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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto for Orchestra
Non classifié
500
Piano & claviers
Piano seul
122
2 Pianos, 4 mains
23
Accompagnement Piano
16
Orgue et Orchestre
3
Orgue
3
Orgue, Piano (duo)
3
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
3
Piano Facile
3
Piano, Voix
2
Accordéon
2
Piano, Voix et Guitare
2
Instruments en Do
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon et Orchestre
1
Ensemble d'Accordéons
1
+ 13 instrumentations
Retracter
Guitares
Guitare
13
Piano, Guitare (duo)
3
Mandoline
3
Guitare, Quatuor à cordes
2
2 Guitares (duo)
2
Guitare, Orchestre
2
Luth
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
2
Chorale SSAATTBB
1
Chorale 3 parties
1
Chorale TTBB
1
Vents
Flûte traversière
29
Flûte traversière et Piano
20
Clarinette
17
Hautbois (partie séparée)
17
5 Flûtes à bec
16
Clarinette et Piano
15
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Quintette de Saxophone: 5 saxophones
11
Clarinette (partie séparée)
11
Quatuor de Flûtes à bec
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
2 Hautbois (duo)
8
Ensemble De Flûte à bec
7
Quatuor de Saxophones: 4 saxophones
7
3 Saxophones (trio)
7
Flûte traversière, Orchestre
7
Saxophone Soprano et Piano
6
Cor Anglais
6
2 Saxophones (duo)
6
Saxophone Tenor et Piano
5
Flute (partie séparée)
5
Saxophone
5
Saxophone (partie séparée)
5
2 Cors Anglais Et Pianoforte
5
Ensemble de Clarinettes
5
Clarinette, Orchestre
5
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Flûte : 5 flûtes
4
Hautbois
4
Cor anglais, Piano
4
Saxophone Baryton, Piano
4
Clarinette Basse, Piano
4
2 Clarinettes (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de saxophones
2
Hautbois et Orchestre
2
Flûte à Bec
2
Trio de Flûtes: 3 flûtes
2
Flûte, Clarinette (duo)
2
Ensemble de Hautbois
1
Ensemble à vent
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûte à bec (duo)
1
Flûte et Trio à cordes
1
3 Clarinettes (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Harmonica, Piano
1
2 Flûtes, Basse continue
1
2 Flûtes traversières (duo)
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Saxophone Alto
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Harpe
1
Flûte et Guitare
1
+ 58 instrumentations
Retracter
Cuivres
Trombone et Piano
19
Cor (partie séparée)
13
Cor
12
Trombone (partie séparée)
10
Trompette
10
Trompette, Piano
10
Cor et Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor Anglais
6
2 Cors Anglais Et Pianoforte
5
Trompette (partie séparée)
5
Trombone
4
Cor anglais, Piano
4
2 Trompettes (duo)
3
Tuba et Piano
3
Euphonium, Piano (duo)
3
Trompette, Orchestre
3
Tuba (partie séparée)
2
Ensemble de Trompettes
2
Tuba
2
Ensemble de Trombones
2
Trompette, Cor (duo)
1
Ensemble de Cors
1
2 Trombones (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 trombones
1
3 Tubas (trio)
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
Cor, Orchestre
1
2 Cors (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Harpe
1
+ 30 instrumentations
Retracter
Cordes
Violon (partie séparée)
101
Violon et Piano
47
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violoncelle (partie séparée)
32
Contrebasse (partie séparée)
31
Alto seul
28
Violoncelle, Piano
24
Violon
17
Alto, Piano
14
Violoncelle
9
Alto (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
7
Violoncelle, Orchestre
6
Contrebasse, Piano (duo)
6
Harpe
6
Alto et orchestre
5
Trio à cordes: 3 altos
4
Violon, Alto (duo)
4
Contre Basse
4
2 Violoncelles (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle, Basse continue
3
2 Altos (duo)
2
Violon, Violoncelle (duo)
2
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Violon, Guitare (duo)
1
Harpe et Piano
1
Harpe, Flûte (duo)
1
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
484
Orchestre de chambre
421
Orchestre
286
Orchestre d'harmonie
46
Piano et Orchestre
31
Orchestre, Violon
16
Ensemble de Percussions
9
Jazz combo
4
Timbales (partie séparée)
3
Percussion (partie séparée)
3
Ensemble de cuivres
3
Batterie
2
Cloches
1
Vibraphone et Marimba
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
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débutant
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Vous avez sélectionné:
Concerto for Orchestra
Flûte traversière et Piano
Partitions à imprimer
20 partitions trouvées
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1
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Ar...
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Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
Adagio Sostenuto from "Piano Concerto No. 2" for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1220905 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,...
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Piano,Soprano Flute - Level 3 - SKU: A0.1220905 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #817247. Published by Diego Marani (A0.1220905). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for flute with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
Bach 1729 BWV 1041 Concerto in Am Score Parts Flute Solo
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Rainer's Rainbow
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R G Roth
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Bach 1729 BWV 1041 Concerto in
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Rainer's Rainbow
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1435135 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,Baroque,Clas...
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Piano,Soprano Flute - Level 4 - SKU: A0.1435135 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,Baroque,Classical,Instructional,Wedding. Score and part. 92 pages. Rainer's Rainbow #1015239. Published by Rainer's Rainbow (A0.1435135). Bach had been playing this Violin Concerto for a number of years before finally publishing it around 1729. It is arranged here for the first time for solo flute. All orchestra string parts and a fully realized keyboard part is included, which can be used instead of the strings up no orchestra is available. The original violin solo part is included for reference.
$12.91
Concerto for Violin and Orchestra I - Allegro Moderato
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Flûte traversière et Piano
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AVANCÉ
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Tchaikovsky, Peter Ilyich
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ChunYan Cheung
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Concerto for Violin and Orches
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ChunYan
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1354490 Composed by Tchaikovsky, Peter Ilyich. Arranged by ChunYan Cheung. 19th Century,20th Century,Chamber,Cla...
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Piano,Soprano Flute - Level 5 - SKU: A0.1354490 Composed by Tchaikovsky, Peter Ilyich. Arranged by ChunYan Cheung. 19th Century,20th Century,Chamber,Classical,Folk. Score and part. 43 pages. ChunYan #939209. Published by ChunYan (A0.1354490). Arrangement for flute from one of the most well-known violin concertos.
$7.99
Concerto for Violin and Orchestra II - Canzonetta
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Tchaikovsky, Peter Ilyich
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ChunYan Cheung
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Concerto for Violin and Orches
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ChunYan
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1354494 Composed by Tchaikovsky, Peter Ilyich. Arranged by ChunYan Cheung. 19th Century,20th Century,Chamber,Cla...
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Piano,Soprano Flute - Level 5 - SKU: A0.1354494 Composed by Tchaikovsky, Peter Ilyich. Arranged by ChunYan Cheung. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 7 pages. ChunYan #939213. Published by ChunYan (A0.1354494). Arrangement for flute from one of the most well-known violin concertos.
$3.99
Concerto for Violin and Orchestra III - Allegro Vivacissimo
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Tchaikovsky, Peter Ilyich
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ChunYan Cheung
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Concerto for Violin and Orches
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ChunYan
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1354498 Composed by Tchaikovsky, Peter Ilyich. Arranged by ChunYan Cheung. 19th Century,20th Century,Chamber,Cla...
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Piano,Soprano Flute - Level 5 - SKU: A0.1354498 Composed by Tchaikovsky, Peter Ilyich. Arranged by ChunYan Cheung. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 30 pages. ChunYan #939217. Published by ChunYan (A0.1354498). Arrangement for flute from one of the most well-known violin concertos.
$6.99
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493997. Published by jmsgu3 (A0.549422). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
[Avshalomov] Flute Concerto (Reduction)
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Flûte traversière et Piano
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Contemporain
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Aaron Avshalomov
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[Avshalomov] Flute Concerto
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American Composers Alliance Inc.
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SheetMusicPlus
Flute,Piano - SKU: A0.952713 Composed by Aaron Avshalomov. 20th Century. Score and part. 59 pages. American Composers Alliance Inc. #4616243. Published ...
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Flute,Piano - SKU: A0.952713 Composed by Aaron Avshalomov. 20th Century. Score and part. 59 pages. American Composers Alliance Inc. #4616243. Published by American Composers Alliance Inc. (A0.952713). A piano reduction of the concerto for flute and orchestra. PDF download includes reduction score and part.
$25.95
Concerto G major
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Antonio Rosetti
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Concerto G major
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - intermediate to advanced - SKU: S9.Q23980 Composed by Antonio Rosetti. This edition: piano reduction with solo part. Il Flauto tra...
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Flute and orchestra - intermediate to advanced - SKU: S9.Q23980 Composed by Antonio Rosetti. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 19 minutes. Schott Music - Digital #Q23980. Published by Schott Music - Digital (S9.Q23980). Key: G major.F.A. Rösler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rösler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, Rösler achieves in this concerto an almost natural musical unity.
$19.99
Adagio BWV 974 from Concerto in D Minor after Marcello for flute or violin and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.532624 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and...
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Flute,Piano - Level 4 - SKU: A0.532624 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and part. 7 pages. Amadeus Music #6630191. Published by Amadeus Music (A0.532624). 2 alternative violin 1 parts included: sul G/low and easy unornamented part.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$5.95
Ange Flégier: Tarantella for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ange Flégier
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Paul Wehage
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Ange Flégier: Tarantell
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.534389 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 20 pages...
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Flute,Piano - Level 4 - SKU: A0.534389 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 20 pages. Musik Fabrik Music Publishing #3399631. Published by Musik Fabrik Music Publishing (A0.534389). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseille et died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Corâ€, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratoria Ossian and many chamber works, including the first “dixtuor†for wind quintet and string quintet. 
$11.95
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Andante
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Wolfgang Birtel
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Andante
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - intermediate - SKU: S9.Q49450 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Birtel. This edition: piano reduction with...
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Flute and orchestra - intermediate - SKU: S9.Q49450 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Birtel. This edition: piano reduction with solo part. Flute - Orchestra - teaching repertoire - Wolfgang Amadeus Mozart. Schott Student Edition - Repertoire. Dieser hübsche Einzelsatz wird hier in einer sorgfältig edierten Neuausgabe, mit einer Kadenz des Herausgebers, vorgelegt – ein serenadenhafter Satz, der dem Solisten alle Möglichkeiten für kantables Spiel bietet. Downloadable, Piano reduction with solo part. Duration 5 minutes. Schott Music - Digital #Q49450. Published by Schott Music - Digital (S9.Q49450). Key: C major. German • English • French.Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client – with regard to the playing technique and/or music – the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor – a serenade-like setting that offers the soloist many possibilities for cantabile playing. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$9.99
[Dillon] Orpheus in the Afterworld (Piano Reduction)
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Flûte traversière et Piano
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Contemporain
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Lawrence Dillon
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[Dillon] Orpheus in the Afterw
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American Composers Alliance Inc.
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SheetMusicPlus
Flute,Piano - SKU: A0.952974 Composed by Lawrence Dillon. 20th Century,Contemporary. Score and part. 59 pages. American Composers Alliance Inc. #4632053...
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Flute,Piano - SKU: A0.952974 Composed by Lawrence Dillon. 20th Century,Contemporary. Score and part. 59 pages. American Composers Alliance Inc. #4632053. Published by American Composers Alliance Inc. (A0.952974). A piano reduction of the concerto for flute and chamber orchestra - PDF download includes score and part.
$19.95
Annette
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Karl Jenkins
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Diego Marani
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Annette
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Diego Marani
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.528888 Composed by Karl Jenkins. Arranged by Diego Marani. Baroque,Classical,Contemporary,Film/TV,Instructional. Score a...
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Flute,Piano - Level 3 - SKU: A0.528888 Composed by Karl Jenkins. Arranged by Diego Marani. Baroque,Classical,Contemporary,Film/TV,Instructional. Score and part. 10 pages. Diego Marani #6626619. Published by Diego Marani (A0.528888). Palladio is a composition for string orchestra by Karl Jenkins, written in 1995, with the title referring to the Italian Renaissance architect Andrea Palladio (1508–1580). The work in three movements is in the form of a concerto grosso. Motifs of the first movement, Allegretto, were used for a TV commercial of De Beers, A Diamond Is Forever, from 1993.This arrangement for flute with piano accompaniment of the first movement is suitable for classroom, repertoire and recital.
$12.99
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Concerto for Orchestra
