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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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188
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152
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108
3 Clarinettes (trio)
101
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94
Flûte, Hautbois, Clarinette (trio)
70
Flûte, Clarinette et Basson
62
Flûte, Hautbois, Clarinette, Basson
52
Quatuor de Clarinettes: 4 clarinettes
50
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30
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30
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29
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28
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20
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18
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16
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16
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10
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8
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6
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3
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3
Clarinette, Trompette (duo)
2
Clarinette, Orchestre
2
Clarinette, Harpe (duo)
2
2 Hautbois (duo)
2
Saxophone Soprano et Piano
2
Hautbois, Flûte
2
Cor anglais, Piano
1
Flûte, Violon
1
Flûte, Alto (duo)
1
3 Saxophones (trio)
1
2 Flûte à bec (duo)
1
Ensemble à vent
1
Hautbois, Basson (duo)
1
Saxophone
1
Flûte traversière
1
Flûte, Saxophone (duo)
1
Saxophone (partie séparée)
1
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1
Flûte, Trompette (duo)
1
Saxophone Baryton, Piano
1
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6
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4
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2
Trompette, Piano
2
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2
Trombone et Piano
2
2 Trombones (duo)
2
Cor anglais, Piano
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
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CORDES
Alto seul
10
Violon et Piano
10
Alto, Piano
6
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violon
2
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violon, Clarinette, Piano (trio)
1
Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
2 Altos (duo)
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2 Violoncelles (duo)
1
Violoncelle (partie séparée)
1
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Orchestre de chambre
20
Orchestre
15
Orchestre d'harmonie
8
Ensemble de Percussions
2
Orchestre à Cordes
2
Ensemble de cuivres
1
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AUTRES
Vous avez sélectionné:
CLARINET Sonata
Flûte traversière et Piano
Partitions à imprimer
6 partitions trouvées
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1
Sonata for Flute No. 1 (Piano Score Only)
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by Ian Lester (A0.1028807). Sonata for Flute No. 1 draws inspiration from various sources:The first movement is loosely inspired by Brahms' Clarinet Sonata in F Minor and the long melodic lines and wide intervalic leaps found in that work. Irish folk music was another influence, and a jig-like section followed by a brief cadenza leads us into a Stravinsky-esque, technical section. After a brief moment of tranquility in the form of a slow jazz passage, the movement ends with a recap of the original thematic material.The second movement of mixes elements reminiscent of Beethoven and the film music of Hollywood Western movies, specifically scores by Ennio Morricone.The last movement is an aggressive tour de force finale which constantly switches between ideas but always ends up coming back to the repeated two quarter-note flutter-tongued motive before coming to a joyous conclusion. .
$10.99
10.13 €
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Flûte traversière et Piano
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Ian Lester
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Sonata for Flute No. 1
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Ian Lester
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SheetMusicPlus
Giga from Corelli Sonata in D minor: Flute, Clarinet and Alto Sax
Flûte traversière et Piano
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0…
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.722501 Composed by Arcangelo Corelli. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Christmas,Concert,Holiday,Wedding. Score and parts. 7 pages. Music-Scores.com #6705441. Published by Music-Scores.com (A0.722501). Giga is originally from a Violin sonata. It has a bouncy Vivace tempo, and is arranged as a trio for Flute, Clarinet and Alto Saxophone.Concert D minor.Playing time about 2 minutes, 20 seconds.Arranged by Anne L Christopherson at www.music-scores.com
$7.95
7.33 €
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Flûte traversière et Piano
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Arcangelo Corelli
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Giga from Corelli Sonata in D minor: Flute, Clarinet and Alto Sax
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Music-Scores.com
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SheetMusicPlus
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
Flûte traversière et Piano
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824093…
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722569. Published by TK (Tim) Murray (A0.824093). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.41 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
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TK
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SheetMusicPlus
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
Flûte traversière et Piano
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824161…
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 26 pages. TK (Tim) Murray #6717051. Published by TK (Tim) Murray (A0.824161). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
6.41 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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TK Murray
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tkmurraycomp@aol.com
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Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
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TK
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
#
Flûte traversière et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
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