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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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Concerto for Flute and Strings
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Crtitères actifs :
Concerto for Flute and Strings
Flûte traversière et Piano
Partitions à imprimer
19 partitions trouvées
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1
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Ar...
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Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
Bach: Bist du bei mir BWV 508 for Flute & Piano
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Flûte traversière et Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score a...
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Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Concerto in D Minor RV 454 - Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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Andrew Middleton
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Concerto in D Minor RV 454 - F
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Andrew Middleton
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.735079 Composed by Antonio Vivaldi. Arranged by Andrew Middleton. Baroque. Score and part. 25 pages. Andrew Middleton #3...
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Flute,Piano - Level 5 - SKU: A0.735079 Composed by Antonio Vivaldi. Arranged by Andrew Middleton. Baroque. Score and part. 25 pages. Andrew Middleton #3416715. Published by Andrew Middleton (A0.735079). Antonio Vivaldi's, Concerto in D Minor RV 454 was originally composed for solo oboe and strings, however, this arrangement has been made for solo flute and piano accompaniment - perfect for the advanced performer!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$6.99
Marcello's Adagio for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Allesandro Marcello
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Diego Marani
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Marcello's Adagio for Flute an
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Diego Marani
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1191049 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Sc...
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Flute,Piano - Level 2 - SKU: A0.1191049 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #790567. Published by Diego Marani (A0.1191049). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement easy for flute with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
Adagio from BWV 974 for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Flute
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Diego Marani
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1206481 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,W...
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Piano,Soprano Flute - Level 3 - SKU: A0.1206481 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #804685. Published by Diego Marani (A0.1206481). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for flute with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
Vivaldi - Flute Concerto No.2 in G minor RV 578 Op.3 for Flute and Cembalo (or Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Santino Cara
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Santino Cara
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Vivaldi - Flute Concerto No.2
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1510711 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 25 pages. Santino Cara #...
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Flute,Piano - Level 4 - SKU: A0.1510711 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 25 pages. Santino Cara #1085913. Published by Santino Cara (A0.1510711). Complete score and part of the Concerto No.2 in G minor RV 578 for Flute and cembalo (or Piano). Transcribed in Rome in 2021 by Santino Cara from Concerto No.2 in G minor Op.3 l'Estro Armonico for 2 violins, strings and continuo, composed in Venice between 1710 and 1711 by Antonio Vivaldi.4 Movements: 1. Adagio e spiccato, 2. Allegro, 3. Larghetto, 4. Allegro
$18.40
Vivaldi - Flute Concerto No.1 in D major RV 549 Op.3 for Flute and Cembalo (or Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Santino Cara
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Santino Cara
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Vivaldi - Flute Concerto No.1
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1510709 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 27 pages. Santino Cara #...
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Flute,Piano - Level 4 - SKU: A0.1510709 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 27 pages. Santino Cara #1085911. Published by Santino Cara (A0.1510709). Complete score and part of the Concerto No.1 in D major RV 549 for Flute and Cembalo (or Piano). Transcribed in Rome in 2021 by Santino Cara from Concerto No.1 in D major Op.3 l'Estro Armonico for 4 violins, strings and continuo, composed in Venice between 1710 and 1711 by Antonio Vivaldi.3 Movements: 1. Allegro, 2. Largo e spigliato, 3. Allegro
$17.40
Vivaldi - Flute Concerto No.6 in B flat major RV 374 Op.7 for Flute and Cembalo (or Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Santino Cara
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Santino Cara
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Vivaldi - Flute Concerto No.6
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1510712 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 26 pages. Santino Cara #...
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Flute,Piano - Level 4 - SKU: A0.1510712 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 26 pages. Santino Cara #1085914. Published by Santino Cara (A0.1510712). Complete score and part of the Concerto No.2 in B flat major RV 374 for Flute and Cembalo (or Piano). Transcribed in Rome in 2002 by Santino Cara from Concerto No.6 Op.7 for violin solo, strings and continuo, composed in Venice in 1717 by Antonio Vivaldi.3 Movements: 1. Allegro, 2. Largo, 3. Allegro
$17.40
Brescianello - Concerto No.1 in C major Op.1 for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Brescianello Giuseppe Antonio
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Santino Cara
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Brescianello - Concerto No.1 i
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.516817 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and part. 27 pages. Santino C...
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Flute,Piano - Level 5 - SKU: A0.516817 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and part. 27 pages. Santino Cara #2858925. Published by Santino Cara (A0.516817). Version for Flute and Piano of the Violin concerto No.1 in C major Op.1 for Violin, strings and continuo of Giuseppe Antonio Brescianello (ca. 1690, Bologna – 4 October 1758, Stuttgart). Published for the first time in 1738 in 6 Concerts and 6 Symphonies Op.1. Reconstructed and transcribed in Rome in 2004, adapted and digitized in 2012 by Santino Cara.
$8.40
Platti - Concerto in A major for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Platti Giovanni Benedetto
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Santino Cara
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Platti - Concerto in A major f
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.516823 Composed by Platti Giovanni Benedetto. Arranged by Santino Cara. Baroque. Score and part. 20 pages. Santino Cara ...
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Flute,Piano - Level 5 - SKU: A0.516823 Composed by Platti Giovanni Benedetto. Arranged by Santino Cara. Baroque. Score and part. 20 pages. Santino Cara #2863199. Published by Santino Cara (A0.516823). Version for Flute and Piano from the Concerto in A major for Violin solo, strings and continuo of Giovanni Benedetto Platti (1697 - 1763). Transcribed in Rome in 2011 by Santino Cara, adapted and digitized in 2016 with the number CS/P3.
$8.60
Vivaldi - Recorder Concerto in A minor RV 445 for Flautino and Piano
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Flûte traversière et Piano
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AVANCÉ
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Santino Cara
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Santino Cara
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Vivaldi - Recorder Concerto in
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1513491 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 35 pages. Santino Cara #...
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Flute,Piano - Level 5 - SKU: A0.1513491 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 35 pages. Santino Cara #1088364. Published by Santino Cara (A0.1513491). Complete score and part of the Recorder Concerto in A minor RV 445 for Sopranino Recorder and Piano. Certainly composed in Venice by Antonio Vivaldi, but presumably between 1720 and 1724 like all the other recorder concertos, and these dates coincide with Vivaldi's appointment as artistic director at the Pio Ospedale della Pietà in the city of Venice. Transcription by Santino Cara.3 Movements: Allegro non tanto, 2, Larghetto un poco mosso, 3. AllegroSources: This concerto was reconstructed in Rome in 2001 by Santino Cara from the holographic manuscript dating back to around 1700 and 1740, for sopranino recorder, strings and harpsichord, kept at the National University Library of Turin, and from this reconstruction Santino Cara made the transcription for recorder and piano.
$18.40
Vivaldi - Recorder Concerto in C major RV 443 for Flautino and Piano
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Flûte traversière et Piano
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AVANCÉ
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Santino Cara
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Santino Cara
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Vivaldi - Recorder Concerto in
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1515694 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 31 pages. Santino Cara #...
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Flute,Piano - Level 5 - SKU: A0.1515694 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 31 pages. Santino Cara #1090048. Published by Santino Cara (A0.1515694). Complete score and part of the Recorder Concerto in C major RV 443 for Sopranino Recorder and Piano. Certainly composed in Venice by Antonio Vivaldi, but presumably between 1720 and 1724 like all the other recorder concertos, and these dates coincide with Vivaldi's appointment as artistic director at the Pio Ospedale della Pietà in the city of Venice. Transcription by Santino Cara.3 Movements: Allegro, 2, Largo, 3. Allegro moltoSources: This concerto was reconstructed in Rome in 2001 by Santino Cara from the holographic manuscript dating back to around 1700 and 1740, for sopranino recorder, strings and harpsichord, kept at the National University Library of Turin, and from this reconstruction Santino Cara made the transcription for recorder and piano.
$18.40
Vivaldi - Recorder Concerto in C major RV 444 for Flautino and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Santino Cara
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Santino Cara
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Vivaldi - Recorder Concerto in
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1517165 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 31 pages. Santino Cara #...
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Flute,Piano - Level 4 - SKU: A0.1517165 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 31 pages. Santino Cara #1091344. Published by Santino Cara (A0.1517165). Complete score and part of the Recorder Concerto in C major RV 444 for Sopranino Recorder and Piano. Certainly composed in Venice by Antonio Vivaldi, but presumably between 1720 and 1724 like all the other recorder concertos, and these dates coincide with Vivaldi's appointment as artistic director at the Pio Ospedale della Pietà in the city of Venice. Transcription by Santino Cara.3 Movements: Allegro non molto, 2, Largo, 3. AllegroSources: This concerto was reconstructed in Rome in 2001 by Santino Cara from the holographic manuscript dating back to around 1700 and 1740, for sopranino recorder, strings and harpsichord, kept at the National University Library of Turin, and from this reconstruction Santino Cara made the transcription for recorder and piano.
$18.40
Bach 1729 BWV 1041 Concerto in Am Score Parts Flute Solo
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Rainer's Rainbow
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R G Roth
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Bach 1729 BWV 1041 Concerto in
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Rainer's Rainbow
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1435135 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,Baroque,Clas...
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Piano,Soprano Flute - Level 4 - SKU: A0.1435135 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,Baroque,Classical,Instructional,Wedding. Score and part. 92 pages. Rainer's Rainbow #1015239. Published by Rainer's Rainbow (A0.1435135). Bach had been playing this Violin Concerto for a number of years before finally publishing it around 1729. It is arranged here for the first time for solo flute. All orchestra string parts and a fully realized keyboard part is included, which can be used instead of the strings up no orchestra is available. The original violin solo part is included for reference.
$12.91
Telemann Adagio D Major - EASY flute and piano
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Flûte traversière et Piano
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FACILE
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Georg Philipp Telemann
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Ludovica Lanaro
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Telemann Adagio D Major - EASY
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Ludovica Lanaro
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.905564 Composed by Georg Philipp Telemann. Arranged by Ludovica Lanaro. Baroque,Contemporary,Holiday,Standards,Wedding. ...
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Flute,Piano - Level 2 - SKU: A0.905564 Composed by Georg Philipp Telemann. Arranged by Ludovica Lanaro. Baroque,Contemporary,Holiday,Standards,Wedding. Score and part. 5 pages. Ludovica Lanaro #6340719. Published by Ludovica Lanaro (A0.905564). Easy arrangement for flute and piano of Adagio from Concerto in D for Trumpet, Strings and Continuo by G. P. Telemann. Score and individual parts are included.
$4.99
Adagio de la Symphonie en Ré
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Joseph Haydn
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Louis Fleury
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Adagio de la Symphonie en R&ea
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53374 (Nr. 24). Composed by Franz Joseph Haydn. Edited by Edmund Wachter and Elisabeth Wein...
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Flute and piano - intermediate to advanced - SKU: S9.Q53374 (Nr. 24). Composed by Franz Joseph Haydn. Edited by Edmund Wachter and Elisabeth Weinzierl. Arranged by Louis Fleury. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53374. Published by Schott Music - Digital (S9.Q53374). English • German.Joseph Haydn wrote his Symphony Hob. I:24 in D major in 1764, when he was deputy music director in the service of Prince Nikolaus I. Esterházy, before his appointment as Director of music in 1766. In the second movement, Adagio, the flute plays a cantabile solo melody, sparingly accompanied by orchestral strings. This movement sounds as though it were from a flute concerto, readily suggesting an arrangement for flute and piano. This arrangement is by flautist Louis Fleury, who was born in Lyon; at the age of fifteen he moved to Paris, where he spent the rest of his life. After studying with Paul Taffanel he decided upon a career as a freelance flautist – a very unusual choice at the time. Fleury rediscovered early music and commissioned new music, too: Debussy’s , for example, was dedicated to him. Through the publication of several essays Fleury made a significant contribution to the acceptance of the flute as a fully fledged concert instrument in the 20th Century. Plate no. 29512 / published in 1912.
$3.99
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Concerto for Flute and Strings
