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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
It's About Time, Piano Solo
Non classifié
94
Piano & claviers
Piano seul
262
Accompagnement Piano
87
Piano, Voix et Guitare
51
Piano, Voix
24
Piano Facile
9
Piano (partie séparée)
3
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
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Guitare
6
Paroles et Accords
1
Ukulele
1
Piano, Guitare (duo)
1
Voix
Voix Tenor, Piano
35
Chorale SATB
32
Voix Alto, Piano
19
Voix Soprano, Piano
18
Voix Tenor
5
Voix Baryton, Piano
2
Chorale 3 parties
1
Voix seule
1
Voix Soprano
1
+ 4 instrumentations
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Vents
Hautbois, Piano (duo)
21
Saxophone Alto et Piano
21
Flûte traversière et Piano
19
Saxophone Soprano et Piano
16
Clarinette et Piano
10
Saxophone Baryton, Piano
7
Saxophone Tenor et Piano
7
Clarinette
6
Clarinette Basse, Piano
5
Cor anglais, Piano
4
Flûte traversière
3
Flûte à bec Tenor
3
Saxophone Alto
2
2 Saxophones (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois (partie séparée)
2
Flûte à bec Alto
2
2 Clarinettes, Piano
2
Flûte à bec Soprano
1
Saxophone et Piano
1
Piccolo, Piano
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte à bec Soprano, Piano
1
Hautbois
1
2 Flûte à bec (duo)
1
+ 22 instrumentations
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Cuivres
Trombone et Piano
9
Cor et Piano
7
Trompette, Piano
5
Euphonium, Piano (duo)
5
Cor anglais, Piano
4
Tuba et Piano
4
Trombone
3
Trompette
3
Tuba
1
Trombone basse et Piano
1
Cor
1
+ 6 instrumentations
Retracter
Cordes
Violon et Piano
12
Alto, Piano
12
Violoncelle, Piano
11
Violon
5
Violoncelle
3
Alto seul
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
1
Contre Basse
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre
8
Orchestre d'harmonie
5
Ensemble Jazz
3
Ensemble d'École
3
Ensemble de cuivres
2
Orchestre de chambre
2
Cloches
1
Jazz combo
1
+ 3 instrumentations
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FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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Vous avez sélectionné:
It's About Time, Piano Solo
Flûte traversière et Piano
Partitions à imprimer
19 partitions trouvées
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1
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
#
J
#
James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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Flûte traversière et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Valse - Scherzo op.34 for flute and piano
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flut
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James Strauss
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SheetMusicPlus
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pag...
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Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
Waltz in A Minor - Alto Flute and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor - Alto Flute
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Raymond Fenech
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.760543 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holida...
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Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.760543 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional. Score and individual part. 9 pages. Raymond Fenech #4623543. Published by Raymond Fenech (A0.760543). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Waltz in A Minor (Chopin) - 2 Flutes and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
#
Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760514 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Clas...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760514 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4609275. Published by Raymond Fenech (A0.760514). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Waltz in A Minor - 2 Alto Flutes and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor - 2 Alto Flut
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Alto Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760541 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas...
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Instrumental Duet,Piano Alto Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760541 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional. Score and parts. 11 pages. Raymond Fenech #4623539. Published by Raymond Fenech (A0.760541). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Waltz in A Minor - Flute and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor - Flute and P
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Raymond Fenech
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.760513 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Per...
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Flute,Piano - Level 3 - SKU: A0.760513 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Period. Score and part. 9 pages. Raymond Fenech #4609271. Published by Raymond Fenech (A0.760513). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Bach-Gounod: Ave Maria for Bass Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Bach-Gounod
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James M
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Piano
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easte...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
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Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Bach-Gounod
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James M
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Piano -S0
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Bach-Gounod: Ave Maria for Flu
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
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Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Four Hispanic Children’s Songs for Flute or Oboe and Piano
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Flûte traversière et Piano
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FACILE
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s
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William Pagan-Perez
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,St...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases.
$8.95
Elgar • Pomp and Circumstance | flute sheet music w/ piano accompaniment
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Flûte traversière et Piano
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FACILE
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purchasing our edition, you'll
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Edward Elgar
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Benzaiten Editions
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Elgar • Pomp and Circumst
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Benzaiten Editions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1487404 Composed by Edward Elgar. Arranged by Benzaiten Editions. 19th Century,Instructional,March,Romantic Period,Weddi...
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Flute,Piano - Level 2 - SKU: A0.1487404 Composed by Edward Elgar. Arranged by Benzaiten Editions. 19th Century,Instructional,March,Romantic Period,Wedding. Score and part. 5 pages. Benzaiten Editions #1064337. Published by Benzaiten Editions (A0.1487404). Hey there! Ready to dive into the majestic and stirring melody of Pomp and Circumstance? Let's create some musical magic together!Perfect for graduations and formal events, this song adds a touch of grandeur and tradition to any celebration. Let the powerful music carry you away on a journey of achievement and honor with this unforgettable classic.Elgar • Pomp and Circumstance | flute sheet music w/ piano accompaniment Our edition | Benzaiten Editions By purchasing our edition, you'll be able to download:• Full score with all instruments of the arrangement (with piano accompaniment)• Flute part About the song | Elgar • Pomp and Circumstance Pomp and Circumstance, composed by Sir Edward Elgar, is an iconic march that has become synonymous with graduation ceremonies worldwide. With its uplifting and ceremonial melody, this piece has inspired countless individuals as they mark significant milestones in their lives.Whether you're playing it solo or as part of a group, its majestic power and timeless appeal are sure to captivate your audience and leave a lasting impression.
$5.99
Can't Help Falling In Love
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.845287 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,R...
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Flute,Piano - Level 3 - SKU: A0.845287 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6680997. Published by Phil Beaman (A0.845287). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
Scarborough Fair
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Flûte traversière et Piano
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Traditional
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Joan Bujacich
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Scarborough Fair
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Joan Bujacich
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SheetMusicPlus
Piano,Soprano Flute - SKU: A0.1433845 By Traditional. By Traditional. Arranged by Joan Bujacich. Celtic,Folk,Irish,Pop,Traditional. Score and part. 10 p...
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Piano,Soprano Flute - SKU: A0.1433845 By Traditional. By Traditional. Arranged by Joan Bujacich. Celtic,Folk,Irish,Pop,Traditional. Score and part. 10 pages. Joan Bujacich #1014054. Published by Joan Bujacich (A0.1433845). The piano and flute score is 7 pages in length, but Ms. Bujacich extracted the flute alone as well which is only 2 pages. This entire PDF then is 10 pages total with the cover. Clean, professionally notated.This arrangement by Joan Bujacich is in D Dorian mode. The flute plays the melody for the first two verses and then in the third verse it goes up an octave and the piano imitates some of the melodic lines, making for a nice dialogue between the two instruments. This medieval folk song uses the melody later used by Simon & Garfunkel. It was first sung by Mark Anderson (1874–1953), a retired lead miner from Middleton-in-Teesdale, County Durham, England to Ewan MacColl in 1947.Scarborough Fair, was popularized in the United States by the 1960s singer-songwriting duo Simon & Garfunkel.The folk song is about a market fair that took place in the town of Scarborough in Yorkshire during medieval times. Like any fair, it attracted traders, entertainers and food vendors, along with other hangers-on. The fair peaked in the late 14th century but continued to operate until the end of the 1700s. Now, several fairs are held in remembrance of the original.Be sure to check out Ms. Bujacich's arrangement page. She has many other great arrangements for Flute and Piano and solo piano.
$3.99
Can't Help Falling In Love
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Flûte traversière et Piano
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FACILE
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Elvis Presley
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Benzaiten Editions
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Can't Help Falling In Love
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Benzaiten Editions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1420954 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th ...
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Flute,Piano - Level 2 - SKU: A0.1420954 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Score and part. 7 pages. Benzaiten Editions #1002361. Published by Benzaiten Editions (A0.1420954). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • flute sheet music w/ piano accompaniment [chords] Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Flute part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$6.99
Can't Help Falling In Love
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Flûte traversière et Piano
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FACILE
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Elvis Presley
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Benzaiten Editions
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Can't Help Falling In Love
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Benzaiten Editions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1420953 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th ...
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Flute,Piano - Level 2 - SKU: A0.1420953 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Score and part. 7 pages. Benzaiten Editions #1002360. Published by Benzaiten Editions (A0.1420953). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • flute sheet music w/ piano accompaniment Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Flute part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$6.99
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It's About Time, Piano Solo
