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Dance of the Bones
Flûte traversière et Piano

Flute,Piano - Level 5 - Digital Download SKU: A0.999068 Composed by Katherine Brook…(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.999068 Composed by Katherine Brookes. 20th Century,Concert,Contemporary,Jazz,Standards. Score and part. 9 pages. Katherine Brookes #5374165. Published by Katherine Brookes (A0.999068). 'Dance of the Bones' is a piece for flute and piano. It began as an experimentation with chords and sound, using a genre that I play but rarely write for. As the piece developed it made me think of skeletons, dancing. Duration: ca. 2:27. Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com
$4.50 4.14 € #Flûte traversière et Piano #Katherine Brookes #Dance of the Bones #Katherine Brookes #SheetMusicPlus

The Fishy Trumpeter
Flûte traversière et Piano

Flute,Piano - Level 1 - Digital Download SKU: A0.992190 Composed by Kassidy-Rose Mc…(+)

Flute,Piano - Level 1 - Digital Download SKU: A0.992190 Composed by Kassidy-Rose McMahon. Contemporary,Instructional,Standards. Score and part. 8 pages. Kassidy-Rose McMahon #4265917. Published by Kassidy-Rose McMahon (A0.992190). The Fishy Trumpeter was composed in December 2018. This piece, in simple quadruple time and in the brooding key of D minor, has a ferocious, pompous and heavy character. The pedagogical target of The Fishy Trumpeter is embouchure. The performer is required to switch between trumpet embouchure and flute embouchure to produce contrasting sounds. The composer strongly encourages experimentation with different buzzing and playing techniques.
$1.99 1.83 € #Flûte traversière et Piano #Kassidy-Rose McMahon #The Fishy Trumpeter #Kassidy-Rose McMahon #SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's CanonÂ is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Â Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â

Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano.

Is There a Skewer in My Flute?
Flûte traversière et Piano

Flute,Piano - Level 1 - Digital Download SKU: A0.992196 Composed by Kassidy-Rose Mc…(+)

Flute,Piano - Level 1 - Digital Download SKU: A0.992196 Composed by Kassidy-Rose McMahon. Contemporary,Instructional,Standards. Score and part. 8 pages. Kassidy-Rose McMahon #4288767. Published by Kassidy-Rose McMahon (A0.992196). Is There a Skewer in My Flute? was composed in January 2019. This sprightly piece in simple quadruple time and in the innocent key of C major, has a light and playful character. The pedagogical target of Is There a Skewer in My Flute? is posture. The performer is encouraged to explore posture by experimenting with different approaches to stance, positioning, hand and finger position, sitting position, angle, grip, and balance.
$1.99 1.83 € #Flûte traversière et Piano #Kassidy-Rose McMahon #Is There a Skewer in My Flute? #Kassidy-Rose McMahon #SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com

Fantasy in C minor
Flûte traversière et Piano

Flute,Piano - Digital Download SKU: A0.1029819 Composed by David E. Gonzalez. Class…(+)

Flute,Piano - Digital Download SKU: A0.1029819 Composed by David E. Gonzalez. Classical,Contemporary,Romantic Period. Score and part. 35 pages. Advent Studio Recordings #6275109. Published by Advent Studio Recordings (A0.1029819). They say that all compositions come out as a result of improvisation, and showing off a little bit can also be all in good fun. Having an original composition to showcase both composition and performance skills is not a bad motive either. This piece offers a bit of lyrically melodic content for both the piano and the flute. It contains rhythmic challenges for the pianist and poses some ethereal harmonic progressions typical of a fantasy piece.This printing contains the score and separate parts for the piano and the flute (34 Pages of Music). It is easy on the ears; not too avant-garde. It does not push too much in an experimental way. It should be about 4:42 minutes in length. The adante tempo marking is flexible (80-86 bpm), and the tempo should become faster at about the second half of the piece. Dynamics should fluctuate at the beginning and grow in intensity as the piece moves towards the end. Phrases should breathe and not remain static.
$12.99 11.95 € #Flûte traversière et Piano #David E #not too avant-garde. #Fantasy in C minor #Advent Studio Recordings #SheetMusicPlus

Gnossienne No 7.
Flûte traversière et Piano

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1267908 By David Mason. By…(+)

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1267908 By David Mason. By Erik Satie. Arranged by David Mason. Classical,Multicultural,Romantic Period,World. Score and part. 6 pages. David D Mason #860459. Published by David D Mason (A0.1267908). Gnossienne's are several compositions by the French composer Erik Satie. The works are for the most part in free time and are highly experimental with form, rhythm and chordal structure. I have arranged No 7 for Flute with Piano accompaniment.
$5.99 5.51 € #Flûte traversière et Piano #David Mason #David Mason #Gnossienne No 7. #David D Mason #SheetMusicPlus