brothers, in view of God’s mercy, to offer your bodies as living sacrifices, holy and pleasing to God-this is your spiritual act of worship. ~ Romans 12:1 Intermediate level piano & easy instrument part Great for preludes, offertories, baptism, and general worship.Key change from F to G Piano Track includes piano & instrumental part combined.
$9.99
Valse - Scherzo op.34 for flute and piano
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flut
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James Strauss
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SheetMusicPlus
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pag...
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Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
The Name Of The Game
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Flûte traversière et Piano
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FACILE
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Contemporain
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ABBA
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Jeff Tincher
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The Name Of The Game
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Jeff Tincher
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.583157 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score and ...
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Flute,Piano - Level 2 - SKU: A0.583157 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score and part. 48 pages. Jeff Tincher #3574961. Published by Jeff Tincher (A0.583157). This is a C instrument and Piano arrangement of one of Abba's biggest hits. In the original key from the Mamma Mia! Here We Go Again soundtrack CD, this son is as much fun to perform now as it was when it was originally released. Great for any live venue. Duration=4:41. Visit my websites: https://jefftincher.wixsite.com/music, https://jefftincher.wixsite.com/sheetmusic, https://www.facebook.com/jefftincherpublishing .
$5.99
Vivaldi - Cantabile from Il Gardellino in D Major - Easy
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Antonio Vivaldi
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Piacere Music Sheets
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Vivaldi - Cantabile from Il Ga
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1193513 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. ...
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Flute,Piano - Level 1 - SKU: A0.1193513 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. Score and part. 8 pages. Piacere Music Sheets #792979. Published by Piacere Music Sheets (A0.1193513). Opus/Catalog Number: Flute Concerto in D major, 'Il Gardellino' RV 428, Op. 10, No. 3, second movementKey/Tone: D majorMovements/Sections: Larghetto cantabileYear/Date of Composition: 1728 or beforeDifficulty: Grade 2/12 (Easy)Obs.: This beautiful piece is the second of three movements in Vivaldi's Concerto in D Major. This concerto is named Il Gardellino (The Goldfinch).This sheet music contains suggestions for ornamenting each section of flute part upon repeating it, as it was customarily done by musicians during the Baroque period.These suggestions are optional and can be adjusted to each player's taste and ability, and were written above the original melody as an ossia staff.This score is an arrangement for Flute and Piano. Included: Full score and individual parts.
$6.95
Pachelbel: Canon for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386...
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Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95
Sorry Seems To Be The Hardest Word
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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Music for all Occasions
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&
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Sorry Seems To Be The Hardest
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747031 By Elton John. By Bernie Taupin and Elton John. Arranged by Music for all Occasions. Pop,Rock. Score and part. 6 ...
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Flute,Piano - Level 3 - SKU: A0.747031 By Elton John. By Bernie Taupin and Elton John. Arranged by Music for all Occasions. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902601. Published by Keith Terrett (A0.747031). Arranged for Flute & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
Symphony No. 7 by Beethoven for Flute
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1158443 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional...
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Flute,Piano - Level 1 - SKU: A0.1158443 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758729. Published by Woods Only, Arrangements (A0.1158443). This arrangement adapted for flute e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
The Wedding Album, for Solo Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Various
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David McKeown
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The Wedding Album, for Solo Fl
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.587625 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part...
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Flute,Piano - Level 3 - SKU: A0.587625 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594685. Published by David McKeown (A0.587625). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Flute with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Sullivan: The Lost Chord for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Away In A Manger: for Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for Flute &a
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published...
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Flute,Piano - Level 1 - SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476). Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
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