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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian M
Non classifié
5 060
Piano & claviers
Piano seul
10 115
Piano, Voix
3 147
Piano, Voix et Guitare
3 060
Piano Facile
1 882
Orgue
234
Instruments en Do
223
1 Piano, 4 mains
202
Piano grosses notes
155
Accompagnement Piano
99
Piano Trio: piano, violon, violoncelle
77
2 Pianos, 4 mains
60
Piano Quatuor: piano, violon, alto, violoncelle
60
Piano (partie séparée)
30
Orgue, Piano (duo)
30
Accordéon
30
Piano Quintette: piano, 2 violons, alto, violoncelle
24
Orgue, Trompette (duo)
6
1 Piano, 6 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavecin
3
2 Pianos, 8 mains
2
Accordéon, Piano
1
Orgue, Voix
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5 202
Guitare
1 695
Guitare notes et tablatures
522
Basse electrique
69
Ukulele
46
Paroles et Accords
42
Piano, Guitare (duo)
27
2 Guitares (duo)
18
4 Guitares (Quatuor)
7
Dulcimer
2
Guitare (partie séparée)
2
Ensemble de Ukulélés
1
Guitare, Quatuor à cordes
1
Ukulele Baryton
1
3 Guitares (trio)
1
Banjo
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 432
Pack Instrumental pour Chorale
505
Voix seule
441
Chorale 3 parties
351
Chorale TTBB
175
Chorale 2 parties
170
Chorale SSAA
115
Chorale Unison
54
Voix duo, Piano
52
Voix haute
48
Voix Soprano, Piano
41
Chorale
39
Voix basse, Piano
18
Voix moyenne, Piano
18
Voix Tenor, Piano
16
Voix Baryton, Piano
15
Voix Alto, Piano
12
Voix duo
9
Chorale SSATB
3
Voix basse
3
Voix Tenor
2
Voix Soprano
2
Chorale SSAATTBB
2
Voix Moyenne
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 294
Hautbois, Piano (duo)
784
Clarinette et Piano
594
Saxophone Alto et Piano
391
Clarinette
242
Saxophone Tenor et Piano
241
Saxophone Soprano et Piano
219
Flûte traversière
215
Saxophone
214
Cor anglais, Piano
197
Saxophone Baryton, Piano
146
Quintette de Saxophone: 5 saxophones
130
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
Ensemble de saxophones
112
Quatuor de Saxophones: 4 saxophones
112
Clarinette Basse, Piano
112
2 Saxophones (duo)
96
Hautbois
90
2 Flûtes traversières (duo)
83
Saxophone Alto
63
Ensemble de Clarinettes
57
2 Clarinettes (duo)
52
Saxophone Tenor
51
Flûte, Hautbois, Clarinette, Basson
48
Quatuor de Clarinettes: 4 clarinettes
42
Saxophone (partie séparée)
36
2 Flûte à bec (duo)
33
Flûte à Bec
32
Flute (partie séparée)
30
2 Flûtes traversières, Piano
29
3 Saxophones (trio)
27
Hautbois (partie séparée)
26
Ensemble de Flûtes
25
Quatuor de Flûtes : 4 flûtes
23
2 Hautbois (duo)
23
3 Clarinettes (trio)
20
Clarinette (partie séparée)
19
Trio de Flûtes: 3 flûtes
19
Saxophone Soprano
17
Flûte, Violon, Piano
17
Quintette de Flûte : 5 flûtes
15
Piccolo, Piano
15
Saxophone et Piano
15
Flûte, Clarinette (duo)
14
Flûte à bec Soprano
14
Flûte et Guitare
14
Quatuor de Flûtes à bec
12
Hautbois, Basson (duo)
11
Flûte, Violon
11
Saxophone, Clarinette (duo)
10
Flûte à bec Alto
10
Flûte, Violoncelle
9
Clarinette, Violon (duo)
9
Flûte, Violon et Violoncelle
8
Flûte, Alto (duo)
8
Flûte, Guitare, Piano
7
Clarinette et Alto
7
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Tenor
5
Clarinette, Harpe (duo)
5
Hautbois, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette, Guitare (duo)
5
Hautbois, Harpe
5
Clarinette, Trompette (duo)
4
Hautbois, Violoncelle
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Violoncelle (duo)
3
Flûte à Bec, Piano
3
Ocarina
3
Clarinette, Basson (duo)
3
Flûte à bec Alto, Piano
3
Hautbois, Flûte
3
Flûte, Clarinette et Basson
3
2 Cors Anglais Et Pianoforte
3
Flûte, Saxophone (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Clarinette, Piano (trio)
2
Saxophone et Guitare
2
2 Saxophones, Piano
2
Flûte, Hautbois, Basson
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte et Trio à cordes
2
Harmonica, Piano
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Cor anglais, Guitare (duo)
1
Flute, harpe et violon
1
Piccolo
1
Ensemble De Flûte à bec
1
Clarinette Basse
1
Cor anglais et Harpe (duo)
1
Saxophone et Orgue
1
Instruments en Mib
1
2 Hautbois, Piano
1
Flûte à bec Soprano, Basse continue
1
Saxophone et violoncelle
1
Cor Anglais
1
Flûte, Violon, Violoncelle et Piano
1
5 Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto et Piano
1
Flûte, Violoncelle, Guitare
1
Flûte à bec, Guitare (duo)
1
+ 102 instrumentations
Retracter
Cuivres
Trompette, Piano
328
Trombone et Piano
249
Cor et Piano
246
Trompette
207
Cor anglais, Piano
197
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Euphonium, Piano (duo)
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Trombone
112
Tuba et Piano
109
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Trombone (partie séparée)
37
Cor
37
Ensemble de Trombones
32
Trompette (partie séparée)
30
2 Trombones (duo)
30
Tuba
28
Quatuor de Cuivres
26
2 Trompettes (duo)
26
Ensemble de Trompettes
23
2 Cors (duo)
20
Cor (partie séparée)
18
Trompette, Trombone (duo)
16
Euphonium
11
2 Euphoniums (duo)
9
Trio de Cuivres
9
Quatuor de cuivres: 4 cors
8
Tuba et Orgue
7
Trompette, Saxophone (duo)
6
Trombone basse et Piano
6
Ensemble de Cors
5
Euphonium, Tuba (duo)
4
Tuba (partie séparée)
4
2 Tubas (duo)
4
Trompette, Cor (duo)
3
Trombone, Cor (duo)
3
2 Cors Anglais Et Pianoforte
3
Trombone, Tuba (duo)
2
Cor anglais, Guitare (duo)
1
Trombone basse
1
Trompette, Violoncelle et Piano
1
3 Trombones (trio)
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
Cor Anglais
1
Quatuor de cuivres: 4 trombones
1
Cor, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Sib
1
Trompette, Trombone, Piano
1
Cornet et Piano
1
+ 47 instrumentations
Retracter
Cordes
Violon et Piano
1 622
Quatuor à cordes: 2 violons, alto, violoncelle
569
Violoncelle, Piano
568
Alto, Piano
503
Violon
389
Violon, Violoncelle (duo)
210
Trio à Cordes: violon, alto, violoncelle
202
Violoncelle
140
Harpe
106
Alto seul
90
Contrebasse, Piano (duo)
83
2 Violoncelles (duo)
77
2 Violons (duo)
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
50
Violon, Alto (duo)
46
Contre Basse
40
2 Altos (duo)
36
Trio à Cordes: 2 violons, violoncelle
30
Violon (partie séparée)
28
Ensemble d'Altos
20
Ensemble de Violons
17
Violoncelle (partie séparée)
17
Piano Trio: Violon, Alto, Piano
15
Alto (partie séparée)
15
Harpe, Flûte (duo)
12
2 Contrebasses (duo)
10
Alto, Violoncelle (duo)
10
4 Violoncelles
10
Trio à Cordes: 2 violons, alto
10
Trio à cordes: 3 violins
7
Violon, Guitare (duo)
6
Harpe, Violon (duo)
5
Trio à Cordes: 3 violoncelles
5
Contrebasse (partie séparée)
4
2 Violons, Piano
4
Trio à cordes
4
Ensemble de Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto, Guitare (duo)
3
Violon, Orgue
3
Alto et Basson
3
2 Harpes (duo)
2
Violon, Basson (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Altos, Piano
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
4 Harpes
1
Violoncelle, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et Harpe
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
254
Orchestre d'harmonie
224
Orchestre
210
Batterie
171
Ensemble Jazz
98
Orchestre de chambre
95
Ensemble de cuivres
47
Cloches
42
Jazz combo
40
Timbales
16
Fanfare
16
Percussion (partie séparée)
14
Ensemble de Percussions
12
Piano et Orchestre
10
Xylophone, Piano
6
Marimba
5
Vibraphone
4
Percussion
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
2
Orchestre, Violon
2
Timbales (partie séparée)
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Orchestre Symphonique
1
2 Xylophones
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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Vous avez sélectionné:
Ian M
Flûte traversière et Piano
Partitions à imprimer
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1276
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
(+)
Flute,Piano - Level 2 - SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
(+)
Flute,Piano - Level 2 - SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493997. Published by jmsgu3 (A0.549422). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Quietudes, Nos. 1-12 - Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Contemporain
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James Michael Stevens
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James Michael Stevens
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Quietudes, Nos. 1-12 - Flute a
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SheetMusicPlus
Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Sacred...
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Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Sacred, Wedding, Funeral, New Age. Sheet Music Single. 85 pages. Published by James M Stevens Music ASCAP
These are 12 original and ambient flute and piano duets with a different piece for every major key beginning with C major and each number moving a half step higher till number 12 in B major. These are all relaxing and romantic composition in quiet and calm styles and are somewhat a set of etudes encouraging the violinist and pianist to play similar styles in some keys that that may not be favorites. However, professional musicians have to play in every key and students would be well served play all and not avoid certain keys. All of these have piano tracks that may be used for performance or rehearsal and can be found under "Quietude No. 1 Piano Track" and just changing the number to find the right track. The MP3 is of No. 1 while the YouTube link is of number 9 in A flat major. There are separate flute parts for every piece. Most of the piano parts as seen can also serve as stand alone solos. This book is also available for violin and piano solo. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$18.99
Grieg: Ase's Death from Peer Gynt Suite for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549537 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standa...
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Flute,Piano - Level 3 - SKU: A0.549537 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505875. Published by jmsgu3 (A0.549537). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549530 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standa...
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Flute,Piano - Level 3 - SKU: A0.549530 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505767. Published by jmsgu3 (A0.549530). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549552 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Flute,Piano - Level 3 - SKU: A0.549552 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507521. Published by jmsgu3 (A0.549552). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549573 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Flute,Piano - Level 3 - SKU: A0.549573 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508701. Published by jmsgu3 (A0.549573). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549559 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Flute,Piano - Level 3 - SKU: A0.549559 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507985. Published by jmsgu3 (A0.549559). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549515 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Sc...
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Flute,Piano - Level 3 - SKU: A0.549515 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502595. Published by jmsgu3 (A0.549515). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works really well on the Alto Flute! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
BACH: Sonata BWV 1034 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata BWV 1034 for Flut
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jmsgu3
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SheetMusicPlus
Flute & Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque ...
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Flute & Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts, Solo Part. 45 pages. Published by jmsgu3
J. S. BACH: Sonata BWV 1034
Duration: ca. 15:00 Score: 26 pages
I. Adagio ma non tanto
II. Allegro
III. Andante
IV. Allegro
Originally scored for transverse flute & cembalo
Arrangement and figured bass realization by James M. Guthrie
$26.95
O Holy Night - Flute & Piano
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Flûte traversière et Piano
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Noël
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Adolphe-Charles Adam
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James Michael Stevens
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O Holy Night - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by Adolphe-Charles Adam (1803-1856). Arranged by James Michael Stevens. Post- Romantic, Christian, Sacred, World, Christmas. Sheet Music Singl...
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Composed by Adolphe-Charles Adam (1803-1856). Arranged by James Michael Stevens. Post- Romantic, Christian, Sacred, World, Christmas. Sheet Music Single. 7 pages. Published by James M Stevens Music ASCAP
This is an original arrangement for Flute and Piano of the classic Christmas carol, "O Holy Night," using the full range of the flute from middle C to an high G in an expressive style sure to bring an emotional impact. There is a separate flute part in the score and the track as heard can be found under "O Holy Night Piano Track." James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. "2018 Holiday Contest Entry" https://www.youtube.com/watch?v=14-GH4Jg89A
$7.99
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Sacred Realms - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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James Michael Stevens
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James Michael Stevens
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Sacred Realms - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, ...
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Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Neo-Classical, Sacred, Wedding, New Age. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCAP
Written July 8, 2021, this is an original flute and piano composition in a sacred and meditative style in the key of B flat major. There is a separate flute part in the score and the piano part as seen can serve as an independent solo. The accompaniment as heard is available under "Sacred Realms Piano Track."
James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Sacred Realms - Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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James Michael Stevens
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James Michael Stevens
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Sacred Realms - Alto Flute & P
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo, Flute, Alto Flute Solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Roman...
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Piano Solo, Flute, Alto Flute Solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Neo-Classical, Sacred, Wedding, New Age. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCAP
Written July 8, 2021, this is an original alto flute and piano composition in a sacred and meditative style in the key of B flat major. There is a separate alto flute part in the score and the piano part as seen can serve as an independent solo. The accompaniment as heard is available under "Sacred Realms Piano Track."
James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$7.99
Gentle Streams - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Contemporain
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James Michael Stevens
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James Michael Stevens
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Gentle Streams - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, ...
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Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Neo-Classical, Sacred, Wedding, New Age. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCAP
Written May 13, 2021, this is an original flute and piano composition in a relaxing, flowing, and quiet style in the key of B flat major. There is a separate flute part in the score and the piano part as seen can serve as an independent solo. The accompaniment as heard can be found under "Gentle Streams Piano Track."
James Michael Stevens is a prolific composer residing in Nashville, TN.
$6.99
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Flute & Piano - Intermediate - Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoir...
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Flute & Piano - Intermediate - Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Christmas, Fairy Tales, Recital. Score, Set of Parts. 48 pages. Published by jmsgu3
Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite.
$32.95
Pachelbel: Canon for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Flute & P
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jmsgu3
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SheetMusicPlus
Flute & Piano - Intermediate - Composed by Johann Pachelbel (1653-1706). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Weddin...
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Flute & Piano - Intermediate - Composed by Johann Pachelbel (1653-1706). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Wedding. Score, Solo Part. 8 pages. Published by jmsgu3
The famous Pachelbel Canon arranged for flute & piano. Great for weddings & receptions.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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Flûte traversière et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Tchaikovsky: The Complete Nutcracker Suite for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: The Complete Nutc
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550936 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Concert,Standards,W...
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Flute,Piano - Level 3 - SKU: A0.550936 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Concert,Standards,Wedding. Score and part. 134 pages. Jmsgu3 #4890169. Published by jmsgu3 (A0.550936). The Complete Nutcracker Suite for Flute & Piano Duration 21:08 Score: 68 pages, Flute part: 18 pages, Piano part: 49 pages Contents: 1. Overture 2. March 3. Dance of the Sugar-Plum Fairy 4. Russian Dance 5. Arabian Dance 6. Chinese Dance 7. Dance of the Flutes 8. Waltz of the Flowers
$74.95
Tchaikovsky: The Complete Nutcracker Suite for Bass Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Tchaikovsky:
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James M
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Tchaikovsky: The Complete Nutc
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.550944 Composed by Tchaikovsky:. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Concert,...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.550944 Composed by Tchaikovsky:. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Concert,Standards,Wedding. Score and individual part. 135 pages. Jmsgu3 #4890595. Published by jmsgu3 (A0.550944). The Complete Nutcracker Suite for Bass Flute & PianoDuration 21:08 Score: 69 pages, Bass Flute part: 19 pages, Piano part: 48 pagesContents:1. Overture2. March3. Dance of the Sugar-Plum Fairy4. Russian Dance5. Arabian Dance6. Chinese Dance7. Dance of the Flutes8. Waltz of the Flowers
$74.95
Four Hispanic Children’s Songs for Flute or Oboe and Piano
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Flûte traversière et Piano
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FACILE
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s
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William Pagan-Perez
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,St...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases.
$8.95
Schubert: Ave Maria for Alto Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Alto F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
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Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
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