Partitions Numériques de He Died For Me pour Flûte traversière et Piano

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TRI ET FILTRES

Tri et filtres :

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avec vidéo

avec play-along

Non classifié 35

PIANO & CLAVIERS

Piano, Voix 11 Piano seul 10 Piano, Voix et Guitare 3 Instruments en Do 3 Piano Facile 2

1 Piano, 4 mains 1 2 Pianos, 4 mains 1 Orgue 1

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GUITARES

Guitare 2 Orchestre à Plectres 1

VOIX

Chorale SATB 28 Chorale 3 parties 2 Voix haute 1 Chorale SSAATTBB 1 Chorale TTBB 1

Voix duo 1 Chorale 2 parties 1

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VENTS

Saxophone Alto et Piano 6 Hautbois, Piano (duo) 5 Flûte traversière et Piano 5 Saxophone Tenor et Piano 5 Clarinette et Piano 4

Cor anglais, Piano 3 Quatuor de Clarinettes: 4 clarinettes 2 2 Saxophones, Piano 1 Quatuor de Flûtes : 4 flûtes 1 Clarinette 1 Quintette de Saxophone: 5 saxophones 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 Clarinette Basse, Piano 1 Saxophone Soprano et Piano 1 Saxophone Baryton, Piano 1

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CUIVRES

Cor anglais, Piano 3 Trompette 2 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 Euphonium, Piano (duo) 2 Cor et Piano 2

Trombone et Piano 1 Cor 1 Ensemble de Tubas 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 11 Violon et Piano 6 Violon 5 Trio à Cordes: violon, alto, violoncelle 2 Violoncelle, Piano 2

Trio à Cordes: 2 violons, violoncelle 1 Violoncelle 1 Harpe 1 4 Violoncelles 1 Violon, Violoncelle (duo) 1 Alto, Piano 1 Alto seul 1

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PERCUSSIONS & ORCHESTRES

Orchestre de chambre 13 Orchestre 3 Orchestre à Cordes 3 Ensemble de cuivres 3 Orchestre d'harmonie 2

AUTRES

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He Died For Me

Flûte traversière et Piano

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5 partitions trouvées

My Flute and Me

Flûte traversière et Piano

Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatri…(+)

Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because itâ€™s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the â€œListenâ€ button above) contains recordings of Starting Tune (No 1); Nice â€˜n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at Londonâ€™s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.

$5.95 5.45 € #Flûte traversière et Piano #Colin Kirkpatrick #My Flute and Me #Colin Kirkpatrick Publications #SheetMusicPlus

Abide With Me (Flute & Piano) Piano Rehearsal Track

Flûte traversière et Piano

Flute,Piano - Digital Download SKU: A0.1065696 Composed by Henry Lyte, William Monk…(+)

Flute,Piano - Digital Download SKU: A0.1065696 Composed by Henry Lyte, William Monk. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 123. Carol Troutman Wiggins #4611149. Published by Carol Troutman Wiggins (A0.1065696). ABIDE WITH ME (Piano Track) Flute & Piano DuetAbide with Me is a Christian hymn composed by Scottish Anglican Henry Francis Lyte and English composer William Henry Monk's tune entitled Eventide. The text was written in 1847 as Lyte was dying from tuberculosis. He died three weeks later.The text for the hymn is based on Luke 24:29 where the disciples asked Jesus to abide with them toward evening as the day is coming to an end. This hymn is a prayer asking God to stay with us throughout life, our trials, and even death. Abide with us: for it is toward evening, and the day is far spent. ~ Luke 24:29Excellent for intermediate level musicians.May be used for preludes, offertories, special music, postludes, funerals and in general worship.Begins with instrumental melody transitioning into a descant.Piano Accompaniment Track available on this site.

$3.99 3.66 € #Flûte traversière et Piano #Henry Lyte, William Monk #Carol Troutman Wiggins #(Piano Track) #Abide With Me #Carol Troutman Wiggins #SheetMusicPlus

Abide with Me (Flute & Piano)

Flûte traversière et Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.727506 Composed by Henry Lyte, Wil…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.727506 Composed by Henry Lyte, William Monk. Arranged by Carol Troutman Wiggins. Christian,Praise & Worship,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4611143. Published by Carol Troutman Wiggins (A0.727506). ABIDE WITH ME Flute & Piano DuetAbide with Me is a Christian hymn composed by Scottish Anglican Henry Francis Lyte and English composer William Henry Monk's tune entitled Eventide. The text was written in 1847 as Lyte was dying from tuberculosis. He died three weeks later.The text for the hymn is based on Luke 24:29 where the disciples asked Jesus to abide with them toward evening as the day is coming to an end. This hymn is a prayer asking God to stay with us throughout life, our trials, and even death. Abide with us: for it is toward evening, and the day is far spent. ~ Luke 24:29Excellent for intermediate level musicians.May be used for preludes, offertories, special music, postludes, funerals and in general worship.Begins with instrumental melody transitioning into a descant.Piano Accompaniment Track available on this site.

$9.99 9.15 € #Flûte traversière et Piano #Henry Lyte, William Monk #Carol Troutman Wiggins # #Abide with Me #Carol Troutman Wiggins #SheetMusicPlus

Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano

Flûte traversière et Piano

Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed …(+)

Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Saxâ€˜s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossiniâ€™s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Belliniâ€˜s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.

$11.55 10.58 € #Flûte traversière et Piano #Jules Demersseman #Paul Wehage #Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano #Musik Fabrik Music Publishing #SheetMusicPlus

Poème

Flûte traversière et Piano

From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arrange…(+)

From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15265. Published by Schott Music - Digital
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

$4.99 4.57 € #Flûte traversière et Piano #Zdenek Fibich (1850-1900) # Wolfgang Birtel #Poème #Schott Music - Digital #SheetMusicPlus