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38
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34
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9
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Vous avez sélectionné:
It's My Turn
Flûte traversière et Piano
Partitions à imprimer
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Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Charles Gounod Funeral March for a Marionette, for flute and piano
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Flûte traversière et Piano
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FACILE
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Charles Francois Gounod
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Yoel Epstein
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Charles Gounod Funeral March f
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Yoel Epstein
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.773334 Composed by Charles Francois Gounod. Arranged by Yoel Epstein. Children,Romantic Period,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.773334 Composed by Charles Francois Gounod. Arranged by Yoel Epstein. Children,Romantic Period,Standards. Score and part. 6 pages. Yoel Epstein #4289261. Published by Yoel Epstein (A0.773334). Funeral March for a Marionette is, perhaps, composer Charles Gounod's most famous composition. This is largely because it was used as the theme song of the popular 1950s television series Alfred Hitchkok Presents. Gounod wrote the piece in 1872. The piece, originally for piano, describes the story of a marionette who is killed in a duel. In the original score, Gounod included comments in French matching the action in the story to the music: · La Marionnette est cassée!!! (The marionette is broken!!!) · Murmure de regrets de la troupe (Murmurs of regret from the troupe) · Le Cortège (The procession) · Ici plusieurs des principaux personnages de la troupe s'arrêtent pour se rafraîchir (Here many of the principal personages stop for refreshments) · Retour à la maison (Return to the house) The picture on the cover is the first page of the original publication. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$4.99
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