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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Between 9
Non classifié
332
Piano & claviers
Piano grosses notes
3 296
Orgue
1 540
Piano Facile
107
Piano seul
107
Clavier
59
Piano, Voix et Guitare
24
Piano, Voix
18
1 Piano, 4 mains
10
Accompagnement Piano
8
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
2
Clavecin
2
Instruments en Do
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
10
Guitare notes et tablatures
7
2 Guitares (duo)
2
Ukulele
1
Piano, Guitare (duo)
1
Voix
Chorale SATB
59
Chorale 3 parties
18
Chorale SSAA
8
Chorale 2 parties
6
Chorale TTBB
4
Voix duo, Piano
4
Voix Soprano, Piano
3
Chorale Unison
3
Voix haute
2
Voix duo
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quintette de Saxophone: 5 saxophones
47
Flûte traversière et Piano
12
2 Saxophones (duo)
11
Flûte, Hautbois, Clarinette, Basson
11
Hautbois, Piano (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Clarinette et Piano
8
2 Flûtes traversières (duo)
8
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto et Piano
6
3 Clarinettes (trio)
6
Ensemble de Clarinettes
6
Flûte traversière
5
Saxophone Tenor et Piano
5
2 Clarinettes (duo)
5
Flûte, Violon
4
Hautbois, Basson (duo)
4
Saxophone Soprano et Piano
4
2 Flûte à bec (duo)
4
Flûte, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Alto (duo)
3
Flûte, Violoncelle
3
Saxophone, Clarinette (duo)
3
Clarinette et Alto
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Alto
2
2 Hautbois (duo)
2
Saxophone Baryton, Piano
2
Clarinette Basse, Piano
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
1
Flûte à Bec
1
Flûte et Guitare
1
Hautbois, Violoncelle
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Saxophone Tenor
1
Flûte à Bec, Piano
1
Ensemble de Flûtes
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
Ensemble de saxophones
1
Clarinette, Trompette (duo)
1
Clarinette
1
2 Flûtes traversières, Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Tenor
1
Clarinette, Guitare (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres
16
Trombone et Piano
9
Trompette, Piano
7
Cor et Piano
5
Ensemble de Trombones
5
Tuba et Piano
3
Euphonium, Piano (duo)
2
Cor et Harpe
2
Ensemble de Trompettes
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
2 Trompettes (duo)
1
Tuba
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violoncelle, Piano
8
2 Violons (duo)
7
Violon, Violoncelle (duo)
7
Alto, Piano
6
2 Harpes (duo)
6
Violon, Alto (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Violoncelles (duo)
4
Violoncelle
4
Violon, Guitare (duo)
2
2 Altos (duo)
2
Violon
2
Harpe
2
Piano Trio: Violon, Alto, Piano
1
Contrebasse, Piano (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
54
Orchestre à Cordes
19
Orchestre
14
Orchestre de chambre
8
Ensemble de cuivres
5
Batterie
3
Ensemble Jazz
3
Cloches
2
Marimba
1
Jazz combo
1
Fanfare
1
Ensemble de Percussions
1
+ 7 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Between 9
Flûte traversière et Piano
Partitions à imprimer
12 partitions trouvées
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1
D'amore Si Muore (Milva Version)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Milva
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Eileen Gilligan
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan....
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Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95
Good Grief
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Flûte traversière et Piano
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AVANCÉ
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Bastille
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Caroline Venter
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Good Grief
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Caroline Venter
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1455750 By Bastille. By Dan Smith and Mark Crew. Arranged by Caroline Venter. 21st Century,Pop,Rock. Score and p...
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Piano,Soprano Flute - Level 5 - SKU: A0.1455750 By Bastille. By Dan Smith and Mark Crew. Arranged by Caroline Venter. 21st Century,Pop,Rock. Score and part. 9 pages. Caroline Venter #1034848. Published by Caroline Venter (A0.1455750). An arrangement for advanced players featuring tricky ornaments and leaps between high and low registers. An ideal concert piece for solo instrument with piano accompaniment. Would suit grade 7 standard. Score and part.
$5.50
Andante BWV 528 in b minor
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Helene Schulthess
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Andante BWV 528 in b minor
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Helene Schulthess
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1402431 Composed by Johann Sebastian Bach. Arranged by Helene Schulthess. Baroque,Chamber,Christian,Religious,Sp...
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Piano,Soprano Flute - Level 4 - SKU: A0.1402431 Composed by Johann Sebastian Bach. Arranged by Helene Schulthess. Baroque,Chamber,Christian,Religious,Spiritual. Score and part. 9 pages. Helene Schulthess #985649. Published by Helene Schulthess (A0.1402431). Arrangement for flute and piano (organ/harpsichord/harp) of the organ sonata in E minor, BWV 528. The 6 organ trio sonatas were written between 1727 and 1732. It is assumed that several of these works were initially written for chamber music ensemble. However, since no evaluable sources are available, this thesis can neither be proven nor disproven.
$15.00
Swan Lake Theme, for Solo Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Flut
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.587685 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,S...
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Flute,Piano - Level 3 - SKU: A0.587685 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737757. Published by David McKeown (A0.587685). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Flute and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Waltz in A Minor - Alto Flute and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor - Alto Flute
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Raymond Fenech
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.760543 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holida...
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Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.760543 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional. Score and individual part. 9 pages. Raymond Fenech #4623543. Published by Raymond Fenech (A0.760543). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Little Lullaby (Pequeña nana) for Flute and Piano
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Flûte traversière et Piano
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FACILE
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William Pagan-Perez
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Little Lullaby
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William Pagan-Perez
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.933878 Composed by William Pagan-Perez. Contemporary,Standards. Score and part. 9 pages. William Pagan-Perez #5712855. P...
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Flute,Piano - Level 2 - SKU: A0.933878 Composed by William Pagan-Perez. Contemporary,Standards. Score and part. 9 pages. William Pagan-Perez #5712855. Published by William Pagan-Perez (A0.933878). This is a short, single-movement solo piece with an accompaniment of the piano to have fun! According to the music grading chart by the American Band College, this piece can be placed between the performing levels grade 1 and grade 2 or also it can be cataloged as an early-intermediate level for those young musicians that are taking their first steps to play solo music.
$5.99
La Lisonjera - flute-piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - flute-piano
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil ...
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Flute,Piano - Level 4 - SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
Waltz in A Minor - Flute and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor - Flute and P
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Raymond Fenech
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.760513 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Per...
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Flute,Piano - Level 3 - SKU: A0.760513 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Period. Score and part. 9 pages. Raymond Fenech #4609271. Published by Raymond Fenech (A0.760513). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
The Skye Boat Song (flute and piano)
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Flûte traversière et Piano
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1364537 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Scor...
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Piano,Soprano Flute - Level 2 - SKU: A0.1364537 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and part. 9 pages. Colin Kirkpatrick Publications #948829. Published by Colin Kirkpatrick Publications (A0.1364537). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The Skye Boat Song has its roots in a traditional Gaelic melody. In this arrangement for flute and piano much of the piece is written in the low register.
$3.95
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