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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Piano seul
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32
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5
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5
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3
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1
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1
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49
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8
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7
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6
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3
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2
Voix haute
2
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1
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1
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1
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1
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10
Flûte traversière et Piano
9
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8
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8
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5
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5
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5
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5
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4
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4
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3
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3
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3
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3
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3
2 Flûtes traversières (duo)
3
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2
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2
Saxophone Soprano et Piano
2
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2
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2
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2
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2
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2
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1
2 Clarinettes (duo)
1
2 Saxophones, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
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1
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1
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1
2 Flûte à bec (duo)
1
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1
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1
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1
Flûte à Bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Tuba
4
Ensemble de Trombones
4
Trombone et Piano
4
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3
Trombone
3
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3
Cor anglais, Piano
3
Tuba et Piano
2
Cor et Piano
2
Cor Anglais
2
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2
2 Cors (duo)
1
Ensemble de Cors
1
2 Trombones (duo)
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Cor et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon
8
Violon et Piano
8
Violoncelle, Piano
7
Alto, Piano
5
Trio à Cordes: 2 violons, violoncelle
5
2 Violoncelles (duo)
4
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
2 Altos (duo)
3
Violon, Violoncelle (duo)
2
Contre Basse
2
Harpe, Voix
2
Contrebasse, Piano (duo)
2
2 Violons (duo)
2
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Alto seul
1
Alto, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Violon, Alto (duo)
1
Ensemble de Violons
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Ensemble d'Altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
98
Fanfare
74
Orchestre
27
Orchestre à Cordes
10
Orchestre de chambre
7
Jazz combo
3
Cloches
3
Ensemble de Percussions
2
Ensemble Jazz
2
Vibraphone
1
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AUTRES
Vous avez sélectionné:
Before the Story
Flûte traversière et Piano
Partitions à imprimer
9 partitions trouvées
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1
Nearer, My God, to Thee (Flute & Piano) Piano Accompaniment Track
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1065587 Composed by Sarah Flowers Adams. Arr…
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Flute,Piano - Digital Download SKU: A0.1065587 Composed by Sarah Flowers Adams. Arranged by Carol Troutman Wiggins. Contemporary,Sacred,Standards. Accompaniment. Duration 180. Carol Troutman Wiggins #3507819. Published by Carol Troutman Wiggins (A0.1065587). NEARER, MY GOD, TO THEEFlute & Piano DuetNearer, My God, to Thee is a Christian hymn from the 19th century, written by Sarah Flower Adams. The hymn tells the story of Jacob's dream in Genesis 28:11-12. This hymn is also known as the last song the band on RMS Titanic played before the ship sank.Excellent for intermediate level musicians.Great for use as a prelude, offertory, postlude, or funeral.
$5.99
5.49 €
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Flûte traversière et Piano
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Sarah Flowers Adams
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Carol Troutman Wiggins
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Nearer, My God, to Thee
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Carol Troutman Wiggins
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SheetMusicPlus
Nearer, My God, to Thee (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.727400 Composed by Sarah Flowers A…
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Flute,Piano - Level 3 - Digital Download SKU: A0.727400 Composed by Sarah Flowers Adams. Arranged by Carol Troutman Wiggins. Christian,Contemporary,Religious,Sacred,Traditional. Score and part. 6 pages. Carol Troutman Wiggins #3507817. Published by Carol Troutman Wiggins (A0.727400). NEARER, MY GOD, TO THEEFlute & Piano DuetNearer, My God, to Thee is a Christian hymn from the 19th century, written by Sarah Flower Adams. The hymn tells the story of Jacob's dream in Genesis 28:11-12. This hymn is also known as the last song the band on RMS Titanic played before the ship sank.Excellent for intermediate level musicians.Great for use as a prelude, offertory, postlude, or funeral.
$9.99
9.15 €
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Flûte traversière et Piano
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Sarah Flowers Adams
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Carol Troutman Wiggins
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Nearer, My God, to Thee
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Carol Troutman Wiggins
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SheetMusicPlus
Salome Tanz (Dance of the Seven Veils)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richa…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
27.48 €
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Flûte traversière et Piano
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Fastnet Rock
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
2.74 €
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Flûte traversière et Piano
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.86 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.86 €
#
Flûte traversière et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Storm Bay Shanty
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.737989 Composed by Fiona Hickie. C…
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Flute,Piano - Level 3 - Digital Download SKU: A0.737989 Composed by Fiona Hickie. Celtic,Folk,Irish,Multicultural,World. Score and part. 8 pages. Fiona Alice Hickie #3866385. Published by Fiona Alice Hickie (A0.737989). This is a sea shanty for piccolo (or flute) and piano. It includes a score, piccolo part and a flute part.Inspiration: Storm Bay is the opening of the river leading to Hobart, Tasmania’s capital city. It was named by Abel Tasman on the 30th November 1642, when a storm forced his ship out to sea before he could anchor there. He did return there in later days. Throughout its history it has seen indigenous people in their canoes and famous explorers such as Abel Tasman, Marc-Joseph Marion du Fresne , Bruni d'Entrecasteaux, William Bligh, Matthew Flinders, James Kelly and James Cook sail its waves. In colonial times whalers could also be seen trying to make their fortune. In more recent times local sailors, including those in the Sydney to Hobart Yacht Race try and win over one of nature’s more challenging waterways.
$3.99
3.66 €
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Flûte traversière et Piano
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Fiona Hickie
#
Storm Bay Shanty
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Fiona Alice Hickie
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SheetMusicPlus
Golden Hour
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1188757 By Jvke. By Jake Lawson an…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1188757 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Score and part. 8 pages. Avery Lynn Jordan #788367. Published by Avery Lynn Jordan (A0.1188757). This transcription was made for Flute and Piano with Chords, of which is intended for music students who already have some prior knowledge of instrumental performance, which does not prevent it from being played by professionals in the area, and can be used in various events such as concerts, weddings or didactic events as well. Golden Hour is the third song released from JVKE's debut album, where before announcing the title and pre-save link, JVKE shared on his Instagram story on July 12, 2022, This song has a special place in my heart and I can't wait to share it with all of you. I did my best to incorporate the beauty in every detail of the production..
$7.99
7.32 €
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Flûte traversière et Piano
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Jvke
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Langanho
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Golden Hour
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Avery Lynn Jordan
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SheetMusicPlus
Golden Hour
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1188756 By Jvke. By Jake Lawson an…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1188756 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Score and part. 8 pages. Avery Lynn Jordan #788366. Published by Avery Lynn Jordan (A0.1188756). This transcription was made for Flute and Piano, of which is intended for music students who already have some prior knowledge of instrumental performance, which does not prevent it from being played by professionals in the area, and can be used in various events such as concerts, weddings or didactic events as well. Golden Hour is the third song released from JVKE's debut album, where before announcing the title and pre-save link, JVKE shared on his Instagram story on July 12, 2022, This song has a special place in my heart and I can't wait to share it with all of you. I did my best to incorporate the beauty in every detail of the production..
$6.99
6.4 €
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Flûte traversière et Piano
#
Jvke
#
Langanho
#
Golden Hour
#
Avery Lynn Jordan
#
SheetMusicPlus
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