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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fantasia 1
Non classifié
105
Piano & claviers
Piano seul
53
Orgue
39
1 Piano, 4 mains
14
Piano Facile
12
2 Pianos, 4 mains
10
Piano, Voix
7
Piano, Voix et Guitare
4
Clavecin
1
2 Pianos, 8 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
11
2 Guitares (duo)
3
Guitare notes et tablatures
2
Ukulele
2
Voix
Chorale 2 parties
6
Chorale SATB
4
Pack Instrumental pour Chorale
3
Chorale TTBB
1
Vents
Quatuor de Clarinettes: 4 clarinettes
19
Quatuor de Flûtes : 4 flûtes
16
Saxophone (partie séparée)
10
Flûte traversière
9
Quatuor de Flûtes à bec
9
Clarinette (partie séparée)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Hautbois, Clarinette, Basson
7
Quintette de Saxophone: 5 saxophones
7
3 Saxophones (trio)
6
Quatuor de Saxophones: 4 saxophones
6
Clarinette et Piano
5
2 Saxophones (duo)
5
Flûte traversière et Piano
4
2 Flûte à bec (duo)
4
Hautbois, Piano (duo)
4
Hautbois (partie séparée)
4
5 Flûtes à bec
3
3 Clarinettes (trio)
3
2 Flûtes traversières (duo)
3
3 Flûtes à bec (trio)
3
Clarinette
3
Saxophone Alto
3
Flûte à bec Soprano
2
Saxophone Tenor et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flute (partie séparée)
2
Cor anglais, Piano
2
2 Clarinettes (duo)
2
Saxophone Tenor
1
Hautbois, Violoncelle et Piano
1
Saxophone Baryton, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Harpe (duo)
1
Ensemble De Flûte à bec
1
Saxophone Soprano et Piano
1
2 Hautbois (duo)
1
Ensemble de saxophones
1
Clarinette, Basson (duo)
1
Flûte irlandaise
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Hautbois
1
Flûte, Alto et Violoncelle
1
Ensemble de Flûtes
1
Saxophone et Orgue
1
Flûte à Bec
1
Saxophone Alto et Piano
1
Hautbois, Harpe
1
Flûte, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
+ 46 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
4
Trompette (partie séparée)
3
Cor (partie séparée)
3
Tuba
2
Trombone et Piano
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Trombone
2
Tuba (partie séparée)
2
Ensemble de Cors
1
3 Trompettes (trio)
1
2 Trompettes (duo)
1
Cor
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Piano
1
4 Tubas
1
Ensemble de Trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon
14
Violon (partie séparée)
13
Violoncelle
9
Violon et Piano
8
Violon, Violoncelle (duo)
8
Violoncelle, Piano
7
Alto seul
6
Trio à Cordes: violon, alto, violoncelle
6
Quatuor à cordes: 4 violons
5
2 Violons (duo)
5
Quatuor à cordes : 4 altos
4
Violoncelle (partie séparée)
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
2 Altos (duo)
2
Alto, Piano
2
Violon, Alto (duo)
2
4 Violoncelles
2
Contrebasse, Piano (duo)
2
Harpe
2
Contre Basse
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
2 Violoncelles (duo)
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
76
Fanfare
20
Orchestre à Cordes
19
Orchestre
14
Percussion (partie séparée)
7
Percussion
3
Timbales (partie séparée)
3
Ensemble de cuivres
2
Orchestre de chambre
2
Ensemble Jazz
1
Timbales
1
+ 6 instrumentations
Retracter
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CLARINETTE
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Fantasia 1
Flûte traversière et Piano
Partitions à imprimer
4 partitions trouvées
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1
Invention #1 for Flute and Piano
#
Flûte traversière et Piano
#
AVANCÉ
#
New Age
#
Contemporain
#
Felix Rivera
#
Invention #1 for Flute and Pia
#
Felix Rivera
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #8...
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Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.
$14.99
Bach: Wachet auf for Alto Flute & Piano
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Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Flut
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Wachet auf BWV 140 for F
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
(+)
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
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Fantasia 1
