Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For a While
Non classifié
3 160
Piano & claviers
Piano seul
1 674
Piano, Voix
856
Piano Facile
624
Piano, Voix et Guitare
175
Instruments en Do
167
Orgue
136
Accompagnement Piano
122
1 Piano, 4 mains
93
Piano Trio: piano, violon, violoncelle
77
2 Pianos, 4 mains
34
Piano Quatuor: piano, violon, alto, violoncelle
23
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Accordéon
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Piano (duo)
6
Piano grosses notes
6
Piano (partie séparée)
6
Clavier
5
Orgue, Trompette (duo)
3
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
223
Guitare
188
Ukulele
62
Ligne De Mélodie, (Paroles) et Accords
37
Basse electrique
25
2 Guitares (duo)
23
Dulcimer
17
Mandoline
17
Banjo
16
Guitare (partie séparée)
8
2 Ukuleles
6
Paroles et Accords
5
3 Guitares (trio)
3
Piano, Guitare (duo)
3
Ensemble de guitares
2
4 Guitares (Quatuor)
2
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
Guitare, Orchestre
1
2 Dulcimers (duo)
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
744
Chorale 3 parties
264
Chorale 2 parties
145
Chorale TTBB
136
Chorale Unison
124
Chorale SSAA
90
Voix Tenor, Piano
48
Voix Soprano, Piano
43
Voix Alto, Piano
36
Voix Baryton, Piano
31
Voix duo, Piano
18
Voix duo
14
Voix seule
12
Voix haute
11
Voix Tenor
6
Voix moyenne, Piano
5
Voix basse, Piano
3
Chorale SSATTB
3
Chorale
3
Chorale SSAB a cappella
1
Chorale SSAATTBB
1
Chorale SSATBB
1
Voix, Guitare
1
Voix Soprano
1
+ 19 instrumentations
Retracter
Vents
2 Saxophones (duo)
325
Clarinette et Piano
268
Flûte traversière et Piano
267
Quatuor de Saxophones: 4 saxophones
267
Hautbois, Piano (duo)
223
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
220
Saxophone Alto et Piano
168
Quintette de Saxophone: 5 saxophones
162
Flûte, Hautbois, Clarinette, Basson
159
Clarinette
158
Flûte traversière
158
2 Flûtes traversières (duo)
142
Saxophone Tenor et Piano
129
Saxophone Soprano et Piano
124
2 Clarinettes (duo)
123
Saxophone Alto
110
Quatuor de Clarinettes: 4 clarinettes
109
Saxophone Baryton, Piano
90
2 Hautbois (duo)
75
Saxophone Tenor
73
Flûte, Clarinette (duo)
71
Hautbois (partie séparée)
69
Hautbois
65
Saxophone (partie séparée)
59
Saxophone, Clarinette (duo)
59
Quatuor de Flûtes : 4 flûtes
57
Hautbois, Basson (duo)
55
Clarinette, Violon (duo)
53
3 Saxophones (trio)
49
Ensemble de Clarinettes
47
Cor anglais, Piano
42
Saxophone Soprano
39
2 Flûte à bec (duo)
38
Saxophone Baryton
38
Quintette de Clarinettes: 5 clarinettes
37
Flûte, Violoncelle
37
Clarinette, Violoncelle (duo)
37
Flûte à Bec
37
Hautbois, Clarinette (duo)
35
Ensemble de saxophones
35
Flûte, Violon
35
Trio de Flûtes: 3 flûtes
34
Clarinette Basse, Piano
34
Clarinette, Basson (duo)
33
Hautbois, Violoncelle
32
3 Clarinettes (trio)
31
Clarinette et Alto
31
Ensemble de Flûtes
30
Clarinette, Trompette (duo)
30
Quintette de Flûte : 5 flûtes
27
Flûte et Guitare
27
Flûte, Alto (duo)
26
Flûte, Violon, Piano
23
Hautbois, Flûte
21
Flûte, Clarinette et Basson
19
Flûte, Trombone (duo)
17
Flûte à bec Soprano
17
Flûte, Saxophone (duo)
17
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Hautbois, Basson
15
Flute (partie séparée)
14
Flûte, Trompette (duo)
14
Flûte, Hautbois (duo)
14
Flûte à bec Alto
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Quatuor de Flûtes à bec
14
Flûte à bec Tenor
13
Cor Anglais
12
Clarinette, Guitare (duo)
11
Hautbois et alto (duo)
11
5 Flûtes à bec
11
Piccolo, Piano
10
Clarinette (partie séparée)
10
Hautbois, violon (duo)
10
Cor anglais, Guitare (duo)
6
3 Flûtes à bec (trio)
6
Flûte, Clarinette, Piano (trio)
6
Saxophone et Orgue
6
Flûte, Harpe et Violoncelle
5
Ensemble De Flûte à bec
5
Flûte, Basson et Piano
5
Saxophone et Guitare
5
Clarinette, Basson, Piano (trio)
4
Flûte à bec Alto, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette Basse
4
Clarinette, Trombone (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Flute, harpe et violon
4
2 Saxophones, Piano
4
Flûte, Violon, Violoncelle et Piano
3
Flûte, Hautbois, Piano (trio)
3
4 Hautbois
3
Flûte, Alto et Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Contrebasse (duo)
3
2 Clarinettes, Piano
3
Piccolo
3
Hautbois, Guitare (duo)
3
Hautbois, trombone (duo)
2
Ensemble à vent
2
Clarinette, Harpe (duo)
2
Flûte, Tuba (duo)
2
Hautbois, Violon, Piano
2
2 Flûtes traversières, Piano
2
Clarinette, Tuba
2
Flûte à Bec, Piano
2
Flûte à bec, Harpe
2
Hautbois, Violoncelle et Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Violon
1
2 Clarinettes, Basson
1
Hautbois, Basson et Piano
1
Clarinette, Orchestre
1
Harmonica
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Saxophone
1
Cor anglais et Harpe (duo)
1
Saxophone, Violon (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Trompette (duo)
1
Clarinette, Orgue
1
+ 119 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
261
Trompette, Piano
209
Trombone et Piano
184
Trompette
170
Cor et Piano
151
Tuba et Piano
124
Trombone
118
Cor
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
2 Trombones (duo)
93
Tuba
93
2 Trompettes (duo)
83
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
2 Cors (duo)
60
Trompette, Trombone (duo)
52
Cor anglais, Piano
42
Euphonium, Piano (duo)
39
Trompette, Saxophone (duo)
39
2 Tubas (duo)
32
Trompette (partie séparée)
31
Trombone (partie séparée)
29
Quatuor de Cuivres
26
Ensemble de Trombones
24
Trompette, Cor (duo)
20
Quatuor de cuivres: 4 cors
20
Quatuor de cuivres: 4 trombones
19
Cor, Violoncelle (duo)
16
Ensemble de Trompettes
16
Cor Anglais
12
3 Trombones (trio)
11
Cor (partie séparée)
10
Quatuor de cuivres: 4 trompettes
10
Trompette, Violoncelle (duo)
10
Cor et Basson (duo)
9
Trombone, Tuba (duo)
8
Tuba et Orgue
8
Euphonium, Tuba (duo)
7
Trombone, Cor (duo)
7
Tuba (partie séparée)
7
2 Euphoniums (duo)
6
Trio de Cuivres
6
Trombone basse
6
Cor anglais, Guitare (duo)
6
Ensemble de Cors
6
Trompette, Basson (duo)
6
Trombone basse et Piano
5
Cor, Tuba (duo)
5
4 Tubas
5
2 Euphoniums et 2 Tubas
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Euphonium
4
3 Cors (trio)
4
3 Tubas (trio)
3
Trompette et Guitare
3
Trombone, Violon (duo)
3
Trompette, Tuba (duo)
3
Trompette, Trombone, Piano
2
Trombone et orchestre
2
Trombone, Orgue
2
Cor et Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, violon (duo)
2
3 Trompettes (trio)
2
Clarinette, Cor (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Trombone, Alto (duo)
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
575
Violon et Piano
366
Alto, Piano
260
Violoncelle, Piano
251
Violon
216
Violoncelle
207
Violon, Violoncelle (duo)
145
Alto seul
142
2 Violons (duo)
136
Trio à Cordes: violon, alto, violoncelle
128
Contrebasse, Piano (duo)
98
2 Violoncelles (duo)
97
2 Altos (duo)
85
Violon, Alto (duo)
84
Harpe
82
Quintette à cordes: 2 violons, alto, violoncelle, basse
80
Contre Basse
77
Violon, Basson (duo)
41
Alto, Violoncelle (duo)
35
Trio à Cordes: 2 violons, violoncelle
34
2 Contrebasses (duo)
33
Violon (partie séparée)
28
Violon, Guitare (duo)
27
Trio à cordes: 3 violins
24
Alto (partie séparée)
22
Piano Trio: Violon, Alto, Piano
22
4 Violoncelles
17
Violoncelle , Guitare (duo)
15
Alto et Basson
14
Violoncelle, Contrebasse (duo)
12
Trio à cordes: 3 altos
11
Trio à Cordes: 3 violoncelles
11
Contrebasse (partie séparée)
11
Quatuor à cordes : 4 altos
9
Quatuor à cordes: 4 violons
9
Violoncelle (partie séparée)
8
Ensemble de Violons
7
Alto, Guitare (duo)
7
Trio à Cordes: 2 violons, alto
7
Flûte, Contrebasse (duo)
6
Ensemble d'Altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Flûte (duo)
5
Harpe, Voix
4
Harpe, Violon (duo)
3
2 Harpes (duo)
3
Harpe, Violon, Violoncelle
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle, Orgue
2
Alto et Harpe
2
2 Violoncelles, Piano
2
Violon, Tuba (duo)
2
Harpe et Orgue
2
2 Violons, Piano
2
Violon, Clarinette, Piano (trio)
2
Violon, Violoncelle, Clarinette
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Violon, Orgue
1
Harpe et mandoline
1
Harpe, Violoncelle (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 191
Orchestre à Cordes
279
Cloches
199
Orchestre
175
Ensemble Jazz
106
Ensemble de cuivres
99
Orchestre de chambre
57
Ensemble de Percussions
45
Fanfare
39
Jazz combo
26
Marimba
24
Xylophone, Piano
21
Batterie
18
Percussion (partie séparée)
9
Vibraphone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
2 Xylophones
4
Batterie (partie séparée)
4
Xylophone
4
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
2
2 Marimbas
1
Piano et Orchestre
1
Percussion
1
+ 19 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
44
Partitions Numériques
267
Librairie Musicale
54
Matériel de Musique
2 058
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
For a While
Flûte traversière et Piano
Partitions à imprimer
267 partitions trouvées
<
1
26
51
....
251
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
(+)
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
(+)
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
(+)
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score a...
(+)
Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Flut
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
(+)
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Wachet auf BWV 140 for F
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
(+)
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
Maple Leaf Rag, by Scott Joplin, for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Jopli
#
David McKeown
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.587787 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. Dav...
(+)
Flute,Piano - Level 4 - SKU: A0.587787 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967671. Published by David McKeown (A0.587787). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Flute and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683.
$4.60
Bach-Gounod: Ave Maria for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Alt
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
(+)
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Flu
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
(+)
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Bass Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easte...
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
(+)
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
(+)
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Rondo in C minor, for Flute and Piano
#
Flûte traversière et Piano
#
Steven Shade
#
Rondo in C minor, for Flute an
#
Steve Shade
#
SheetMusicPlus
Flute,Piano - SKU: A0.834332 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and part. 18 pages. Steve Shade #3240755. ...
(+)
Flute,Piano - SKU: A0.834332 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and part. 18 pages. Steve Shade #3240755. Published by Steve Shade (A0.834332). Rondo in C minor for Flute and Piano begins with an energetic and aggressive statement of the main theme. The energy of the first section is brought to even higher levels in second section as the piano accompaniment drives the excitement forward with an unsettling tremolo and throbbing syncopation. The second section crashes to an ending, leading to a chromatic re-transition back to the main theme. After this reinstatement, the flute and piano trade-off the melody in a lyrical passage. The first and section sections are repeated before a variation on the main section is introduced. This variation builds into a swift and unbridled coda that drives the piece to a close.The flutist needs nimble fingers to execute the quick passages, and a delicate touch for the lyrical passages. The pianist, while equally as important as the flutist in this Rondo, will share in the limelight by being demanded to play advanced passage work. This piece is re-written for flute from my original composition, Rondo in C minor for Violin and Piano.Contents: Complete score for the pianist and the flute playerDifficulty: AdvancedDuration: About 4 minutes.
$2.95
Schubert: Ave Maria for Flute & Piano
#
Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Flute
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
(+)
Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Schubert: Ave Maria for Alto Flute & Piano
#
Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Alto F
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
(+)
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Flat as a Flute - Flute solo w piano accompaniment
#
Flûte traversière et Piano
#
AVANCÉ
#
Mike Lyons
#
Flat as a Flute - Flute solo w
#
Lyons Music Services
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published ...
(+)
Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
Guthrie: Toccata Agitato for Flute & Piano
#
Flûte traversière et Piano
#
AVANCÉ
#
James M
#
Guthrie: Toccata Agitato for F
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pag...
(+)
Flute,Piano - Level 5 - SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968948. Published by jmsgu3 (A0.1384671). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Ode to Joy for Flute with Piano by Beethoven Opus 125
#
Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Ludwig van Beethoven
#
Ode to Joy for Flute with Pian
#
Simple Chamber
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1355378 Composed by Ludwig van Beethoven. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. 19th Century,Chambe...
(+)
Flute,Piano - Level 1 - SKU: A0.1355378 Composed by Ludwig van Beethoven. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. 19th Century,Chamber,Romantic Period. Score and part. 3 pages. Simple Chamber #940100. Published by Simple Chamber (A0.1355378). This is a unique and charming arrangement of Beethoven’s famous ‘Ode to Joy’, meticulously adapted for a flute and piano. Designed to be easy to perform, this arrangement highlights the beauty and harmony of the original piece, while bringing a new perspective through the intimate and expressive sound of a string quartet. It’s perfect for performances at concerts, special events, or simply for the pleasure of playing a new version of a beloved classic melody.
$3.99
Bach Prelude BWV 846 - Solo Flute with Piano Accompaniment
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
Nancy Frese Tabb
#
Bach Prelude BWV 846 - Solo Fl
#
Nancy Frese Tabb
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.800167 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Christmas,Sacred,Standards,Wedding. Scor...
(+)
Flute,Piano - Level 2 - SKU: A0.800167 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Christmas,Sacred,Standards,Wedding. Score and part. 6 pages. Nancy Frese Tabb #6693947. Published by Nancy Frese Tabb (A0.800167). Bach's Prelude in C (BWV 846) is arranged as a flute solo complete with piano accompaniment. While the piano part stays true to the original version, the flute is playing a complementary harmony to accompany the beautiful sounds of JS Bach. The piano part is slightly challenging, but the flute part is easily learned in just a few rehearsals. In addition, this piece is transposed to the key of concert F Major for easier accessibility. This is a great solo piece for a student performance or contest and is appropriate as well for weddings and church services.
$4.99
Bach Prelude for Two Flutes & Piano (BWV 846)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Nancy Frese Tabb
#
Bach Prelude for Two Flutes &a
#
Nancy Frese Tabb
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.800110 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroqu...
(+)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.800110 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Sacred,Standards,Wedding. 10 pages. Nancy Frese Tabb #6526449. Published by Nancy Frese Tabb (A0.800110). Bach's Prelude in C (BWV 846) is arranged as a trio to include two flutes and piano. While the piano part stays true to the original version, the two flutes are playing a complementary harmony to accompany the beautiful sounds of JS Bach. The piano part is slightly challenging, but the two flute parts are easily learned in just a few rehearsals. In addition, this piece is transposed to the key of F Major for easier accessibility. This is a great ensemble piece for a student performance and is appropriate as well for weddings and church services.
$4.99
Étude (study) in B Minor Op. 35 No. 22 for flute or violin and easy piano
#
Flûte traversière et Piano
#
FACILE
#
F
#
Klas Krantz
#
Étude
#
Amadeus Music
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.532089 Composed by F. Sor (1778-1839). Arranged by Klas Krantz. Classical,Instructional,Romantic Period. Score and part....
(+)
Flute,Piano - Level 2 - SKU: A0.532089 Composed by F. Sor (1778-1839). Arranged by Klas Krantz. Classical,Instructional,Romantic Period. Score and part. 5 pages. Amadeus Music #2928431. Published by Amadeus Music (A0.532089). Fernando Sor (1778–1839) was a Spanish classical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon (Cinderella) received over one hundred performances. Sor's contemporaries considered him to be the best guitarist in the world.
$5.95
Wedding March by Mendelssohn, for Solo Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
David McKeown
#
Wedding March by Mendelssohn,
#
David McKeown
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.587606 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,W...
(+)
Flute,Piano - Level 3 - SKU: A0.587606 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403648. Published by David McKeown (A0.587606). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Flute and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Jesus Once Was a Little Child
#
Flûte traversière et Piano
#
DÉBUTANT
#
Joseph Ballantyne and James R
#
Rebecca Bogardus
#
Jesus Once Was a Little Child
#
Lillwy Publishing
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arranged by Rebecca ...
(+)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 5 pages. Lillwy Publishing #4109531. Published by Lillwy Publishing (A0.877921). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$2.99
Radość - For Flute and Piano
#
Flûte traversière et Piano
#
FACILE
#
Contemporain
#
Jasmine Brown
#
Radość - For Flute and
#
Jasmine Brown
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.960360 Composed by Jasmine Brown. 20th Century. Score and part. 9 pages. Jasmine Brown #6332773. Published by Jasmine Br...
(+)
Flute,Piano - Level 2 - SKU: A0.960360 Composed by Jasmine Brown. 20th Century. Score and part. 9 pages. Jasmine Brown #6332773. Published by Jasmine Brown (A0.960360). A little composition I did a while ago for flute and piano. Since both parts aren't too hard it'd be ideal for a student duo.
$2.99
Silent Night for Solo Flute
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Franz X
#
Lawrence H
#
Silent Night for Solo Flute
#
Lawrence H Underwood
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.967523 Composed by Franz X. Gruber. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Praise & Worship...
(+)
Flute,Piano - Level 3 - SKU: A0.967523 Composed by Franz X. Gruber. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Lawrence H Underwood #6139675. Published by Lawrence H Underwood (A0.967523). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the ninth installment in his A Christmas Portfolio series, this beautiful setting of Silent Night gives the performer the opportunity to truly showcase a little warmth and tenderness. The solo opens with a simple statement and repeat of the melody over an evocative background. The piano then takes the lead while the solo part plays flowing counter-lines, weaving effortless in and out of the melody, before resuming the theme and leading the piece to its conclusion. Perfect for use in church services or in any holiday performance setting.
$5.99
<
1
26
51
....
251
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
For a While
