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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Double Sonata
Non classifié
182
Piano & claviers
Piano seul
16
Piano Facile
1
Instruments en Do
1
Orgue, Piano (duo)
1
Guitares
Guitare
1
Voix
Vents
2 Flûtes traversières, Piano
4
3 Clarinettes (trio)
4
Saxophone Soprano et Piano
3
Flûte traversière et Piano
3
Ensemble de Clarinettes
2
Hautbois, Piano (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette
1
Ensemble de Flûtes
1
Flûte traversière
1
Saxophone Alto
1
2 Flûtes traversières (duo)
1
+ 7 instrumentations
Retracter
Cuivres
Bass Clef Instruments
2
Trio de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
+ 1 instrumentations
Retracter
Cordes
Contrebasse, Piano (duo)
27
Violoncelle, Contrebasse (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Contre Basse
14
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
10
2 Contrebasses (duo)
10
Flûte, Contrebasse (duo)
5
Violoncelle, Piano
4
Violon
3
Violoncelle
3
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto (partie séparée)
1
Alto seul
1
Contrebasse (partie séparée)
1
Violon, Basse continue
1
Violon, Violoncelle (duo)
1
4 Contrebasses
1
Alto, Piano
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
17
Orchestre
12
Orchestre de chambre
7
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ACCORDEON
ALTO
AUTRES INST…
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BASSON
BATTERIE
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BUGLE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Double Sonata
Flûte traversière et Piano
Partitions à imprimer
3 partitions trouvées
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Romantic Sonata - Poems of Light
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Hoover
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Romantic Sonata - Poems of Lig
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Musicart Publications
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. ...
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Flute,Piano - Level 4 - SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Jacques Leguerney: Sonate for piano and flute
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Sonate for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publi...
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Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95
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Double Sonata