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Harpe
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Trio à cordes: 3 altos
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Vous avez sélectionné:
First Light Romantic
Flûte traversière et Piano
Partitions à imprimer
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Romantic Sonata - Poems of Light
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover.…
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Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95
19.97 €
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Flûte traversière et Piano
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Jeffrey Hoover
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Romantic Sonata - Poems of Light
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Musicart Publications
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
#
Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #643165. Published by Diego Marani (A0.1038234). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for flute with piano is suitable for classroom, repertoire and recital.
$9.99
9.09 €
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Flûte traversière et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Flute and Piano
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Diego Marani
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SheetMusicPlus
Valse - Scherzo op.34 for flute and piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arran…
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Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
10.91 €
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flute and piano
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James Strauss
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SheetMusicPlus
Rondo in C minor, for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.834332 Composed by Steven Shade. Concert,Ins…
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Flute,Piano - Digital Download SKU: A0.834332 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and part. 18 pages. Steve Shade #3240755. Published by Steve Shade (A0.834332). Rondo in C minor for Flute and Piano begins with an energetic and aggressive statement of the main theme. The energy of the first section is brought to even higher levels in second section as the piano accompaniment drives the excitement forward with an unsettling tremolo and throbbing syncopation. The second section crashes to an ending, leading to a chromatic re-transition back to the main theme. After this reinstatement, the flute and piano trade-off the melody in a lyrical passage. The first and section sections are repeated before a variation on the main section is introduced. This variation builds into a swift and unbridled coda that drives the piece to a close.The flutist needs nimble fingers to execute the quick passages, and a delicate touch for the lyrical passages. The pianist, while equally as important as the flutist in this Rondo, will share in the limelight by being demanded to play advanced passage work. This piece is re-written for flute from my original composition, Rondo in C minor for Violin and Piano.Contents: Complete score for the pianist and the flute playerDifficulty: AdvancedDuration: About 4 minutes.
$2.95
2.68 €
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Flûte traversière et Piano
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Steven Shade
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Rondo in C minor, for Flute and Piano
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Steve Shade
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SheetMusicPlus
Schwanenlied (Swan Song) for Flute and Harp (or Piano)
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1205183 By Eva Oertie. By …
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1205183 By Eva Oertie. By Fanny Cecile Mendelssohn. Arranged by Marcus Martin. 19th Century,Romantic Period. Score and part. 5 pages. Cornelius Edition (uk) #803366. Published by Cornelius Edition (uk) (A0.1205183). Fanny Mendelssohn (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was also known as Fanny Hensel after her marriage.This dellightful short piece re-arranged for flute and harp (or piano) was orginally the first of a set of songs published in 1846.
$4.99
4.54 €
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Flûte traversière et Piano
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Eva Oertie
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Marcus Martin
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Schwanenlied
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Cornelius Edition
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SheetMusicPlus
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
Flûte traversière et Piano
Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel F…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel Fauré for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the Opéra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la Société des Instruments à Vent, and, from 1893, as a professor at the Conservatoire. Fauré was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. Fauré decided to pass the orchestration of his incidental music for Maeterlinck's play Pelléas et Mélisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, Fauré complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.
$5.00
4.55 €
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Flûte traversière et Piano
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Gabriel Faure
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Amir Awad
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Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
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Amir Awad
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SheetMusicPlus
I Love You Truly-flute/piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.844641 Composed by Phil Beaman. 20…
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Flute,Piano - Level 2 - Digital Download SKU: A0.844641 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414795. Published by Phil Beaman (A0.844641). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.45 €
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Flûte traversière et Piano
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Phil Beaman
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I Love You Truly-flute/piano
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Phil Beaman
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SheetMusicPlus
Après un rêve (Fauré) for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1303412 Composed by Gabriel Faure.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1303412 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892986. Published by SCORE EDITIONS (A0.1303412). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Flute and Piano by Harry Walker.
$5.99
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Flûte traversière et Piano
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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