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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Give It All
Sheetmusicplus
Non classifié
901
Piano & claviers
Piano seul
382
Piano, Voix
138
Piano Facile
100
Piano, Voix et Guitare
62
Orgue
36
Instruments en Do
25
Accompagnement Piano
12
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
5
Accordéon
4
Piano (partie séparée)
3
Clavecin
3
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
75
Guitare notes et tablatures
27
Ligne De Mélodie, (Paroles) et Accords
11
4 Guitares (Quatuor)
10
Guitare (partie séparée)
6
Basse electrique
6
Ukulele
6
Banjo
4
2 Guitares (duo)
4
Ensemble de guitares
3
3 Guitares (trio)
2
Mandoline
2
Paroles et Accords
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
+ 10 instrumentations
Retracter
Voix
Chorale Unison
357
Chorale SATB
241
Chorale 3 parties
64
Chorale 2 parties
37
Chorale TTBB
29
Chorale SSAA
18
Voix Alto, Piano
9
Voix Soprano, Piano
8
Voix duo, Piano
4
Voix haute
3
Voix seule
3
Chorale SSATTB
3
Voix Tenor, Piano
2
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix Tenor
1
Chorale
1
Voix Baryton, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Quatuor de Saxophones: 4 saxophones
52
Ensemble de saxophones
44
Flûte traversière et Piano
32
Quintette de Saxophone: 5 saxophones
31
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Clarinettes: 4 clarinettes
26
Saxophone Alto et Piano
22
Clarinette et Piano
22
Saxophone (partie séparée)
20
2 Flûtes traversières (duo)
19
Ensemble de Clarinettes
18
Ensemble de Flûtes
16
Hautbois, Piano (duo)
16
2 Saxophones (duo)
15
3 Saxophones (trio)
14
Flûte traversière
13
Quatuor de Flûtes : 4 flûtes
11
Quintette de Clarinettes: 5 clarinettes
11
Saxophone Tenor et Piano
11
3 Clarinettes (trio)
8
2 Clarinettes (duo)
7
Trio de Flûtes: 3 flûtes
6
Saxophone Soprano et Piano
6
Quintette de Flûte : 5 flûtes
6
Saxophone Alto
5
Hautbois (partie séparée)
4
Flûte, Clarinette (duo)
4
2 Flûte à bec (duo)
4
Saxophone Tenor
4
Clarinette, Basson (duo)
4
Flûte et Guitare
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone Baryton, Piano
3
Clarinette
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette (partie séparée)
3
Saxophone, Clarinette (duo)
3
Hautbois, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Cor anglais, Piano
2
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Quatuor de Flûtes à bec
2
Flute (partie séparée)
2
Flûte, Hautbois, Basson
2
Clarinette Basse, Piano
2
Flûte à bec Alto
1
2 Hautbois (duo)
1
Flûte à bec Tenor
1
Flûte à Bec
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano
1
Saxophone et Harpe
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Saxophone et Orgue
1
Ensemble de Hautbois
1
Clarinette Basse
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Harpe (duo)
1
Saxophone
1
Flûte à bec Alto, Piano
1
3 Flûtes à bec (trio)
1
Clarinette, Violon (duo)
1
+ 62 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
65
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone (partie séparée)
21
Trompette
16
Trompette (partie séparée)
15
Quatuor de Cuivres
13
Trompette, Piano
13
Cor et Piano
11
Trombone
11
Ensemble de Trombones
11
Tuba et Piano
9
Trombone et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Ensemble de Trompettes
7
Ensemble de Cors
6
Tuba
6
Cor
5
2 Trompettes (duo)
5
Trompette, Trombone (duo)
5
Trio de Cuivres
4
Cor (partie séparée)
4
2 Trombones (duo)
3
2 Cors (duo)
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Cor anglais, Piano
2
3 Trombones (trio)
2
Euphonium, Piano (duo)
2
Cor et Orgue
1
2 Tubas (duo)
1
Trombone basse
1
Trompette, Harpe
1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Trombone, Orgue
1
Euphonium
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Quatuor de cuivres: 4 trompettes
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
293
Violon, Violoncelle (duo)
160
Trio à Cordes: violon, alto, violoncelle
151
Violon
131
Violon et Piano
40
Harpe
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Alto, Piano
16
2 Violons (duo)
14
2 Violoncelles (duo)
13
Violoncelle, Piano
13
Violon, Alto (duo)
13
Trio à Cordes: 2 violons, violoncelle
11
2 Altos (duo)
9
Violoncelle
9
4 Violoncelles
7
Violon (partie séparée)
6
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Alto seul
5
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle , Guitare (duo)
3
2 Harpes (duo)
3
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
Trio à Cordes: 2 violons, alto
2
Harpe, Voix
2
Ensemble de Violons
2
4 Contrebasses
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
4 Harpes
1
Violon, Guitare (duo)
1
Contre Basse
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
160
Orchestre d'harmonie
154
Orchestre
82
Cloches
74
Ensemble de cuivres
47
Fanfare
37
Ensemble Jazz
35
Orchestre de chambre
29
Ensemble de Percussions
12
Batterie
12
Jazz combo
8
Marimba
4
Vibraphone
3
Batterie (partie séparée)
3
Percussion (partie séparée)
3
Orchestre, Violon
1
Xylophone, Piano
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Piano et Orchestre
1
+ 14 instrumentations
Retracter
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CLAIRON
CLARINETTE
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COR ANGLAIS
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DULCIMER
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FLUTE A DIX…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Give It All
SheetMusicPlus
Partitions à imprimer
32 partitions trouvées
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26
Let All Mortal Flesh Keep Silence - Flute solo
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1038721 By Brian Buda. By French c…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1038721 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643710. Published by budaful music (A0.1038721). This haunting tune, arranged for piano and solo instrument, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page flute part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99
3.67 €
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Flûte traversière et Piano
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Silence - Flute solo
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budaful music
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SheetMusicPlus
Campfire Ballad
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.765015 Composed by Lori Archer Sut…
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Flute,Piano - Level 1 - Digital Download SKU: A0.765015 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and part. 4 pages. Lori Archer Sutherland #4833553. Published by Lori Archer Sutherland (A0.765015). It’s dusk, the air is crisp, and you can see fireflies off in the distance. There’s a crackling fire, and someone starts singing a tune. Campfire Ballad gives beginning instrumentalists a chance to work on performing as a soloist. The piano provides a steady accompaniment to help the soloist feel the pulse of the piece. Suitable for solo and ensemble contest.
$4.99
4.59 €
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Flûte traversière et Piano
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Lori Archer Sutherland
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Campfire Ballad
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Lori Archer Sutherland
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SheetMusicPlus
Salome Tanz (Dance of the Seven Veils)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richa…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
27.6 €
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Flûte traversière et Piano
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
My Flute and Me
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatri…
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Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95
5.48 €
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Flûte traversière et Piano
#
Colin Kirkpatrick
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My Flute and Me
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Fastnet Rock
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
2.75 €
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Flûte traversière et Piano
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
A Night In Tunisia
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizz…
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Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.27 €
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Flûte traversière et Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Prelude from "Suite Bergamasque" for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1095080 Composed by Claude Debussy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1095080 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #699158. Published by Diego Marani (A0.1095080). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for flute with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
7.35 €
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Flûte traversière et Piano
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Claude Debussy
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Diego Marani
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Prelude from "Suite Bergamasque" for Flute and Piano
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Diego Marani
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SheetMusicPlus
Flat as a Flute - Flute solo w piano accompaniment
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Con…
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
5.51 €
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Flûte traversière et Piano
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Mike Lyons
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Flat as a Flute - Flute solo w piano accompaniment
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Lyons Music Services
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549924 Composed by Modest MUSSORGS…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549924 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4302891. Published by jmsgu3 (A0.549924). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð² Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando   page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante nontroppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
30.32 €
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Flûte traversière et Piano
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
D'amore Si Muore (Milva Version)
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95
6.4 €
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Flûte traversière et Piano
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Milva
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Eileen Gilligan
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Peaceful Times - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573855 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573855 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding,World. Score and part. 8 pages. James M Stevens Music ASCAP #6098967. Published by James M Stevens Music ASCAP (A0.573855). Written October 24, 2020 this is an original flute and piano composition with ambient orchestration in the bright key of A major and draws all the notes from the pentatonic scales of A major and D minor with gives it a certain Asian feeling. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The track as heard can be found under Peaceful Times Accompaniment Track.
$6.99
6.43 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Peaceful Times - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Valse - Scherzo op.34 for flute and piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arran…
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Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
11.03 €
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flute and piano
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James Strauss
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SheetMusicPlus
8 Swinging Xmas Carols for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1314725 By Keith Terrett. By Vario…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1314725 By Keith Terrett. By Various. Arranged by Keith Terrett. Children,Christian,Christmas,Praise & Worship. Score and part. 31 pages. Keith Terrett #903504. Published by Keith Terrett (A0.1314725). An exciting arrangement of eight popular swinging xmas carols arranged for Flute & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
14.72 €
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Flûte traversière et Piano
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Flute & Piano
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Keith Terrett
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SheetMusicPlus
Ukrainian Folk Carol - Flute and Piano (swing style!) by Chris Lawry and Keri Degg. Includes FREE de
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.761518 Composed by Chris Lawry, Ke…
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Flute,Piano - Level 3 - Digital Download SKU: A0.761518 Composed by Chris Lawry, Keri Degg. Christmas,Jazz. Score and part. 7 pages. Masquerade Music #6063277. Published by Masquerade Music (A0.761518). Ukrainian Folk Carol (often known by another name however) for Flute (in C) and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg. New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It's a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s. Ukrainian Folk Carol is just one of five pieces from 'Christmas Jazz - Volume 2' Flute edition (also available in Bb sax, Eb sax and Bb clarinet editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too). All the pieces are aimed at early intermediate-confident intermediate level (typical UK exam grades from grade 4-6) so are achievable by most players (and don't take weeks and weeks of preparation; very important at the busy festive time!).There is also a 'Christmas Jazz - Volume 1' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you'd like to buy the collection at a bargain price).
$3.99
3.67 €
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Flûte traversière et Piano
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Chris Lawry, Keri Degg
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Ukrainian Folk Carol - Flute and Piano
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Masquerade Music
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SheetMusicPlus
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
Flûte traversière et Piano
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824093…
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722569. Published by TK (Tim) Murray (A0.824093). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.4 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
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TK
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SheetMusicPlus
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
Flûte traversière et Piano
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824161…
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 26 pages. TK (Tim) Murray #6717051. Published by TK (Tim) Murray (A0.824161). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
6.4 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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TK Murray
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tkmurraycomp@aol.com
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Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
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TK
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SheetMusicPlus
Fauré: Élégie Op. 24 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. …
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Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531379. Published by jmsgu3 (A0.549725). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.32 €
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Flûte traversière et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
Flûte traversière et Piano
Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel F…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel Fauré for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the Opéra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la Société des Instruments à Vent, and, from 1893, as a professor at the Conservatoire. Fauré was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. Fauré decided to pass the orchestration of his incidental music for Maeterlinck's play Pelléas et Mélisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, Fauré complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.
$5.00
4.6 €
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Flûte traversière et Piano
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Gabriel Faure
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Amir Awad
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Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
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Amir Awad
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SheetMusicPlus
Germaine Tailleferre : Danse de la Tete for flute and 2 pianos
Flûte traversière et Piano
Flute,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1394382 Composed by …
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Flute,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1394382 Composed by Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. 15 pages. Musik Fabrik Music Publishing #977863. Published by Musik Fabrik Music Publishing (A0.1394382). This sequence was originally part of the 1948 ballet Paris-Magie. The present arrangement was conceived for one of the Caroline animated films by Marco de Gastyne during the late 1950s. Given the time period, it is probable that Tailleferre was writing this for Jean-Pierre Rampall, who performed on a number of Tailleferre film scores during this period.In the surreal ballet Paris-Magie, the spritely musique represents a fashionably dressed widow who believes that she has found her dead husband's stuffed head at the Paris Flea Market. A few dynamic markings have been added, although Tailleferre did not include many markings in her manuscript score.
$11.35
10.45 €
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Flûte traversière et Piano
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Germaine Tailleferre
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Germaine Tailleferre : Danse de la Tete for flute and 2 pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Christmas Tune for Flute and Piano
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.83…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.835162 Composed by Cody Weinmann. Christmas,Concert. Score and parts. 7 pages. Cody Weinmann #6121307. Published by Cody Weinmann (A0.835162). This little Christmas tune takes some cues from the famous Christmas bells. The C-G-A-E theme weaves its way throughout the texture in various guises from legato and striking quarter-note passages between the solo flute and the piano to softer instances over longer note durations. Several eighth and sixteenth note runs will give the flautist a run for their money. All of the frills in this piece are to make this a happy and festive piece for all who play it.DedicationThis work is dedicated to a dear friend from my high school days, Sarah Aplet. Itis an honor to write this piece for her.Cody Weinmann is a prolific composer of many different types and genres of music.These can range from works for solo piano and solo instrument with piano accompaniment to full band, orchestra and choral works. He also is an avid writerof original music and arrangements for young people, including his own pianostudents.He also loves to write sacred praise and worship music to glorify God and our SaviorJesus Christ. He believes in writing music to bring people to Him through music andlyrics.Cody self-publishes through Musicaneo.com (http://www.codyweinmann.musicaneo.com) as well as on Sheet Music Plus.For more, you can check him out on his various social media links below.
$2.99
2.75 €
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Flûte traversière et Piano
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Cody Weinmann
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A Christmas Tune for Flute and Piano
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Cody Weinmann
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SheetMusicPlus
Four Hispanic Children’s Songs for Flute or Oboe and Piano
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.93…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases.
$8.95
8.24 €
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Flûte traversière et Piano
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s Songs for Flute or Oboe and Piano
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William Pagan-Perez
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SheetMusicPlus
Sailing
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.582801 By Christopher Cross. By Ch…
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Flute,Piano - Level 3 - Digital Download SKU: A0.582801 By Christopher Cross. By Christopher Cross. Arranged by Jeff Tincher. Contemporary,Rock. Score and part. 36 pages. Jeff Tincher #3497379. Published by Jeff Tincher (A0.582801). This is a C instrument and Piano arrangement of one of Christopher Cross' biggest hits. In the original key from his self-titled CD, this song is one of the more popular soft rock songs of the late 70's/early 80's and is a great addition to your live playlist. Duration=4:01. Note: the piano part contains both the guitar and string parts, so it is a little difficult to play all the notes. But it does give you the option to play either. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.51 €
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Flûte traversière et Piano
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Christopher Cross
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Jeff Tincher
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Sailing
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Jeff Tincher
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SheetMusicPlus
Be More Like Jesus - (Lent/Good Friday) flute solo and piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.801764 Composed by Connie Boss. Ea…
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Flute,Piano - Level 2 - Digital Download SKU: A0.801764 Composed by Connie Boss. Easter,Sacred. Score and part. 3 pages. Connie Boss #6697163. Published by Connie Boss (A0.801764). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50
5.06 €
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Flûte traversière et Piano
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Connie Boss
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Be More Like Jesus -
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Connie Boss
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.32 €
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Flûte traversière et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
"Crocodile Teeth" for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. …
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Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210087. Published by Kazys Daugela (A0.935497). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.
$1.99
1.83 €
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Flûte traversière et Piano
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Kazys Daugela
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"Crocodile Teeth" for Flute and Piano
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Kazys Daugela
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SheetMusicPlus
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