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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSE
BASSON
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Kirkpatrick, Colin
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1
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1
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16
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
SAXOPHONE
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Vous avez sélectionné:
Kirkpatrick, Colin
Flûte traversière et Piano
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1
Christmas Adventures for Flute and Piano
Flûte traversière et Piano
Flute - Intermediate - Digital Download Composed by Traditional. Arranged by Colin …
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Flute - Intermediate - Digital Download Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas, Recital. Piano Reduction, Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate flute player (or players) and areasonably competent pianist, they are sure to brighten up your Christmasevents whether at home, school, church or recital hall. You can of course use the music with any number of flute players. The pieces could be usedduring a Christmas service or as stand-alone pieces at an end-of-termpresentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the flute player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate flute player (or players) and areasonably competent pianist, they are sure to brighten up your Christmasevents whether at home, school, church or recital hall. You can of course use the music with any number of flute players. The pieces could be usedduring a Christmas service or as stand-alone pieces at an end-of-termpresentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the flute player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.
$7.95
7.33 €
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Flûte traversière et Piano
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Traditional
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Colin Kirkpatrick
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Christmas Adventures for Flute and Piano
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SheetMusicPlus
Three Welsh Folk Songs for flute and piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1424326 Composed by Tradit…
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1424326 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Traditional. Score and part. 16 pages. Colin Kirkpatrick Publications #1005516. Published by Colin Kirkpatrick Publications (A0.1424326). Wales is often referred to as “The Land of Song” and singing has always been an important part of Welsh culture. There are many hundreds of Welsh folk songs, some of which are now recognized internationally. The three songs in this publication were originally from a set of six arranged for mezzo-soprano and piano in 1963 when the arranger, Colin Kirkpatrick was a music student in London. These new arrangements for flute and piano have retained many features of the original but have been slightly adapted for instrumental use. They would make excellent recital pieces for the intermediate player. The three songs are: 1. Cysga di, fy Mhlentyn Tlws (Sleep, my Pretty Child)2. Migildi Magildi (Song at the Smithy)3. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby)
$4.99
4.6 €
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Flûte traversière et Piano
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Traditional
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Colin Kirkpatrick
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Three Welsh Folk Songs for flute and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Sanctus (for flute and piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1235951 Composed by Colin Kirkpatr…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1235951 Composed by Colin Kirkpatrick. Christian,Easter,Instructional. Score and part. 7 pages. Colin Kirkpatrick Publications #831456. Published by Colin Kirkpatrick Publications (A0.1235951). Colin Kirkpatrick’s Sanctus for flute and piano is a lyrical, elegiac melody that reflects the spirit of a bygone age. The musical language is tonal but slightly chromatic and has proved a popular item at recitals where it’s been played. The piano shares some of the melodic material with the flute and the music evokes peace and tranquility; there’s a brief yet passionate passage near the middle of the piece before the music returns to the quite place where it began. It’s estimated that the standard is about ABRSM Grade 4 to 5. This work would make an excellent addition to a flute recital.The score (piano and flute) and the solo flute part are presented in a single PDF file. (Duration: 03:07).
$5.95
5.49 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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Sanctus
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Colin Kirkpatrick Publications
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SheetMusicPlus
My Flute and Me
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatri…
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Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95
5.49 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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My Flute and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Skye Boat Song (flute and piano)
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1364537 Composed by Tradit…
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1364537 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and part. 9 pages. Colin Kirkpatrick Publications #948829. Published by Colin Kirkpatrick Publications (A0.1364537). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The Skye Boat Song has its roots in a traditional Gaelic melody. In this arrangement for flute and piano much of the piece is written in the low register.
$3.95
3.64 €
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Flûte traversière et Piano
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Handel: Largo (from Xerxes) for flute and piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1311257 Composed by G F Ha…
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Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900255. Published by Colin Kirkpatrick Publications (A0.1311257). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for flute and piano is in G major and uses the lower register of the instrument thus making the arrangement suitable for elementary players.  The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
4.56 €
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Flûte traversière et Piano
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Searching (for Flute and Piano)
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1284620 Composed by Colin Kirkpatr…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1284620 Composed by Colin Kirkpatrick. Holiday,Instructional,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #875795. Published by Colin Kirkpatrick Publications (A0.1284620). This is a lovely reflective piece for flute and piano. All the notes are within easy reach of the early intermediate player. The technical level is about Grade 3 - 4 (UK ABRSM) The range covers low C (only twice, and well prepared) to the E (E6) above the staff. The flute part makes considerable use of quarter note triplets and tied notes. The piece has long lyrical phrases, beginning in G major/E minor and ending in C major. It is ideal for developing a sustained tone and for encouraging players to practise the low C. The piece is rewarding to perform and the piano part has been kept fairly straightforward throughout. With a running time of 02:44, this piece would make an excellent and popular addition to a student recital.
$7.99
7.37 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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Searching
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair (for flute and piano)
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1312468 Composed by Tradit…
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1312468 Composed by Traditional. Arranged by Colin Kirkpatrick. Contest,Festival,Folk,Historic,Multicultural,World. Score and part. 10 pages. Colin Kirkpatrick Publications #901322. Published by Colin Kirkpatrick Publications (A0.1312468). The is a freely adapted arrangement of the popular English folk song Scarborough Fair which was made famous by Simon and Garfunkel in he 1960s. The piano accompaniment is fairly straight-forward and the flute part is printed in large easy-to-read notation. The solo part uses the lower register of the flute and would be ideal for elementary students. The lowest note is D below the treble staff and the highest note is the G just above the staff. The duration is 02:50 and this lovely folk melody in the Dorian mode would make a really useful addition to the repertoire. The flute part and the piano accompaniment come in a single PDF file.
$5.99
5.52 €
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Flûte traversière et Piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair
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Colin Kirkpatrick Publications
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SheetMusicPlus
Cloud Nine (for flute and piano)
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1229186 Composed by Colin Kirkpatr…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1229186 Composed by Colin Kirkpatrick. Holiday,Instructional. Score and part. 5 pages. Colin Kirkpatrick Publications #819933. Published by Colin Kirkpatrick Publications (A0.1229186). Cloud Nine is a stand-alone piece for flute and piano. It's written in concert G minor/B flat major which modulates to C major. The top note for the flute is the D above the staff and this occurs only once. The lowest note is the D just below the staff which occurs several times. The piece is not difficult (around UK Associated Board Grade 3-4) and the piano part is quite accessible. It's a slow, dreamy piece which is ideal for the intermediate flute player. It would make a good recital piece or could be effective as a relaxing encore.
$7.99
7.37 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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Cloud Nine
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Colin Kirkpatrick Publications
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SheetMusicPlus
Renaissance Dances for Flute and Piano
Flûte traversière et Piano
Composed by compiled by Michael Praetorius (1612) and Various. Arranged by Colin Kir…
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Composed by compiled by Michael Praetorius (1612) and Various. Arranged by Colin Kirkpatrick. Instructional, Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #823674. Published by Colin Kirkpatrick Publications
$11.95
11.02 €
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Flûte traversière et Piano
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compiled by Michael Praetorius
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Colin Kirkpatrick
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Renaissance Dances for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Christmas Adventures for Flute and Piano
Flûte traversière et Piano
Composed by Colin Kirkpatrick. Christian, Contemporary Christian, Christmas. 21 page…
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Composed by Colin Kirkpatrick. Christian, Contemporary Christian, Christmas. 21 pages. Published by Colin Kirkpatrick Publications
$7.99
7.37 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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Christmas Adventures for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Flûte traversière et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Flute and Piano
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Colin Kirkpatrick Publications
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