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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here I stand
Sheetmusicplus
Non classifié
968
Piano & claviers
Piano seul
431
Piano, Voix et Guitare
180
Piano grosses notes
116
Piano, Voix
102
Instruments en Do
67
Orgue
56
Piano Facile
51
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
8
Accompagnement Piano
7
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
113
Guitare
77
Ligne De Mélodie, (Paroles) et Accords
31
Basse electrique
24
Ukulele
13
2 Guitares (duo)
9
Banjo
6
4 Guitares (Quatuor)
4
Mandoline
4
3 Guitares (trio)
4
Dulcimer
4
Paroles et Accords
2
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
24
Chorale TTBB
19
Chorale 2 parties
17
Voix duo, Piano
15
Chorale SSAA
11
Chorale Unison
8
Voix haute
6
Pack Instrumental pour Chorale
5
Voix seule
5
Voix Alto, Piano
2
Chorale
2
Voix Soprano, Piano
2
Voix duo
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
113
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
44
Flûte, Hautbois, Clarinette, Basson
41
Ensemble de saxophones
37
Flûte traversière et Piano
37
2 Clarinettes (duo)
29
Ensemble de Clarinettes
29
Clarinette et Piano
26
2 Flûtes traversières (duo)
23
Flûte traversière
21
Quatuor de Saxophones: 4 saxophones
20
Saxophone Alto et Piano
20
Hautbois, Piano (duo)
19
Clarinette
16
Saxophone, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Saxophone Alto
15
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Flûtes
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Quintette de Flûte : 5 flûtes
11
Saxophone Baryton, Piano
10
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
Clarinette, Trompette (duo)
8
Cor anglais, Piano
8
Saxophone Tenor
8
Saxophone Soprano et Piano
8
Saxophone (partie séparée)
7
Hautbois (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
6
Flûte irlandaise
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
2 Hautbois (duo)
6
Cor Anglais
5
Flûte et Guitare
5
Hautbois, Basson (duo)
5
Trio de Flûtes: 3 flûtes
5
Flûte, Alto (duo)
5
Flûte, Clarinette, Piano (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette Basse, Piano
4
Flûte à bec Alto, Piano
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Flûte, Violon
2
Flûte à bec Soprano, Piano
2
Flûte, Trompette (duo)
2
Cor anglais, Guitare (duo)
2
Flûte, Violon, Piano
2
Clarinette, Guitare (duo)
2
Saxophone et Harpe
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
2 Flûte à bec (duo)
1
Flûte à bec Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
Harmonica
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
3 Saxophones (trio)
1
Flûte à Bec
1
Instruments en Mib
1
Piccolo, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Ensemble de Trompettes
46
Trompette
22
Ensemble de Trombones
20
Trombone et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone
14
Trompette, Piano
12
Cor anglais, Piano
8
2 Trombones (duo)
8
2 Trompettes (duo)
8
Trompette, Saxophone (duo)
7
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
7
Cor et Piano
7
Quatuor de Cuivres
7
Cor Anglais
5
Cor
5
Tuba et Piano
4
2 Cors (duo)
4
Tuba
3
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Euphonium
2
Trompette (partie séparée)
2
Bass Clef Instruments
2
Trompette, Trombone, Piano
2
3 Trombones (trio)
2
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Cor et Harpe
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
Instruments en Sib
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
3 Cors (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
123
Violon et Piano
68
2 Violons (duo)
57
Alto, Piano
33
Violon, Alto (duo)
29
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
23
2 Altos (duo)
20
Violon, Violoncelle (duo)
20
Violon
17
Violoncelle
15
Harpe
13
Ensemble d'Altos
13
Ensemble de Violons
12
Alto seul
12
2 Violoncelles (duo)
9
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
5
Trio à cordes: 3 altos
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
3
Contrebasse (partie séparée)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
2 Violons, Piano
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Contre Basse
2
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
68
Orchestre à Cordes
55
Orchestre d'harmonie
46
Orchestre de chambre
44
Orchestre
26
Jazz combo
20
Ensemble de cuivres
11
Ensemble de Percussions
7
Marimba
6
Fanfare
5
Cloches
5
Batterie
3
Xylophone
2
Ensemble d'École
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Here I stand
SheetMusicPlus
Partitions à imprimer
37 partitions trouvées
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1
26
Here I Am To Worship (light Of The World)
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Flûte traversière et Piano
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FACILE
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Musique Sacrée
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Phillips, Craig & Dean
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Stephen DeCesare
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Here I Am To Worship
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Exultet Music
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.518985 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacr...
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Flute,Piano - Level 2 - SKU: A0.518985 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and part. 11 pages. Exultet Music #129653. Published by Exultet Music (A0.518985). The popular Praise and Worship ballad that is commonly sung at Christian churches, festivals and youth gatherings has now been freshly arranged for a Flute or Violin solo with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
Lord, I'm Coming Home - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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William J
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James Michael Stevens
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Lord, I'm Coming Home - Flute
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.573196 Composed by William J. Kirkpatrick. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. S...
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Flute,Piano - Level 3 - SKU: A0.573196 Composed by William J. Kirkpatrick. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #5002145. Published by James M Stevens Music ASCAP (A0.573196). This is an arrangement for Flute and Piano of the classic devotional hymn, Lord, I'm Coming Home, by William J. Kirkpatrick. There is a separate flute part in the score. The piano part as seen can serve as a stand alone solo. The accompaniment track as heard can be found under Lord, I'm Coming Home Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
It's When I See You Smile - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
James Michael Stevens
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James Michael Stevens
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It's When I See You Smile - Fl
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.573171 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Love,Wedding. Sco...
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Flute,Piano - Level 3 - SKU: A0.573171 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Love,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4968039. Published by James M Stevens Music ASCAP (A0.573171). This is an original composition for Flute and Piano in a relaxing and romantic style in the key of G major. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The track as heard is available under It's When I See Your Smile Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$5.50
Sunsets I Almost Missed - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Sunsets I Almost Missed - Flut
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.573191 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sa...
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Flute,Piano - Level 3 - SKU: A0.573191 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #5001371. Published by James M Stevens Music ASCAP (A0.573191). This is an original composition for flute and piano in a reflective style in the key of D minor. There is a separate flute part in the score. The piano part as seen can be played as a stand alone solo. The track as heard can be found under Sunsets I Almost Missed Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Please follow Stevens' music on Spotify, Pandora Radio, and other outlets.
$6.99
I Will Arise and Go to Jesus (Flute & Piano) Piano Rehearsal Track
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Flûte traversière et Piano
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Musique Sacrée
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Joseph Hart
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Carol Troutman Wiggins
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I Will Arise and Go to Jesus
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - SKU: A0.1065687 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 114. Carol Troutman...
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Flute,Piano - SKU: A0.1065687 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 114. Carol Troutman Wiggins #4595931. Published by Carol Troutman Wiggins (A0.1065687). I WILL ARISE AND GO TO JESUS Flute & Piano DuetComposed by Joseph Hart in 1759, this hymn, also known as Come, Ye Sinners, Poor and Needy has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.
$3.99
I Will Arise and Go to Jesus (Flute & Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Musique Sacrée
#
Joseph Hart
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Carol Troutman Wiggins
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I Will Arise and Go to Jesus
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.732893 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Spiritual,Traditional. Sc...
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Flute,Piano - Level 3 - SKU: A0.732893 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Spiritual,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4595929. Published by Carol Troutman Wiggins (A0.732893). I WILL ARISE AND GO TO JESUS Flute & Piano DuetComposed by Joseph Hart in 1759, this hymn, also known as Come, Ye Sinners, Poor and Needy has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.Piano Rehearsal Track available on this site.
$9.99
I’ve Found a Friend (Easy Flute Solo with Piano Accompaniment)
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Flûte traversière et Piano
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FACILE
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Sharon Wilson
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Sharon Wilson
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I’ve Found a Friend
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Sharon Wilson
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.565847 By Sharon Wilson. By George C. Stebbins. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacre...
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Flute,Piano - Level 2 - SKU: A0.565847 By Sharon Wilson. By George C. Stebbins. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred,Standards. Score and part. 5 pages. Sharon Wilson #6269259. Published by Sharon Wilson (A0.565847). The encouraging hymn I’ve Found a Friend, O Such a Friend by George C. Stebbins is presented here as a gently flowing instrumental duet (for FLUTE solo with PIANO accompaniment). The FLUTE plays the melody throughout. An optional repeat is included in case a longer song is desired. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 3-page combined score with both FLUTE and PIANO parts on each page plus a separate 1-staff score for the FLUTE (1 page). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Flute Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
BEST VERSION I’ll Go Where You Want Me To Go
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Carrie E
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Gina Dexter
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BEST VERSION I’ll Go Whe
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Gina Dexter
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1144991 Composed by Carrie E. Rounsefell, 1861-1930. Arranged by Gina Dexter. Christian,Praise & Worship,Religious,Sacre...
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Flute,Piano - Level 4 - SKU: A0.1144991 Composed by Carrie E. Rounsefell, 1861-1930. Arranged by Gina Dexter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score and part. 14 pages. Gina Dexter #745307. Published by Gina Dexter (A0.1144991). This piece is for flutists seeking to express faith and worship with sacred music on par with that of the standard flute repertoire available for intermediate to advanced flutists. The hope is to enable the flute to fill the measure of its creation-both in spirit, technique and expression, and to enable to the flutist to find literature of a sacred nature that could fill a concert hall.
$10.00
Meditation on I Love to Tell the Story, for Flute and Piano
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Flûte traversière et Piano
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FACILE
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W G Fischer
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Nigel Williams
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Meditation on I Love to Tell t
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Nigel Williams
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.763868 Composed by W G Fischer. Arranged by Nigel Williams. Folk,Instructional,Lent,Sacred,Standards. Score and part. 8 ...
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Flute,Piano - Level 2 - SKU: A0.763868 Composed by W G Fischer. Arranged by Nigel Williams. Folk,Instructional,Lent,Sacred,Standards. Score and part. 8 pages. Nigel Williams #6700951. Published by Nigel Williams (A0.763868). A quiet piece to play at any time in a service of worship where a reflective and contemplative mood is required. Also great high school student repertoire. Score downloads with one page flute part and two page piano part attached. Enjoy browsing my extensive selection of flute and woodwind solos, duets, trios and quartets available on SMP.
$4.99
Fantaisie-Impromptu (I'm Always Chasing Rainbows), for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Nigel Williams
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Fantaisie-Impromptu
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Nigel Williams
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.763420 Composed by Frederic Chopin. Arranged by Nigel Williams. Instructional,Multicultural,Standards,World. Score and p...
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Flute,Piano - Level 3 - SKU: A0.763420 Composed by Frederic Chopin. Arranged by Nigel Williams. Instructional,Multicultural,Standards,World. Score and part. 8 pages. Nigel Williams #5361803. Published by Nigel Williams (A0.763420). This much loved melody by Chopin is also remembered in the classic 1917 song recorded by Judy Garland, I'm Always Chasing Rainbows. In this arrangement for flute and piano the piano provides a gentle accompaniment to the flute, and the phrasing is there to encourage a legato 'cantabile' performance. Ideal repertoire for High School students working at home, the performance duration is two and a half minutes and the full score has individual parts attached. Enjoy browsing my many instrumental duet arrangements of this and other popular classic melodies - all available on SMP.
$4.99
Thérèse Brenet: Sonata for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishi...
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Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
Somewhere Over The Rainbow - Solo for Flute & Piano (in C Major)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Comédie Musicale
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Film/TV
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Kevin P Holdgate
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Somewhere Over The Rainbow - S
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Kevin P Holdgate
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SheetMusicPlus
Piano Accompaniment, Flute - Intermediate - Digital Download Arranged by Kevin P Holdgate. Score, Set of Parts, Sheet Music Single, Solo Part. 6 page...
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Piano Accompaniment, Flute - Intermediate - Digital Download Arranged by Kevin P Holdgate. Score, Set of Parts, Sheet Music Single, Solo Part. 6 pages. Published by Kevin P Holdgate
KPHMS Solo Collection
This is a lovely arrangement of a great song that I have done in support of the NHS in the UK.
It is around Grade 5 ABRSM/Trinity in standard.
The YouTube link is of myself playing it on my doorstep...
$4.99
On Jordan's Stormy Banks (Flute and Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional Folk Hymn, Felix A
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John A
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On Jordan's Stormy Banks
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John A. Dempsey
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.524884 Composed by Traditional Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Sp...
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Flute,Piano - Level 4 - SKU: A0.524884 Composed by Traditional Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 14 pages. John A. Dempsey #6446179. Published by John A. Dempsey (A0.524884). A classic Christian hymn complete with a lively tempo and a mood of joyfulness and exaltation, this upbeat duet arrangement for flute and piano adds a burst of energy and enthusiasm to any praise and worship event. Â With incidental music by Felix Arndt. Â Recommended for traditional church services as a prelude, postlude, an offertory or special music. Â Key: D major. Â 10 pages of music (that includes a separate two-page flute part). Â On Jordan's stormy banks I stand / and cast a wishful eye / To Canaan's fair and happy land / Where my possessions lie. / I am bound for the promised land / I am bound for the promised land / Oh, who will come and go with me / I am bound for the promised land.
$6.99
Bach: Bist du bei mir BWV 508 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score a...
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Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Grey Skies over the Dee
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Barbara Arens
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in bars 2, 6, 14, etc
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Grey Skies over the Dee
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Barbara Arens
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.764006 Composed by Barbara Arens. Celtic,Concert,Contemporary,Standards. Score and part. 5 pages. Barbara Arens #6417269...
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Flute,Piano - Level 4 - SKU: A0.764006 Composed by Barbara Arens. Celtic,Concert,Contemporary,Standards. Score and part. 5 pages. Barbara Arens #6417269. Published by Barbara Arens (A0.764006). Grey Skies over the Dee We’re in the highlands of Scotland again here – and there are ‘Scotch Snaps’ in bars 2, 6, 14, etc. This is film music for a movie playing in your imagination. I have a picture of standing all alone on a bare hill covered in heather, the wind blowing in my hair, and grey skies reflected in the river Dee flowing at the foot of the hill. There’s a heroic feeling beginning in bar 16 – are we in the Jacobite rebellion, perhaps? Use your imagination!
$3.50
Kingsfold, an English folk tune for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Trad English
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Nigel Williams
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Kingsfold, an English folk tun
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Nigel Williams
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.763729 Composed by Trad English. Arranged by Nigel Williams. Concert,Folk,Instructional,Sacred,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.763729 Composed by Trad English. Arranged by Nigel Williams. Concert,Folk,Instructional,Sacred,Standards. Score and part. 8 pages. Nigel Williams #6382343. Published by Nigel Williams (A0.763729). This popular English folk tune is often sung to the hymn text I Heard the Voice of Jesus Say. This arrangement for flute and piano is therefore ideal in any service of worship where this hymn is admired. Likewise it is great High School student recital repertoire. The score downloads with parts attached. Enjoy browsing my many similar arrangements on SMP.
$4.99
Sonatina of Time for early intermediate flute
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Rebecca Maughan Cook
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Sonatina of Time for early int
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Rebecca Maughan Cook
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209...
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Flute,Piano - Level 3 - SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209. Published by Rebecca Maughan Cook (A0.908188). This wonderful Sonatina is in 3 movements for the intermediate flutist. It is a finalist for the 2022 New Voices for Young Flutists competition. Set in the band friendly Key of B-flat major, Movement 1 is a Classical Sonata Allegro Form with an accessible flute part and a piano part that makes it BIG!  It's called 'Clockworks' because of the type of clock sounds used, especially in the piano part. The range for the flutist is Low A to High D.   Movement 2 is called 'Time for Caring.' I wrote the melody I wanted to play. It's lovely and makes you want to develop an even more beautiful sound. It's range is Low F to High D with a fast scale going from Low F up to mid B-flat.  This is also in the Key of B-flat.  The 3rd Movement is also in the Key of B-flat. I called it 'Time to Grow.' It's rhythm is in 8/8, usually divided into 3+3+2, although there are a few measures where it is easier for the flutist to think of it in 2+2+2+2.  It has a lot of drive in the rhythm and I think has a Broadway kind of sound, as if people were moving and walking across a busy stage while singing. I'm uploading a recording of this which I hope you enjoy! The piano part is much more challenging. Each of these movements is accessible, musical, interesting and when paired with the accompaniment a full ensemble kind of sound.  Enjoy!
$5.99
20 Easter Hymn Solos for Flute and Piano: Vols. 1 & 2
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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20 Easter Hymn Solos for Flute
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,Sacred. Score and part. 82 pages. Ben Dockery #766722. Published by...
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Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,Sacred. Score and part. 82 pages. Ben Dockery #766722. Published by Ben Dockery
These twenty classic Easter hymns have been arranged for flute solo with piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.
Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$12.99
Jacques Leguerney: Sonate for piano and flute
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Sonate for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publi...
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Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95
Charles Gounod Funeral March for a Marionette, for flute and piano
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Flûte traversière et Piano
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FACILE
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Charles Francois Gounod
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Yoel Epstein
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#
Charles Gounod Funeral March f
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Yoel Epstein
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.773334 Composed by Charles Francois Gounod. Arranged by Yoel Epstein. Children,Romantic Period,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.773334 Composed by Charles Francois Gounod. Arranged by Yoel Epstein. Children,Romantic Period,Standards. Score and part. 6 pages. Yoel Epstein #4289261. Published by Yoel Epstein (A0.773334). Funeral March for a Marionette is, perhaps, composer Charles Gounod's most famous composition. This is largely because it was used as the theme song of the popular 1950s television series Alfred Hitchkok Presents. Gounod wrote the piece in 1872. The piece, originally for piano, describes the story of a marionette who is killed in a duel. In the original score, Gounod included comments in French matching the action in the story to the music: · La Marionnette est cassée!!! (The marionette is broken!!!) · Murmure de regrets de la troupe (Murmurs of regret from the troupe) · Le Cortège (The procession) · Ici plusieurs des principaux personnages de la troupe s'arrêtent pour se rafraîchir (Here many of the principal personages stop for refreshments) · Retour à la maison (Return to the house) The picture on the cover is the first page of the original publication. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$4.99
GOSPEL HYMN SUITE (For Flute & Piano with Score & Flute Part)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Musique Sacrée
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Charles H
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Gary Lanier
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GOSPEL HYMN SUITE
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The Lanier Company
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.617000 Composed by Charles H. Gabriel, Peter P. Bilhorn, and R. Kelso Carter. Arranged by Gary Lanier. Christian,Gospel,...
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Flute,Piano - Level 3 - SKU: A0.617000 Composed by Charles H. Gabriel, Peter P. Bilhorn, and R. Kelso Carter. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 25 pages. The Lanier Company #4277053. Published by The Lanier Company (A0.617000). GOSPEL HYMN SUITE is a set of 3 hymns arranged by Gary Lanier for Flute and Piano. The titles are (1) Since Jesus Came into My Heart, (2) I Will Sing the Wondrous Story, & (3) Standing On the Promises. A Flute part is included for each hymn. They can be performed separately or together as a suite. The cost is less than for the price of 2. These hymn arrangements are ideal for special music in worship services, concerts or for the joy of playing in any situation where Gospel music is enjoyed (25 pages).
$11.98
Rock - a - Bye for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Barbara Arens
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Rock - a - Bye for Flute &
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Barbara Arens
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.764012 Composed by Barbara Arens. Concert,Contemporary,Rock,Standards. Score and part. 5 pages. Barbara Arens #6417301. ...
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Flute,Piano - Level 3 - SKU: A0.764012 Composed by Barbara Arens. Concert,Contemporary,Rock,Standards. Score and part. 5 pages. Barbara Arens #6417301. Published by Barbara Arens (A0.764012). Rock-a-Bye I happened to find a discussion on the internet about this harmonic progression. It was decided that it is the saddest progression in rock music! I decided to alternate saddness and agression here.
$3.30
A Night In Tunisia
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
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