Partitions Numériques de Ich ruf pour Flûte traversière et Piano

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TRI ET FILTRES

Tri et filtres :

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PIANO & CLAVIERS

Piano seul 23 Orgue 20 Piano, Voix 4 Piano Facile 1 Clavecin 1

Piano, Voix et Guitare 1 Piano Trio: piano, violon, violoncelle 1 Accompagnement Piano 1

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GUITARES

Guitare 3 Basse electrique 2 3 Guitares (trio) 1 2 Guitares (duo) 1

VOIX

Chorale SATB 20 Chorale 2 parties 3 Chorale 3 parties 1 Chorale SSAATTBB 1 Chorale TTBB 1

Voix duo, Piano 1 Chorale SSATB 1 Voix Alto, Piano 1

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VENTS

Saxophone 6 Flûte à Bec 5 Clarinette 4 Quatuor de Saxophones: 4 saxophones 4 Ensemble de Flûtes 3 Flûte, Hautbois, Clarinette, Basson 3 Flûte traversière et Piano 3

Flûte à bec Soprano 2 Hautbois 2 Hautbois, Piano (duo) 2 Saxophone Soprano et Piano 1 Quintette de Saxophone: 5 saxophones 1 Flûte à bec Alto 1 Quatuor de Flûtes à bec 1 Flûte traversière 1 Ensemble de Clarinettes 1 Ensemble De Flûte à bec 1 Clarinette Basse, Piano 1 Harmonica 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 Flûte traversière, Basse continue 1 Clarinette et Piano 1 Saxophone Tenor et Piano 1 Quatuor de Clarinettes: 4 clarinettes 1 2 Flûtes traversières (duo) 1 Flûte irlandaise 1 Saxophone Alto et Piano 1 Cor anglais, Piano 1

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CUIVRES

Quatuor de cuivres: 4 trombones 7 Quatuor de Cuivres : 2 trompettes, trombone, tuba 4 Trompette 3 Quatuor de cuivres: 4 cors 3 Trombone 2

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 Euphonium 2 Euphonium, Piano (duo) 2 Tuba 2 Cor 2 Cor et Piano 1 Trombone et Piano 1 Cor anglais, Piano 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 5 Trio à Cordes: violon, alto, violoncelle 2 Alto, Piano 1 Harpe 1 Violon et Piano 1

Violoncelle, Piano 1

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PERCUSSIONS & ORCHESTRES

Orchestre 3 Batterie 2 Orchestre à Cordes 2 Ensemble de cuivres 2 Piano et Orchestre 1

Ensemble Jazz 1 Orchestre de chambre 1

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AUTRES

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Ich ruf

Flûte traversière et Piano

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Thérèse Brenet: Sonata for flute and piano

Flûte traversière et Piano

Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet.…(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphÃ©mÃ¨reII. La lune s'Ã©teignitIII. Miroirs The sonata lasts aproximately 13 minutes. ThÃ©rÃ¨se BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice DuruflÃ©, NoÃ«l Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the StÃ©phane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa MÃ©dicis in Rome, ThÃ©rÃ¨se Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.ThÃ©rÃ¨se Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premiÃ¨red by the Orchestre Lyrique de l'O.R.T.F., under the direction of AndrÃ© Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...

$16.95 15.53 € #Flûte traversière et Piano #Therese Brenet #Thérèse Brenet: Sonata for flute and piano #Musik Fabrik Music Publishing #SheetMusicPlus

Bach: Wachet auf for Alto Flute & Piano

Flûte traversière et Piano

Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…(+)

Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

$24.95 22.86 € #Flûte traversière et Piano #Johann Sebastian Bach #James M # #Bach: Wachet auf for Alto Flute & Piano #jmsgu3 #SheetMusicPlus

Bach: Wachet auf BWV 140 for Flute & Piano

Flûte traversière et Piano

Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…(+)

Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymnÂ of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian BachÂ is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.

$26.95 24.69 € #Flûte traversière et Piano #Johann Sebastian Bach #James M #Bach: Wachet auf BWV 140 for Flute & Piano #jmsgu3 #SheetMusicPlus