Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come again
Non classifié
338
Piano & claviers
Piano seul
146
Piano, Voix
108
Piano, Voix et Guitare
64
Orgue
23
Piano Facile
22
Instruments en Do
12
1 Piano, 4 mains
7
2 Pianos, 4 mains
7
Accordéon
5
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
Clavecin
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
20
Guitare
17
Ukulele
8
Basse electrique
7
Paroles et Accords
6
2 Guitares (duo)
3
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Dulcimer
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
158
Chorale 3 parties
31
Chorale TTBB
22
Pack Instrumental pour Chorale
21
Chorale 2 parties
15
Chorale SSAA
9
Chorale Unison
8
Voix haute
5
Chorale
4
Voix, Guitare
3
Voix Soprano, Piano
2
Voix basse, Piano
2
Voix Moyenne
2
Voix seule
2
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
22
Flûte traversière et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Ensemble de saxophones
14
Flûte, Hautbois, Clarinette, Basson
11
Clarinette et Piano
11
Quintette de Saxophone: 5 saxophones
11
Hautbois, Piano (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Alto et Piano
8
Clarinette
8
Saxophone Alto
8
Hautbois (partie séparée)
7
Flûte et Guitare
6
3 Clarinettes (trio)
6
Saxophone Soprano et Piano
6
Flûte traversière
6
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
4
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Clarinette Basse, Piano
3
Quatuor de Flûtes : 4 flûtes
3
2 Saxophones (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Basson
3
Flûte, Clarinette et Basson
3
Harmonica
2
Flute (partie séparée)
2
Saxophone
2
Saxophone (partie séparée)
2
Saxophone Baryton
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette (partie séparée)
2
Saxophone Tenor
2
Flûte à bec Alto, Piano
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Flûtes
1
Flûte, Clarinette (duo)
1
Ocarina
1
Saxophone et Guitare
1
Cor anglais, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
Piccolo, Piano
1
Hautbois, Clarinette (duo)
1
Flûte à bec Tenor
1
Hautbois, Flûte
1
Flûte à Bec, Piano
1
Saxophone Soprano
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano
1
+ 52 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Quatuor de Cuivres
12
Tuba
10
Trombone
9
Trompette, Piano
9
Cor
8
Trompette
8
Trombone et Piano
7
Tuba et Piano
5
Ensemble de Trombones
4
Trombone (partie séparée)
4
Cor et Piano
4
Trompette (partie séparée)
3
Euphonium, Piano (duo)
3
Cor (partie séparée)
2
2 Trompettes (duo)
2
Tuba (partie séparée)
2
Cor anglais, Piano
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
4 Tubas
1
Ensemble de Cors
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon et Piano
27
2 Violoncelles (duo)
24
Violon
17
Alto, Piano
14
Violoncelle, Piano
14
Violoncelle
8
Harpe
5
Alto seul
5
Violon, Violoncelle (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
Contre Basse
4
Violon (partie séparée)
3
Contrebasse, Piano (duo)
3
Alto, Violoncelle (duo)
3
Violon, Alto (duo)
3
Alto (partie séparée)
2
Harpe, Voix
2
Alto, Guitare (duo)
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
Ensemble de Violons
1
Trio à Cordes: violon, alto, violoncelle
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, alto
1
Ensemble d'Altos
1
Alto et Harpe
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
52
Orchestre
28
Orchestre à Cordes
12
Ensemble de cuivres
10
Ensemble Jazz
6
Jazz combo
4
Batterie
3
Orchestre de chambre
3
Cloches
2
Marimba
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Percussion
1
Fanfare
1
Xylophone, Piano
1
Timbales (partie séparée)
1
Big band
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
14
Partitions Numériques
19
Librairie Musicale
1
Matériel de Musique
107
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Come again
Flûte traversière et Piano
Partitions à imprimer
19 partitions trouvées
<
1
O Come, O Come Emmanuel for Solo Flute
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Traditional
#
Lawrence H
#
O Come, O Come Emmanuel for So
#
Lawrence H Underwood
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.967522 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Praise & Worship,Sacred. Sco...
(+)
Flute,Piano - Level 3 - SKU: A0.967522 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Praise & Worship,Sacred. Score and part. 10 pages. Lawrence H Underwood #6139621. Published by Lawrence H Underwood (A0.967522). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the seventh installment in his A Christmas Portfolio series, this brand new setting of O Come, O Come Emmanuel brings a breath of fresh air into this ancient melody. Set against a driving mid-tempo montuno in the opening, the piece shifts into a double-time tumbao before once again bringing back the opening groove. This arrangement it a surefire way to spice up the holiday season! Suitable for performance in church or any holiday setting.
$5.99
Caro Mio Ben (Come Once Again) - Flute and Piano (Full Score and Parts)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Giuseppe Giordani
#
César Madeira
#
Caro Mio Ben
#
Sheet Music To Play Editions
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1178608 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Opera,Worl...
(+)
Flute,Piano - Level 3 - SKU: A0.1178608 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Opera,World. Score and part. 6 pages. Sheet Music To Play Editions #778571. Published by Sheet Music To Play Editions (A0.1178608). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Caro Mio Ben (Come Once Again) - Flute and Piano (Individual Parts)
#
Flûte traversière et Piano
#
FACILE
#
Giuseppe Giordani
#
César Madeira
#
Caro Mio Ben
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1222395 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Wedd...
(+)
Piano,Soprano Flute - Level 2 - SKU: A0.1222395 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #818660. Published by Sheet Music To Play Editions (A0.1222395). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Caro Mio Ben (Come Once Again) - Flute and Piano (Full Score)
#
Flûte traversière et Piano
#
FACILE
#
Giuseppe Giordani
#
César Madeira
#
Caro Mio Ben
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1222400 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Oper...
(+)
Piano,Soprano Flute - Level 2 - SKU: A0.1222400 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Opera. Score and part. 3 pages. Sheet Music To Play Editions #818665. Published by Sheet Music To Play Editions (A0.1222400). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Dowland-Come Again, Sweet Love Doth Now Invite,for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Leo Delibes
#
MSM
#
Dowland-Come Again, Sweet Love
#
Open Cloud
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.660414 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score and part. 6 pages. Open Cloud #3914435...
(+)
Flute,Piano - Level 3 - SKU: A0.660414 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score and part. 6 pages. Open Cloud #3914435. Published by Open Cloud (A0.660414). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Dowland (Dowland John), 1563-1626, arrange by MSM Press, for Flute and Piano, published by More Sheet Music Press.
$2.99
Flow My Tears - Flute and Piano (Full Score and Parts)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
John Dowland
#
César Madeira
#
Flow My Tears - Flute and Pian
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1475859 Composed by John Dowland. Arranged by César Madeira. Baroque,Classical,Early Music,Lent,Renaissance. Sc...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1475859 Composed by John Dowland. Arranged by César Madeira. Baroque,Classical,Early Music,Lent,Renaissance. Score and part. 9 pages. Sheet Music To Play Editions #1053420. Published by Sheet Music To Play Editions (A0.1475859). Flow, My Tears by Dowland. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!John Dowland (1563 - 1626) was an English composer and lutenist. He is best known for some beautiful songs which express his unhappiness such as Come, heavy sleep, Come Again, Sweet Love and Flow my tears. His instrumental music became very popular again in the 20th century.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Flow My Tears - Flute and Piano (Full Score)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
John Dowland
#
César Madeira
#
Flow My Tears - Flute and Pian
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1475864 Composed by John Dowland. Arranged by César Madeira. Baroque,Children,Classical,Early Music,Lent. Score...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1475864 Composed by John Dowland. Arranged by César Madeira. Baroque,Children,Classical,Early Music,Lent. Score and part. 3 pages. Sheet Music To Play Editions #1053425. Published by Sheet Music To Play Editions (A0.1475864). Flow, My Tears by Dowland. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.John Dowland (1563 - 1626) was an English composer and lutenist. He is best known for some beautiful songs which express his unhappiness such as Come, heavy sleep, Come Again, Sweet Love and Flow my tears. His instrumental music became very popular again in the 20th century.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$5.99
Flow My Tears - Flute and Piano (Individual Parts)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
John Dowland
#
César Madeira
#
Flow My Tears - Flute and Pian
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1475862 Composed by John Dowland. Arranged by César Madeira. Baroque,Classical,Early Music,Renaissance,Romantic...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1475862 Composed by John Dowland. Arranged by César Madeira. Baroque,Classical,Early Music,Renaissance,Romantic Period. Score and part. 4 pages. Sheet Music To Play Editions #1053423. Published by Sheet Music To Play Editions (A0.1475862). Flow, My Tears by Dowland. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.John Dowland (1563 - 1626) was an English composer and lutenist. He is best known for some beautiful songs which express his unhappiness such as Come, heavy sleep, Come Again, Sweet Love and Flow my tears. His instrumental music became very popular again in the 20th century.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$5.99
The Snow Lay On the Ground (Venite Adoramus Dominum)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
19th Century Anglo-English Car
#
Carol Troutman Wiggins
#
The Snow Lay On the Ground
#
Carol Troutman Wiggins
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1337835 Composed by 19th Century Anglo-English Carol. Arranged by Carol Troutman Wiggins. Christian,Christmas,Ea...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1337835 Composed by 19th Century Anglo-English Carol. Arranged by Carol Troutman Wiggins. Christian,Christmas,Early Music,Holiday,Religious. Score and part. 4 pages. Carol Troutman Wiggins #923580. Published by Carol Troutman Wiggins (A0.1337835). THE SNOW LAY ON THE GROUND is a traditional 19th century carol written in 1875. It is also known as Venite Adoramus Dominum which translates as Come, Let Us Adore Him. The lyrics mean that Christ is born; Christ will come again!Melody is for a solo instrumentLate Intermediate piano accompanimentPerfect for preludes, offertories, and other holiday performances.
$9.99
'til The Season Comes 'round Again
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Kenny Rogers
#
Joan Bujacich
#
'til The Season Comes 'round A
#
Joan Bujacich
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1340156 By Kenny Rogers. By John Barlow Jarvis and Randy Goodrum. Arranged by Joan Bujacich. Christmas,Country,H...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1340156 By Kenny Rogers. By John Barlow Jarvis and Randy Goodrum. Arranged by Joan Bujacich. Christmas,Country,Holiday,Pop. Score and part. 8 pages. Joan Bujacich #925808. Published by Joan Bujacich (A0.1340156). This flowing arrangement for SOLO FLUTE and Piano by Joan Bujacich  is arranged in the friendly key of F major. The score is professionally notated, easy to read and clean. Lyrics included at the end. Together, the two instruments make for a lovely mature, and satisfying sound. This wonderful holiday song can be performed for any fall or winter holiday including Thanksgiving, Christmas, Hanukah and more. The lyrics refer to families gathering around the fire making wonderful memories together. Ms. Bujacich's musical life as a piano and theory teacher, performer, accompanist, vocal coach and composer brings many years of experience to her arrangements.   Note: Kenny Rogers made this song into a big hit in 1996. It has been recorded by additional country artists including Vince Gill and Amy Grant.   Be sure to check out Ms. Bujacich's publishing page, she has  many great arrangements available for all level pianists as well as for Flute and Piano.https://www.sheetmusicplus.com/en/category/arrangeme/769/joan-bujacich/.
$4.99
Possum on the Keys
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Fiona Hickie
#
Possum on the Keys
#
Fiona Alice Hickie
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.738030 Composed by Fiona Hickie. Classical,Contemporary,Jazz. Score and part. 6 pages. Fiona Alice Hickie #4303825. Publ...
(+)
Flute,Piano - Level 3 - SKU: A0.738030 Composed by Fiona Hickie. Classical,Contemporary,Jazz. Score and part. 6 pages. Fiona Alice Hickie #4303825. Published by Fiona Alice Hickie (A0.738030). A piece for flute with piano accompaniment. The possum is an Australian native animal. It is a nocturnal animal that has adapted well to city life, being quite happy living in the roofs of houses. This piece represents the possum creeping about at night time looking for food. It is inspired by an experience I had with a baby possum one night, when I woke up to the strings on my grand piano being played. The young possum had come down my chimney and was looking for an escape from the rain. It was also fairly unhappy with being placed outside again.https://www.youtube.com/watch?v=-IdXGxFlhCg&feature=youtu.be
$4.99
Journey to Funk for flute and piano
#
Flûte traversière et Piano
#
AVANCÉ
#
Tom Swafford
#
Journey to Funk for flute and
#
Tom Swafford
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.914137 Composed by Tom Swafford. 20th Century,Jazz. Score and part. 13 pages. Tom Swafford #3575039. Published by Tom Sw...
(+)
Flute,Piano - Level 5 - SKU: A0.914137 Composed by Tom Swafford. 20th Century,Jazz. Score and part. 13 pages. Tom Swafford #3575039. Published by Tom Swafford (A0.914137). This entertaining piece for flute and piano begins somewhat abstractly, with dissonant harmonies, and gradually transforms until it is a full-on 1970s style funk groove, and by the end it becomes a bit abstract again. Score and parts should be printed double-sided. Blank pages are included so the piano part will be double sided and the flute will be single sided, for ease of page turns. duration: ca. 5 minutes. www.tomswafford.com ASCAP .
$4.00
Flat as a Flute - Flute solo w piano accompaniment
#
Flûte traversière et Piano
#
AVANCÉ
#
Mike Lyons
#
Flat as a Flute - Flute solo w
#
Lyons Music Services
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published ...
(+)
Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
Sonata for Flute and Piano, Op. 12
#
Flûte traversière et Piano
#
AVANCÉ
#
Tyler J
#
Sonata for Flute and Piano, Op
#
TJHoltMusic
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
(+)
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Johnny's March
#
Flûte traversière et Piano
#
Jirka Kadlec
#
Johnny's March
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Flute & Piano - Grade 3 - SKU: R0.40467 Inspired by When Johnny Comes Marching Home Again. Composed by Jirka Kadlec. Flute & Piano. Score and par...
(+)
Flute & Piano - Grade 3 - SKU: R0.40467 Inspired by When Johnny Comes Marching Home Again. Composed by Jirka Kadlec. Flute & Piano. Score and parts. 8 pages. Duration 2'29. Editions Marc Reift - Digital #40467. Published by Editions Marc Reift - Digital (R0.40467).
$6.95
Rain After That
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Joe Hisaishi
#
Eileen Gilligan
#
Rain After That
#
The Flautist
#
SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructio...
(+)
Piano,Soprano Flute - Level 4 - SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
$6.95
Schubert: Ave Maria for Alto Flute & Piano
#
Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Alto F
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
(+)
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Ave Maria for Flute & Piano
#
Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Flute
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
(+)
Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Fastnet Rock
#
Flûte traversière et Piano
#
AVANCÉ
#
Contemporain
#
Jamie Farrow
#
Fastnet Rock
#
Jamie Farrow
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
(+)
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Come again
