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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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COR
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It Will Fall
Non classifié
96
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83
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21
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18
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16
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14
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1
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1
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11
Ukulele
2
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1
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1
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41
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11
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8
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7
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5
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1
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6
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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21
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5
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4
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4
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3
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2
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1
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1
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1
Cor et Piano
1
Euphonium, Piano (duo)
1
Cor
1
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1
Euphonium
1
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18
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14
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5
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
Harpe
4
Alto, Piano
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Violon
3
Violon, Alto (duo)
2
Violoncelle, Piano
2
2 Violons, Piano
1
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1
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1
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1
Contrebasse, Piano (duo)
1
Contre Basse
1
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Fanfare
58
Orchestre d'harmonie
47
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12
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6
Orchestre
6
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4
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1
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1
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
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LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Crtitères actifs :
It Will Fall
Flûte traversière et Piano
Partitions à imprimer
2 partitions trouvées
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Reflections of Water for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Phyllis Avidan Louke
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Reflections of Water for Flute
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Louke Publishing
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479...
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Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263). PROGRAM NOTESReflections of Water for Flute & Pianoby Phyllis Avidan Louke 1. A Cool Mountain Streamhttp://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3 2. A Quiet Morning on the Lakehttp://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3 3. Frolic in the Surfhttp://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3 This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves. Scored for flute and piano. 5:00 Level 3 Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published. Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions. Ms. Louke has also been the recipient of annual ASCAP awards since 2004. Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded. She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company. Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications. For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/
$15.00
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
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