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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James W
Non classifié
219
Piano & claviers
Piano seul
44
Piano, Voix
42
Piano Facile
32
Instruments en Do
11
Piano, Voix et Guitare
10
Orgue
5
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
4
Accompagnement Piano
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano grosses notes
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
21
Paroles et Accords
4
Guitare
3
Ukulele
3
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
+ 1 instrumentations
Retracter
Voix
Chorale TTBB
168
Chorale SATB
141
Chorale 2 parties
81
Chorale 3 parties
17
Chorale SSAA
12
Chorale Unison
4
Voix duo
3
Voix duo, Piano
2
+ 3 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
15
2 Saxophones (duo)
15
Saxophone (partie séparée)
10
Hautbois, Piano (duo)
9
2 Clarinettes (duo)
7
Clarinette et Piano
6
Flûte traversière et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
2 Flûtes traversières (duo)
5
3 Saxophones (trio)
5
Saxophone Alto et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette (partie séparée)
5
3 Clarinettes (trio)
4
2 Hautbois (duo)
4
Saxophone Tenor et Piano
4
Flûte traversière
4
Cor anglais, Piano
3
Clarinette
3
Saxophone Tenor
3
Flûte, Hautbois, Piano (trio)
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton, Piano
2
Flute (partie séparée)
2
Flûte, Violon, Piano
2
2 Flûtes traversières, Piano
2
Saxophone Soprano et Piano
2
Hautbois (partie séparée)
2
Saxophone Alto
1
Piccolo
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette Basse, Piano
1
Flûte, Clarinette et Basson
1
Ensemble de Flûtes
1
Quintette de Saxophone: 5 saxophones
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Harpe
1
Flûte, Basson et Piano
1
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
+ 40 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
13
Cor et Piano
6
Trompette
5
Trombone et Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
5
Trompette, Piano
4
Tuba (partie séparée)
4
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
Cor (partie séparée)
3
Tuba et Piano
3
Trompette, Trombone (duo)
2
Trombone
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
2 Cors (duo)
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Harpe
10
Alto, Piano
9
Violon et Piano
8
Violoncelle, Piano
6
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon
3
Alto seul
3
2 Violons (duo)
3
2 Violoncelles (duo)
3
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Violoncelle
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Violoncelles
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre
16
Orchestre d'harmonie
10
Cloches
10
Fanfare
8
Orchestre de chambre
7
Ensemble Jazz
7
Orchestre à Cordes
6
Percussion (partie séparée)
4
Ensemble de cuivres
3
Batterie
2
Jazz combo
2
Batterie (partie séparée)
1
Percussion
1
Timbales (partie séparée)
1
Ensemble de Percussions
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Crtitères actifs :
James W
Flûte traversière et Piano
Partitions à imprimer
6 partitions trouvées
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Jingle Bells • Christmas Song | flute sheet music w/ piano accompaniment
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Flûte traversière et Piano
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FACILE
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purchasing our edition, You'll
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James Lord Pierpoint
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Benzaiten Editions
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Jingle Bells • Christmas
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Benzaiten Editions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1457092 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multicultural,T...
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Flute,Piano - Level 2 - SKU: A0.1457092 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multicultural,Traditional,World. Score and part. 3 pages. Benzaiten Editions #1036088. Published by Benzaiten Editions (A0.1457092). Hey there, music enthusiast! Ready to get into the festive spirit with the cheerful melodies of the timeless classic Jingle Bells? Let the Christmas magic unfold with our sheet music edition! 🎵 Jingle Bells • Christmas Song | flute sheet music w/ piano accompanimentPerfect for beginners, holiday concerts, family gatherings, or simply enjoying the festive season, this easy arrangement brings the cheerful spirit of Jingle Bells to your fingertips. Spread holiday cheer and make your Christmas merry and bright! Our 'Jingle Bells' arrangement | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Flute part About 'Jingle Bells' Jingle Bells, written by James Lord Pierpont in 1857, was originally titled One Horse Open Sleigh and was intended for Thanksgiving. Over time, it became a beloved Christmas classic. Its lively rhythm and catchy melody capture the fun and excitement of the holiday season.
$4.99
Jingle Bells • Christmas Song | flute sheet music w/ piano accompaniment [chords]
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Flûte traversière et Piano
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FACILE
#
purchasing our edition, You'll
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James Lord Pierpoint
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Benzaiten Editions
#
Jingle Bells • Christmas
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Benzaiten Editions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1457093 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multicultural,T...
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Flute,Piano - Level 2 - SKU: A0.1457093 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multicultural,Traditional,World. Score and part. 3 pages. Benzaiten Editions #1036090. Published by Benzaiten Editions (A0.1457093). Hey there, music enthusiast! Ready to get into the festive spirit with the cheerful melodies of the timeless classic Jingle Bells? Let the Christmas magic unfold with our sheet music edition! 🎵 Jingle Bells • Christmas Song | flute sheet music w/ piano accompaniment [chords]Perfect for beginners, holiday concerts, family gatherings, or simply enjoying the festive season, this easy arrangement brings the cheerful spirit of Jingle Bells to your fingertips. Spread holiday cheer and make your Christmas merry and bright! Our 'Jingle Bells' arrangement | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Flute part About 'Jingle Bells' Jingle Bells, written by James Lord Pierpont in 1857, was originally titled One Horse Open Sleigh and was intended for Thanksgiving. Over time, it became a beloved Christmas classic. Its lively rhythm and catchy melody capture the fun and excitement of the holiday season.
$4.99
Jingle Bells - Flute Solo w/ Piano
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Flûte traversière et Piano
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DÉBUTANT
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Noël
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James Lorde Piermont
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Ygor Nunes
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Jingle Bells - Flute Solo w/ P
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Ygor Nunes
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1335769 Composed by James Lorde Piermont. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday. Score and ...
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Piano,Soprano Flute - Level 1 - SKU: A0.1335769 Composed by James Lorde Piermont. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday. Score and part. 4 pages. Ygor Nunes #921594. Published by Ygor Nunes (A0.1335769). Here is an easy and beautiful arrangement for flute solo with piano accompaniment.
$5.99
Bach: Wachet auf for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
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Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
Sullivan: The Lost Chord for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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James W
