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FLUTE DE PA…
FORMATION M…
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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Non classifié
812
PIANO & CLAVIERS
Piano seul
602
Piano Facile
133
Orgue
81
Piano, Voix
36
Accompagnement Piano
23
1 Piano, 4 mains
15
Piano (partie séparée)
9
Piano, Voix et Guitare
7
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
4
Instruments en Do
3
Orgue, Piano (duo)
3
Ensemble d'Accordéons
2
Clavecin
1
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare
44
Guitare (partie séparée)
12
Guitare notes et tablatures
7
2 Guitares (duo)
5
Piano, Guitare (duo)
3
Banjo
2
Basse electrique
2
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
2
3 Guitares (trio)
1
Mandoline, Piano (duo)
1
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VOIX
Chorale SATB
448
Chorale 3 parties
177
Chorale 2 parties
93
Chorale Unison
57
Chorale TTBB
35
Chorale SSAA
24
Voix Baryton, Piano
7
Chorale SSATB
6
Voix Soprano, Piano
4
Voix duo
3
Voix seule
3
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix duo, Piano
1
Voix Tenor
1
Chorale SSAATTBB
1
Chorale
1
Voix Soprano
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
61
Flûte traversière et Piano
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
2 Saxophones (duo)
44
Clarinette et Piano
37
Quatuor de Saxophones: 4 saxophones
36
Hautbois, Piano (duo)
31
Saxophone Alto et Piano
30
2 Clarinettes (duo)
26
Clarinette (partie séparée)
25
Clarinette
23
Saxophone Tenor et Piano
21
Flûte traversière
20
Quatuor de Clarinettes: 4 clarinettes
20
2 Flûtes traversières (duo)
18
Flûte, Hautbois, Clarinette, Basson
17
Flûte, Clarinette (duo)
15
Quatuor de Flûtes : 4 flûtes
14
Saxophone Soprano et Piano
14
3 Saxophones (trio)
14
Ensemble de Flûtes
12
Ensemble de Clarinettes
12
Flute (partie séparée)
9
3 Clarinettes (trio)
9
Saxophone, Clarinette (duo)
8
Flûte, Violon
7
Saxophone Baryton, Piano
7
Hautbois (partie séparée)
7
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Violon (duo)
7
Trio de Flûtes: 3 flûtes
7
Cor anglais, Piano
6
Hautbois, Basson (duo)
6
Clarinette Basse, Piano
6
Ensemble de saxophones
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
4
Clarinette, Trompette (duo)
4
Flûte et Guitare
4
Flûte, Clarinette, Piano (trio)
4
Hautbois, Clarinette (duo)
4
Flûte, Hautbois, Basson
4
Hautbois, Flûte
4
Saxophone Alto
4
Quintette de Saxophone: 5 saxophones
4
Flûte à bec Soprano
3
2 Hautbois (duo)
3
Clarinette, Violoncelle (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Alto (duo)
2
Hautbois, Violoncelle
2
Piccolo, Piano
2
Flûte, Basson et Piano
2
Hautbois, Basson et Piano
2
Hautbois
2
Flûte, Violoncelle
2
Quatuor de Flûtes à bec
2
Flûte à bec Tenor
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Harpe
2
2 Saxophones, Piano
1
Clarinette, Orgue
1
2 Flûte à bec (duo)
1
Saxophone Soprano
1
Flûte, Hautbois, Piano (trio)
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Flûte, Violon et Violoncelle
1
Flûte, Trompette (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Hautbois et alto (duo)
1
Hautbois, violon (duo)
1
Flûte, Clarinette et Basson
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto
1
Hautbois, trombone (duo)
1
Piccolo
1
Flûte, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Clarinette Basse
1
Flûte, Hautbois (duo)
1
Saxophone
1
Clarinette, Contrebasse (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trombone (partie séparée)
52
Trompette (partie séparée)
38
Trombone et Piano
34
Trompette, Piano
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Cor et Piano
21
Cor (partie séparée)
16
Trompette
11
Euphonium, Piano (duo)
10
Tuba (partie séparée)
10
Trompette, Trombone (duo)
9
Tuba et Piano
9
Quatuor de cuivres: 4 trombones
9
Trombone
8
2 Trompettes (duo)
7
Ensemble de Trombones
7
Tuba
7
Cor anglais, Piano
6
Cor
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 cors
5
Trompette, Saxophone (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trompettes
4
2 Cors (duo)
3
Euphonium, Tuba (duo)
3
2 Trombones (duo)
3
Trombone basse
3
Quatuor de cuivres: 4 trompettes
2
2 Tubas (duo)
2
3 Cors (trio)
2
2 Euphoniums et 2 Tubas
2
4 Tubas
1
Cor et Basson (duo)
1
Clarinette, Cor (duo)
1
Trompette, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone et orchestre
1
Ensemble de Cors
1
3 Trombones (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
115
Violon et Piano
70
Violoncelle, Piano
39
Violon (partie séparée)
38
Alto, Piano
37
Violon
30
Contrebasse (partie séparée)
23
2 Violons (duo)
19
Violon, Violoncelle (duo)
18
Alto (partie séparée)
16
Violoncelle (partie séparée)
15
Harpe
14
Violon, Alto (duo)
13
2 Altos (duo)
13
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
8
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle
5
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
3
Contre Basse
3
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
Violoncelle, Orchestre
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Flûte, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1228
Orchestre à Cordes
196
Cloches
135
Orchestre
80
Ensemble de cuivres
43
Orchestre de chambre
36
Ensemble Jazz
20
Percussion (partie séparée)
16
Batterie (partie séparée)
9
Ensemble de Percussions
8
Jazz combo
6
Ensemble d'École
5
Fanfare
4
Vibraphone
3
Marimba
2
Xylophone
2
Xylophone, Piano
2
2 Xylophones
1
Timbales
1
Percussion
1
Marimba, Piano (duo)
1
Batterie
1
2 Marimbas
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Contrast
Flûte traversière et Piano
Partitions à imprimer
54 partitions trouvées
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Contrastes (Contrasts for flute and piano)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.814581 Composed by Orlan Charles. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.814581 Composed by Orlan Charles. Concert,Contemporary,Instructional,Standards. Score and part. 22 pages. ORLAN CHARLES MARCHIORI PRADO #2926697. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814581). Contrastes (Contrasts for flute and piano). An energetic and rhythmic piece with many harmonic variations and virtuosity. The Mp3 contains the third part from Contrasts.I played the 3rd part of this scores in this video: https://www.youtube.com/watch?v=BXgiX3KeaaQ If you want to see other arrangements like this, look for my channel, Orlan Charles on Youtube, or follow my social networks below: Email: orlandagaita@gmail.com Instagram: @orlancharles Facebook: https://www.facebook.com/orlancharlespage/
$12.99
11.93 €
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Flûte traversière et Piano
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Orlan Charles
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Contrastes
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ORLAN CHARLES MARCHIORI PRADO
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SheetMusicPlus
Lamento
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1366500 Composed by Ulrich Lehenst…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1366500 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical. Score and part. 7 pages. Ulrich Lehensteiner #950835. Published by Ulrich Lehensteiner (A0.1366500). A short and easy-to-play, yet emotionally very intense, mournful piece, featuring some unusual, sometimes maybe surprising harmonic changes. The uneasily driving piano-bass-line adds a sense of rhythm to the piece and contrastingly compliments the simple, legato-oriented flute-part.
$10.95
10.06 €
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Flûte traversière et Piano
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Ulrich Lehensteiner
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Lamento
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Ulrich Lehensteiner
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SheetMusicPlus
The Journey (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.725350 By Paul Barker Music. By Pa…
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Flute,Piano - Level 3 - Digital Download SKU: A0.725350 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Score and part. 10 pages. Paul Barker Music #6572943. Published by Paul Barker Music (A0.725350). The Journey uses creative use of contrast to showcase the lyrical main theme against the virtuosic middle section. The work brilliantly showcases both soloists using rich harmony, a dramatic melodic range and inspiring thematic contrast.
$5.95
5.46 €
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Flûte traversière et Piano
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Paul Barker Music
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The Journey
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Paul Barker Music
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SheetMusicPlus
Invention #1 for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1299446 Composed by Felix Rivera. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.
$14.99
13.76 €
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Flûte traversière et Piano
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Felix Rivera
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Invention #1 for Flute and Piano
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Felix Rivera
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SheetMusicPlus
Mosaic for Piccolo or Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20t…
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Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 28 pages. Sy Brandon #3235521. Published by Sy Brandon (A0.754993). The American Heritage Dictionary defines mosaic as a picture or decorative design made by setting small colored pieces, such as tile, in mortar. The musical ideas in this composition are treated in a similar fashion. The small colored pieces can be compared to the musical motifs of the composition. Sometimes these fragments form a larger unit and become a recognizable melody. At other times, the fragments are combined differently therefore creating a variation to the original idea. Throughout the three-movement composition, this technique has been employed to create loose formal structures that still have unity and variety through the use of contrasting sections. The three movements themselves create contrast by being organized in a fast-slow-fast arrangement. The musical language is tonal with frequent shifts in the tonal center and with harmony in thirds and fourths. It was been recorded by Cristina Ledford and Michael McGhee on the CD Mosaic on Emeritus Recordings label.
$9.99
9.17 €
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Flûte traversière et Piano
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Sy Brandon
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Mosaic for Piccolo or Flute and Piano
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Sy Brandon
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SheetMusicPlus
Two Dances
Flûte traversière et Piano
Flute and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM254 Composed b…
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Flute and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM254 Composed by Ian Vlemmiks. Score and Part. 12 pages. Forton Music - Digital #FM254. Published by Forton Music - Digital (F2.FM254). ISBN 9790570481538.Flute and Piano. Two contrasting dances for flute and piano. Slumber Dance is slow and luscious with rich harmonies shifting in parallel, above which the flute floats and interjects. Life Dance is a total contrast, with busy ostinati and an exciting flute part. Showing influences of Debussy and Messiaen, an exciting and challenging work for the intermediate to advanced player.
$9.95
9.14 €
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Flûte traversière et Piano
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Ian Vlemmiks
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Two Dances
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Forton Music - Digital
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SheetMusicPlus
Dramatica (Flute and Piano)
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1405261 By Paul Barker Mus…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1405261 By Paul Barker Music. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Instructional. Score and part. 12 pages. Paul Barker Music #988307. Published by Paul Barker Music (A0.1405261). Dramatica is a symphony of emotions meticulously crafted through impassioned harmony, dynamic contrast and melodic lines that resonate with raw musical feeling. This engaging concert work wonderfully showcases both performers to leave your audience profoundly moved. Performance Recording and Piano Accompaniment MP3s are also available from www.paulbarkermusic.com and here.Duration: 3:00 Level: Intermediate (UK Grade 5+ & US 2+)Occasion: Concert – Competitions - Recital Orchestration: Flute - Piano.
$5.95
5.46 €
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Flûte traversière et Piano
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Paul Barker Music
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Paul Barker
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Dramatica
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Paul Barker Music
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SheetMusicPlus
A Little "Suite" Music
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1405285 Composed by Tyler Mazone. …
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Flute,Piano - Level 4 - Digital Download SKU: A0.1405285 Composed by Tyler Mazone. Contemporary,Contest,Festival. Score and part. 19 pages. T.U.X. People's Music #988332. Published by T.U.X. People's Music (A0.1405285). Bring an aura of beautiful simplicity with deeply realized emotions in this enchanting suite, featuring three different styles suitable for bringing contrast to any recital program!
$22.00
20.2 €
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Flûte traversière et Piano
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Tyler Mazone
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A Little "Suite" Music
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T.U.X. People's Music
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.91 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
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SheetMusicPlus
I've Got the Joy
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.912133 Composed by George W. Cooke…
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Flute,Piano - Level 4 - Digital Download SKU: A0.912133 Composed by George W. Cooke, E. E. Hewitt. Arranged by Deborah M. Sylvester. Children,Christian,Concert. Score and part. 8 pages. Silverflute Music #3568067. Published by Silverflute Music (A0.912133). This is one exciting arrangement of two exciting songs! Blended with the hymn, There is Sunshine in My Soul Today, I've Got the Joy for piano and flute pulls together all sorts of fun harmonic combinations, musical articulations, and styles. It opens in the key of F major, changes for some contrast into the key of D, and finally closes triumphantly back in F. Originally written to be performed for an enthusiastic audience of all ages back in 2011, this song is sure to bring joy to your listener's hearts!George W. Cooke (I Have the Joy); E. E. Hewitt (There is Sunshine in My Soul).
$4.99
4.58 €
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Flûte traversière et Piano
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George W
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Deborah M
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E
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I've Got the Joy
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Silverflute Music
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SheetMusicPlus
What a Friend We Have in Jesus
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.835485 Composed by Charles C. Conv…
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Flute,Piano - Level 4 - Digital Download SKU: A0.835485 Composed by Charles C. Converse. Arranged by Andrea Neustaeter. Contemporary,Gospel,Sacred,Spiritual. Score and part. 8 pages. Andrea Neustaeter #3564135. Published by Andrea Neustaeter (A0.835485). A traditional hymn arranged for flute (C instrument) and piano. A soft arrangement with classical and jazz influence. It includes a section with melody in a minor key that gives a contrast in mood before finishing in a new key. The piece modulates from F Major to G minor to G Major. 8 pages including score and parts. Requests for changes in instrumentation (or keys) are welcome: https://windystreetmusic.com/home/application-for-a-special-arrangement-or-composition/
$4.99
4.58 €
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Flûte traversière et Piano
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Charles C
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Andrea Neustaeter
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What a Friend We Have in Jesus
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Andrea Neustaeter
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SheetMusicPlus
The Promise (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.725242 By Paul Barker Music. By Pa…
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Flute,Piano - Level 2 - Digital Download SKU: A0.725242 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 16 pages. Paul Barker Music #6414035. Published by Paul Barker Music (A0.725242). The Promise is a powerful emotional journey full of warmth, passion and positivity for Flute & Piano. The work brilliantly showcases both soloists using rich harmony, a dramatic melodic range and colourful thematic contrast. Accompaniment MP3 available from www.paulbarkermusic.com Level: Intermediate (Grade 4 UK/Grade 2 USA)
$5.95
5.46 €
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Flûte traversière et Piano
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Paul Barker Music
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Piano
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The Promise
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Paul Barker Music
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
8 Swinging Xmas Carols for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1314725 By Keith Terrett. By Vario…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1314725 By Keith Terrett. By Various. Arranged by Keith Terrett. Children,Christian,Christmas,Praise & Worship. Score and part. 31 pages. Keith Terrett #903504. Published by Keith Terrett (A0.1314725). An exciting arrangement of eight popular swinging xmas carols arranged for Flute & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
14.68 €
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Flûte traversière et Piano
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Flute & Piano
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Keith Terrett
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SheetMusicPlus
An Ataireachd Ard
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.770014 Composed by Donald Maciver.…
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Flute,Piano - Level 3 - Digital Download SKU: A0.770014 Composed by Donald Maciver. Arranged by David D. Mason. Celtic,Contemporary. Score and part. 4 pages. David D Mason #5178759. Published by David D Mason (A0.770014). Donald Maciver's gaelic air is about an emigrant's lament for his beloved home of Lewis. The music conveys the contrast between the eternal sea and human transience.
$3.99
3.66 €
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Flûte traversière et Piano
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Donald Maciver
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David D
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An Ataireachd Ard
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David D Mason
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SheetMusicPlus
Trumpet Tune and Air, by Purcell; for solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587651 Composed by Henry Purcell. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.587651 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728537. Published by David McKeown (A0.587651). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Flute and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Flûte traversière et Piano
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purcell; for solo Flute and Piano
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David McKeown
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SheetMusicPlus
La Lisonjera - flute-piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chamina…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
6.42 €
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Flûte traversière et Piano
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - flute-piano
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Phil Beaman
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SheetMusicPlus
O Mio Babbino Caro - G.Puccini - Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1050526 Composed by G.Puccini. Arr…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1050526 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 10 pages. Raymond Fenech #654894. Published by Raymond Fenech (A0.1050526). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
3.66 €
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Flûte traversière et Piano
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G
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini - Flute and Piano
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Raymond Fenech
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.75 €
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Flûte traversière et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Alto Flute Suite
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1118440 Composed by Phil Rawle. Cl…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1118440 Composed by Phil Rawle. Classical,Contemporary. Score and part. 26 pages. Phillip Rawle #719966. Published by Phillip Rawle (A0.1118440). A set of three pieces - Liberty, Equality, Fraternity. A contrast in styles. Written for Alto Flute with Piano accompaniment.
$7.00
6.43 €
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Flûte traversière et Piano
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Phil Rawle
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Alto Flute Suite
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Phillip Rawle
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SheetMusicPlus
Pastorale and Rumba
Flûte traversière et Piano
Fl.pft. - Intermediate - Digital Download SKU: F2.FM389 Composed by Liz Sharma. Flu…
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Fl.pft. - Intermediate - Digital Download SKU: F2.FM389 Composed by Liz Sharma. Flute and Piano. Score and Parts. 4 pages. Forton Music - Digital #FM389. Published by Forton Music - Digital (F2.FM389). ISBN 9790570482887.An unusual juxtaposition of pieces that contrast beautifully. The Pastorale begins with a free time section, before the standard lilting 6/8 time signature is established. The Rumba has all the latin exuberance one would expect from such a piece. Great for intermediate players and upwards.
$9.95
9.14 €
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Flûte traversière et Piano
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Liz Sharma
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Pastorale and Rumba
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Forton Music - Digital
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SheetMusicPlus
Flute Sonata
Flûte traversière et Piano
Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flut…
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.
$12.95
11.89 €
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Flûte traversière et Piano
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Brian Inglis
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Flute Sonata
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Forton Music - Digital
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SheetMusicPlus
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