Partitions Numériques de Free At Last! pour Flûte traversière et Piano

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 33

PIANO & CLAVIERS

Instruments en Do 186 Piano seul 41 Piano, Voix 20 Orgue 7 Piano, Voix et Guitare 4

Piano Facile 2 Orgue, Trompette (duo) 1 1 Piano, 4 mains 1 Piano Quatuor: piano, violon, alto, violoncelle 1 Piano Quatuor: piano, 2 violons, violoncelle 1

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GUITARES

Basse electrique 6 Ligne De Mélodie, (Paroles) et Accords 2 Guitare 2 Paroles et Accords 1

VOIX

Chorale SATB 23 Voix Soprano, Piano 7 Chorale 2 parties 6 Chorale 3 parties 5 Voix duo, Piano 4

Chorale Unison 4 Chorale TTBB 2 Voix seule 2 Chorale SSAA 2 Voix haute 1 Voix Alto, Piano 1

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VENTS

Saxophone 15 Flûte traversière 8 Saxophone Alto et Piano 6 Quintette de Saxophone: 5 saxophones 5 Quatuor de Saxophones: 4 saxophones 5 Flûte, Hautbois, Clarinette, Basson 4 Flûte traversière et Piano 4

3 Saxophones (trio) 4 2 Saxophones (duo) 4 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4 Saxophone Soprano et Piano 4 Hautbois, Piano (duo) 3 Clarinette et Piano 3 Saxophone Tenor et Piano 3 Saxophone Alto 3 Flûte, Clarinette, Piano (trio) 2 Quintette de Flûte : 5 flûtes 2 Quatuor de Clarinettes: 4 clarinettes 2 Clarinette 2 Saxophone Tenor 2 Saxophone (partie séparée) 1 Trio de Flûtes: 3 flûtes 1 Clarinette Basse, Piano 1 2 Flûtes traversières (duo) 1 Saxophone Baryton, Piano 1 3 Clarinettes (trio) 1 Quintette de Clarinettes: 5 clarinettes 1 Clarinette Basse 1 Quatuor de Flûtes à bec 1 Ensemble de Hautbois 1 Flûte, Hautbois, Clarinette (trio) 1 2 Clarinettes, Piano 1 Hautbois, Clarinette et Piano (Trio) 1 Flûte, Clarinette (duo) 1

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CUIVRES

Trombone et Piano 4 Trompette 4 Trompette, Piano 4 Trombone 3 Cor et Piano 2

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 3 Euphoniums 1 2 Trombones (duo) 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Euphonium, Piano (duo) 1 2 Cors (duo) 1 Trompette, Cor (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 16 Violon 9 Violon et Piano 6 Violoncelle, Piano 4 Violoncelle 4

Alto, Piano 4 Alto seul 3 Trio à Cordes: violon, alto, violoncelle 2 Piano Trio: Violon, Alto, Piano 2 2 Altos (duo) 1 Violon, Violoncelle (duo) 1 2 Violoncelles (duo) 1 Trio à Cordes: 3 violoncelles 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 9 Orchestre 4 Cloches 3 Orchestre à Cordes 3 Ensemble Jazz 3

Ensemble de cuivres 2 Orchestre de chambre 2

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AUTRES

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Free At Last!

Flûte traversière et Piano

Partitions à imprimer

4 partitions trouvées

Vocalise (Rachmaninoff) - flute and piano with FREE BACKING TRACK

Flûte traversière et Piano

Flute,Piano - Level 5 - Digital Download SKU: A0.564147 Composed by Sergei Rachmani…(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.564147 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Contemporary,Opera,Wedding. Score and part. 10 pages. Austin Ralphson #6261073. Published by Austin Ralphson (A0.564147). Originally published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34, Rachmaninoff wrote this beautiful piece for high voice with piano accompaniment. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/9XMxMFcXW-Y (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/RiWC3

$3.99 3.66 € #Flûte traversière et Piano #Sergei Rachmaninoff #Austin Ralphson #Vocalise #Austin Ralphson #SheetMusicPlus

April from The Seasons Op. 37a, No. 4

Flûte traversière et Piano

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1381757 Composed by P. I. …(+)

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1381757 Composed by P. I. Tchaikovsky. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 5 pages. Ian Fitze #966419. Published by Ian Fitze (A0.1381757). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of Â my works including FREE DOWNLOADSFrom a lesser-known set of pieces by Tchaikovsky, this is a challenging but worthwhile piece.The text that accompanies this work is as follows:The blue, pure snowdrop â€” flower,and near it the last snowdrops.The last tears over past griefs,and first dreams of another happiness.

$1.99 1.83 € #Flûte traversière et Piano #P #Ian Fitze #April from The Seasons Op. 37a, No. 4 #Ian Fitze #SheetMusicPlus

Saint-Saëns: The Swan for Flute & Piano

Flûte traversière et Piano

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…(+)

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.22 € #Flûte traversière et Piano #Camille Saint-Saens #James M #Saint-Saëns: The Swan for Flute & Piano #jmsgu3 #SheetMusicPlus

Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano

Flûte traversière et Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com

$24.95 22.88 € #Flûte traversière et Piano #Ludwig van Beethoven #James M #piano concertos 1-5 #Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano #jmsgu3 #SheetMusicPlus