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I'm Through
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139
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203
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65
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39
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9
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7
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3
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1
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21
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7
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110
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10
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155
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146
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118
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116
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21
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9
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7
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5
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88
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13
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Vous avez sélectionné:
I'm Through
Flûte traversière et Piano
Partitions à imprimer
3 partitions trouvées
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I'm Every Woman
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Whitney Houston
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Fishel Pustilnik
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I'm Every Woman
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F & N Enterprise
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.635974 By Whitney Houston. By Nickolas Ashford and Valerie Simpson. Arranged by Fishel Pustilnik. Contemporary. Score an...
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Flute,Piano - Level 4 - SKU: A0.635974 By Whitney Houston. By Nickolas Ashford and Valerie Simpson. Arranged by Fishel Pustilnik. Contemporary. Score and part. 10 pages. F & N Enterprise #6104723. Published by F & N Enterprise (A0.635974). An excellent arrangement of the famous Song I'm Every Woman for Flute and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/V00RxK2n5J8 The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Have You Ever Seen The Rain?
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Flûte traversière et Piano
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DÉBUTANT
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Creedence Clearwater Revival
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Josiel Oliveira
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1096079 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score an...
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Flute,Piano - Level 1 - SKU: A0.1096079 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700029. Published by M das Melodias (A0.1096079). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Flute. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
Luther: Out of the Depths for Alto Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4...
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Flute,Piano - Level 1 - SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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I'm Through
