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ALTO
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CLARINETTE
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COR
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Make It Real
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160
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125
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35
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30
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24
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16
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5
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4
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3
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2
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2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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18
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16
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13
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7
2 Guitares (duo)
6
Banjo
5
Ukulele
4
Mandoline
3
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2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Dulcimer
2
Basse electrique
1
Paroles et Accords
1
+ 9 instrumentations
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Voix
Chorale SATB
41
Chorale 3 parties
17
Chorale 2 parties
11
Voix Alto, Piano
10
Chorale TTBB
7
Chorale SSAA
3
Voix Soprano, Piano
1
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1
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1
Voix Tenor, Piano
1
Chorale Unison
1
Voix haute
1
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Saxophone (partie séparée)
24
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14
Flûte traversière et Piano
8
Hautbois, Piano (duo)
8
Clarinette et Piano
8
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7
Saxophone Alto et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte traversière
5
Saxophone Alto
5
Flûte, Hautbois, Clarinette, Basson
4
Flûte à bec Soprano
4
Flûte et Guitare
4
Saxophone Tenor
4
Clarinette
3
Flute (partie séparée)
3
Cor Anglais
2
Ensemble de Flûtes
2
Saxophone Tenor et Piano
2
Flûte, Clarinette, Piano (trio)
1
Piccolo
1
Hautbois et Orchestre
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle
1
Ensemble de saxophones
1
2 Flûtes traversières (duo)
1
2 Clarinettes (duo)
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
2 Saxophones (duo)
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Soprano et Piano
1
3 Clarinettes (trio)
1
+ 31 instrumentations
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Trombone (partie séparée)
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette (partie séparée)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone et Piano
6
Trompette
6
Cor (partie séparée)
4
Tuba (partie séparée)
4
Cor
4
Trombone
3
Cor et Piano
3
Tuba
2
Cor Anglais
2
Trompette, Piano
2
Quatuor de Cuivres
1
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon
13
Violon, Violoncelle (duo)
11
Violoncelle
9
Violon et Piano
8
Violoncelle, Piano
6
Contrebasse (partie séparée)
6
Alto seul
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
5
Alto, Piano
5
Harpe
5
2 Violoncelles (duo)
4
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
Harpe, Voix
1
Violon, Alto (duo)
1
Alto (partie séparée)
1
Violon (partie séparée)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
31
Orchestre à Cordes
22
Ensemble Jazz
20
Orchestre
12
Ensemble de cuivres
11
Cloches
10
Jazz combo
6
Batterie (partie séparée)
3
Orchestre de chambre
3
Ensemble de Percussions
2
Xylophone, Piano
1
Batterie
1
Fanfare
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
Make It Real
Flûte traversière et Piano
Partitions à imprimer
8 partitions trouvées
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1
Papa's New Shoes - Flute-Piano
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Flûte traversière et Piano
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DÉBUTANT
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Phil Beaman
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Papa's New Shoes - Flute-Piano
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.844519 Composed by Phil Beaman. 20th Century,Concert,New Age. Score and part. 4 pages. Phil Beaman #3493093. Published b...
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Flute,Piano - Level 1 - SKU: A0.844519 Composed by Phil Beaman. 20th Century,Concert,New Age. Score and part. 4 pages. Phil Beaman #3493093. Published by Phil Beaman (A0.844519). Papa's New Shoes is a catchy old-time melody that will stay in your head. The accompaniment has modern chord progressions which makes it a 20th century style piece with a touch of New Age and hints of Ravel. It begins fairly traditional and gets progressively more unsettled. It is really quite simple, yet sounds delightfully pleasant. 3 pages score, 1 page solo; 2 minutes
$3.99
Always Remember Us This Way
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Pop musique
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Lady Gaga
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Kevin P Holdgate
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Brass
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Always Remember Us This Way
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Kevin P Holdgate
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.791182 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani German...
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Flute,Piano - Level 3 - SKU: A0.791182 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 7 pages. Kevin P Holdgate #5349669. Published by Kevin P Holdgate (A0.791182). KPHMS Solo CollectionLady Gaga - for Brass?!! Really??This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.
$4.99
Friction
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, elec...
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
Handel: Largo (from Xerxes) for flute and piano
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Flûte traversière et Piano
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DÉBUTANT
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and p...
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Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900255. Published by Colin Kirkpatrick Publications (A0.1311257). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for flute and piano is in G major and uses the lower register of the instrument thus making the arrangement suitable for elementary players.  The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
Rain After That
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Hisaishi
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Eileen Gilligan
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Rain After That
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructio...
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Piano,Soprano Flute - Level 4 - SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
$6.95
D'amore Si Muore (Milva Version)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Milva
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Eileen Gilligan
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan....
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Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Flut
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TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. S...
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722569. Published by TK (Tim) Murray (A0.824093). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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TK Murray
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tkmurraycomp@aol.com
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Beethoven - Rondo Op.49 - Flut
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TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standa...
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 26 pages. TK (Tim) Murray #6717051. Published by TK (Tim) Murray (A0.824161). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
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