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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music for a While
Non classifié
2 318
Piano & claviers
Piano seul
1 155
Piano, Voix
681
Piano Facile
502
Piano, Voix et Guitare
127
Orgue
105
Accompagnement Piano
101
Instruments en Do
86
Piano Trio: piano, violon, violoncelle
45
1 Piano, 4 mains
45
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano grosses notes
6
Accordéon
6
Piano (partie séparée)
6
Orgue, Piano (duo)
5
Clavier
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
3
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
185
Guitare
152
Ukulele
49
Ligne De Mélodie, (Paroles) et Accords
23
2 Guitares (duo)
17
Mandoline
16
Dulcimer
15
Banjo
14
Basse electrique
14
Guitare (partie séparée)
8
2 Ukuleles
5
Paroles et Accords
4
Ensemble de guitares
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
2 Dulcimers (duo)
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
2 Mandolines (duo)
1
Guitare, Orchestre
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
489
Chorale 3 parties
172
Chorale 2 parties
93
Chorale TTBB
62
Chorale SSAA
59
Chorale Unison
54
Voix Tenor, Piano
48
Voix Soprano, Piano
41
Voix Alto, Piano
33
Voix Baryton, Piano
29
Voix duo, Piano
12
Voix seule
11
Voix duo
9
Voix haute
8
Voix Tenor
6
Voix moyenne, Piano
5
Chorale
3
Chorale SSATTB
3
Voix basse, Piano
3
Chorale SSAB a cappella
1
Chorale SSATBB
1
Voix Soprano
1
Voix, Guitare
1
Chorale SSAATTBB
1
+ 19 instrumentations
Retracter
Vents
2 Saxophones (duo)
302
Quatuor de Saxophones: 4 saxophones
226
Flûte traversière et Piano
210
Clarinette et Piano
207
Hautbois, Piano (duo)
190
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
186
Quintette de Saxophone: 5 saxophones
147
Flûte traversière
137
Saxophone Alto et Piano
137
Clarinette
128
Flûte, Hautbois, Clarinette, Basson
128
2 Flûtes traversières (duo)
119
Saxophone Soprano et Piano
106
2 Clarinettes (duo)
104
Saxophone Tenor et Piano
102
Saxophone Alto
96
Saxophone Baryton, Piano
73
2 Hautbois (duo)
67
Saxophone Tenor
66
Hautbois
63
Quatuor de Clarinettes: 4 clarinettes
60
Flûte, Clarinette (duo)
58
Hautbois (partie séparée)
57
Saxophone, Clarinette (duo)
51
Saxophone (partie séparée)
50
Hautbois, Basson (duo)
47
Clarinette, Violon (duo)
43
3 Saxophones (trio)
38
Quatuor de Flûtes : 4 flûtes
37
Saxophone Soprano
36
Saxophone Baryton
36
Flûte à Bec
32
Cor anglais, Piano
32
Flûte, Violoncelle
31
2 Flûte à bec (duo)
31
Ensemble de Clarinettes
30
Clarinette, Basson (duo)
28
Clarinette, Violoncelle (duo)
28
Hautbois, Violoncelle
28
Ensemble de saxophones
27
Quintette de Clarinettes: 5 clarinettes
27
Hautbois, Clarinette (duo)
27
Flûte, Violon
26
Clarinette, Trompette (duo)
25
Trio de Flûtes: 3 flûtes
24
Ensemble de Flûtes
23
Clarinette et Alto
22
Clarinette Basse, Piano
22
Flûte, Alto (duo)
21
3 Clarinettes (trio)
19
Quintette de Flûte : 5 flûtes
19
Hautbois, Flûte
16
Flûte, Trombone (duo)
15
Flûte, Hautbois, Clarinette (trio)
15
Flûte à bec Soprano
15
Flûte et Guitare
14
Flute (partie séparée)
14
Flûte, Saxophone (duo)
13
Quatuor de Flûtes à bec
12
Flûte à bec Alto
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois, Basson
12
5 Flûtes à bec
11
Flûte à bec Tenor
11
Flûte, Clarinette et Basson
11
Flûte, Trompette (duo)
11
Flûte, Violon, Piano
10
Clarinette (partie séparée)
10
Flûte, Hautbois (duo)
8
Piccolo, Piano
8
Cor Anglais
8
Hautbois et alto (duo)
7
Hautbois, violon (duo)
6
Saxophone et Orgue
6
Flûte, Basson et Piano
5
Flûte à bec Alto, Piano
4
2 Saxophones, Piano
4
3 Flûtes à bec (trio)
4
Flûte, Harpe et Violoncelle
4
Ensemble De Flûte à bec
4
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Trombone (duo)
3
Flûte, Alto et Piano
3
Clarinette, Basson, Piano (trio)
3
Flûte, Hautbois, Piano (trio)
3
Clarinette, Guitare (duo)
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Violoncelle et Piano
2
Ensemble à vent
2
Clarinette Basse
2
Piccolo
2
Flute, harpe et violon
2
4 Hautbois
2
Saxophone et Guitare
2
2 Clarinettes, Piano
2
Hautbois, Violon, Piano
2
Hautbois, Guitare (duo)
1
Clarinette, Orgue
1
Flûte à bec, Harpe
1
Clarinette, Contrebasse (duo)
1
Hautbois, trombone (duo)
1
Harmonica
1
Flûte et Trio à cordes
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Harpe (duo)
1
Clarinette, Tuba
1
Saxophone
1
Flûte, Tuba (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violoncelle et Piano
1
Flûte à Bec, Piano
1
Hautbois, Trompette (duo)
1
2 Clarinettes, Basson
1
2 Flûtes traversières, Piano
1
+ 111 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
217
Trompette, Piano
175
Trombone et Piano
154
Trompette
144
Cor et Piano
131
Tuba et Piano
111
Trombone
102
Cor
97
Tuba
85
2 Trombones (duo)
83
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Quatuor de Cuivres: 2 trompettes, Cor, trombone
75
2 Trompettes (duo)
71
2 Cors (duo)
57
Trompette, Trombone (duo)
43
Trompette, Saxophone (duo)
34
Cor anglais, Piano
32
Trompette (partie séparée)
31
Trombone (partie séparée)
29
2 Tubas (duo)
27
Euphonium, Piano (duo)
26
Ensemble de Trombones
20
Trompette, Cor (duo)
19
Quatuor de Cuivres
17
Cor, Violoncelle (duo)
16
Ensemble de Trompettes
16
Quatuor de cuivres: 4 cors
15
Cor (partie séparée)
10
Cor et Basson (duo)
9
Quatuor de cuivres: 4 trombones
9
Trompette, Violoncelle (duo)
9
Tuba et Orgue
8
Cor Anglais
8
Quatuor de cuivres: 4 trompettes
7
Tuba (partie séparée)
7
Trompette, Basson (duo)
6
Trombone, Cor (duo)
6
Trombone, Tuba (duo)
6
Ensemble de Cors
5
3 Trombones (trio)
5
2 Euphoniums (duo)
5
Euphonium, Tuba (duo)
5
Trio de Cuivres
4
4 Tubas
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
3 Cors (trio)
4
Trombone basse
4
Trompette, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Euphonium
3
Trompette et Guitare
3
Trombone basse et Piano
3
3 Tubas (trio)
3
Trombone, Violon (duo)
2
Cor, Tuba (duo)
2
Trombone, Orgue
2
Trombone et orchestre
2
Cor et Orgue
2
3 Trompettes (trio)
2
Trompette, Trombone, Piano
2
Trombone, Alto (duo)
1
Trompette, Euphonium (duo)
1
Trompette, violon (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Clarinette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
449
Violon et Piano
275
Alto, Piano
212
Violoncelle, Piano
193
Violon
184
Violoncelle
173
Alto seul
127
Violon, Violoncelle (duo)
116
2 Violons (duo)
93
Trio à Cordes: violon, alto, violoncelle
86
Contrebasse, Piano (duo)
82
2 Violoncelles (duo)
76
2 Altos (duo)
75
Contre Basse
68
Quintette à cordes: 2 violons, alto, violoncelle, basse
66
Violon, Alto (duo)
57
Harpe
53
Violon, Basson (duo)
37
Violon (partie séparée)
28
Alto, Violoncelle (duo)
27
Violon, Guitare (duo)
20
2 Contrebasses (duo)
18
Piano Trio: Violon, Alto, Piano
18
Alto (partie séparée)
18
Trio à cordes: 3 violins
16
Trio à Cordes: 2 violons, violoncelle
14
Alto et Basson
13
4 Violoncelles
12
Contrebasse (partie séparée)
11
Trio à Cordes: 3 violoncelles
10
Violoncelle, Contrebasse (duo)
9
Trio à cordes: 3 altos
9
Quatuor à cordes: 4 violons
9
Violoncelle (partie séparée)
8
Ensemble de Violons
7
Quatuor à cordes : 4 altos
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto, Guitare (duo)
4
Harpe, Voix
4
2 Harpes (duo)
3
Flûte, Contrebasse (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Harpe, Violon, Violoncelle
3
Harpe et Orgue
2
Violoncelle, Orgue
2
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
Violon, Clarinette, Piano (trio)
2
Harpe, Flûte (duo)
2
Ensemble de Violoncelles
1
Violon, Orgue
1
Harpe, Violon (duo)
1
Violon, Tuba (duo)
1
Alto et Harpe
1
4 Contrebasses
1
2 Violoncelles, Piano
1
Harpe et mandoline
1
Violon, Violoncelle, Clarinette
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 016
Orchestre à Cordes
200
Cloches
143
Orchestre
127
Ensemble Jazz
65
Ensemble de cuivres
55
Orchestre de chambre
35
Ensemble de Percussions
30
Marimba
23
Jazz combo
18
Fanfare
17
Xylophone, Piano
14
Batterie
11
Percussion (partie séparée)
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
4
2 Xylophones
4
Xylophone
3
Orchestre, Violon
2
Vibraphone
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Percussion
1
+ 19 instrumentations
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Autres
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ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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LIVRES
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Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score a...
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Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
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Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
Bach-Gounod: Ave Maria for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
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Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Flu
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
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Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Bass Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easte...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Maple Leaf Rag, by Scott Joplin, for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.587787 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Flute,Piano - Level 4 - SKU: A0.587787 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967671. Published by David McKeown (A0.587787). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Flute and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683.
$4.60
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Étude (study) in B Minor Op. 35 No. 22 for flute or violin and easy piano
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Flûte traversière et Piano
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FACILE
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F
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Klas Krantz
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Étude
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Amadeus Music
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.532089 Composed by F. Sor (1778-1839). Arranged by Klas Krantz. Classical,Instructional,Romantic Period. Score and part....
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Flute,Piano - Level 2 - SKU: A0.532089 Composed by F. Sor (1778-1839). Arranged by Klas Krantz. Classical,Instructional,Romantic Period. Score and part. 5 pages. Amadeus Music #2928431. Published by Amadeus Music (A0.532089). Fernando Sor (1778–1839) was a Spanish classical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon (Cinderella) received over one hundred performances. Sor's contemporaries considered him to be the best guitarist in the world.
$5.95
Wedding March by Mendelssohn, for Solo Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.587606 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,W...
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Flute,Piano - Level 3 - SKU: A0.587606 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403648. Published by David McKeown (A0.587606). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Flute and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
All I Want For Christmas Is You
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Flûte traversière et Piano
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FACILE
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Noël
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Mariah Carey
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Gispert
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All I Want For Christmas Is Yo
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clara lamonaca
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1329868 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,Pop,R & B...
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Flute,Piano - Level 2 - SKU: A0.1329868 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,Pop,R & B. Score and part. 15 pages. Clara lamonaca #917855. Published by clara lamonaca (A0.1329868). Introducing a delightful musical arrangement that will add a touch of festive magic to your holiday celebrations! Immerse yourself in the timeless charm of Mariah Carey's classic All I Want for Christmas Is You with this specially crafted arrangement for flute and piano, tailored for intermediate-level musicians.This enchanting adaptation captures the heartwarming essence of the original song while infusing it with the unique warmth and expressiveness of flute and piano. The flute takes center stage, delivering the iconic melody with grace and flair, while the piano provides a rich and harmonious backdrop, creating a perfect balance between the two instruments.Ideal for musicians seeking a joyful yet accessible challenge, this arrangement strikes the perfect balance between playability and musicality. Whether you're performing at a holiday concert, family gathering, or simply indulging in some festive solo play, this arrangement promises to evoke the spirit of the season and spread cheer to all who listen.Don't miss the opportunity to bring a new dimension to your holiday repertoire. Elevate your musical experience with this enchanting flute and piano arrangement of All I Want for Christmas Is You – because the gift of music is truly the most magical one of all.
$4.99
Schubert: Ave Maria for Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Flute
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
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Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Schubert: Ave Maria for Alto Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Alto F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
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Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Flat as a Flute - Flute solo w piano accompaniment
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Flûte traversière et Piano
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AVANCÉ
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Mike Lyons
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Flat as a Flute - Flute solo w
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Lyons Music Services
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published ...
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Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
Eine Kleine Nachtmusik (for solo flute with piano accompaniment)
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Rodrigo Faleiros
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Eine Kleine Nachtmusik
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1433979 Composed by Wolfgang Amadeus Mozart. Arranged by Rodrigo Faleiros. Classical,Contest,Festival,Wedding. S...
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Piano,Soprano Flute - Level 5 - SKU: A0.1433979 Composed by Wolfgang Amadeus Mozart. Arranged by Rodrigo Faleiros. Classical,Contest,Festival,Wedding. Score and part. 16 pages. Rodrigo Faleiros #1014209. Published by Rodrigo Faleiros (A0.1433979). Unveil the Elegance of Mozart: Discover the exquisite beauty of Mozart’s “Eine Kleine Nachtmusik” through this sophisticated arrangement for solo flute and piano. Designed for the advanced musician, this sheet music offers a rich tapestry of classical melodies, harmonized with contemporary chord symbols to enhance your interpretative possibilities.KEY FEATURES: Advanced Level: A challenging yet rewarding piece for seasoned players. Solo Flute & Piano Accompaniment: A refined duet arrangement that allows each instrument to shine. Authentic and Expressive: Stay true to the classical roots while adding your personal touch. Premium Quality: Meticulously notated to ensure a seamless playing experience. Elevate your repertoire and captivate audiences with this timeless masterpiece. Perfect for recitals, competitions, or personal enjoyment, this arrangement is a must-have for any serious flute and piano duo.And don't miss the opportunity to check out my other arrangements by clicking here.
$9.99
Jesus Once Was a Little Child
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Flûte traversière et Piano
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DÉBUTANT
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Joseph Ballantyne and James R
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Rebecca Bogardus
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Jesus Once Was a Little Child
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Lillwy Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arranged by Rebecca ...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 5 pages. Lillwy Publishing #4109531. Published by Lillwy Publishing (A0.877921). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$2.99
Sonata for Flute and Piano
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Flûte traversière et Piano
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Louis Lane
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Sonata for Flute and Piano
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Imagine Music - Digital
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SheetMusicPlus
Flute & Piano - SKU: IZ.PDP324 Composed by Louis Lane. Score and Parts. 40 pages. Imagine Music - Digital #PDP324. Published by Imagine Music - Digital ...
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Flute & Piano - SKU: IZ.PDP324 Composed by Louis Lane. Score and Parts. 40 pages. Imagine Music - Digital #PDP324. Published by Imagine Music - Digital (IZ.PDP324). This Sonata for Flute and Piano was written in 1946 while he was a Master's student at the Eastman School of Music. Lane's own abilities as a pianist are reflected in the accompaniment while the solo part is idiomatic and displays the flute's technical and expressive potential.
$18.00
franz gruber silent night sheet music for flute and piano
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Flûte traversière et Piano
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FACILE
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Noël
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Franz Xaver Gruber
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Arezzo Music
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franz gruber silent night shee
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Arezzo Music
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SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1337390 By Franz Xaver Gruber. By Franz Xaver Gruber. Arranged by Arezzo Music. Chamber,Children,Christmas,Holid...
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Piano,Soprano Flute - Level 2 - SKU: A0.1337390 By Franz Xaver Gruber. By Franz Xaver Gruber. Arranged by Arezzo Music. Chamber,Children,Christmas,Holiday,Traditional. Score and part. 3 pages. Arezzo Music #923208. Published by Arezzo Music (A0.1337390). Franz gruber silent night sheet music for flute and pianoExperience the tranquil beauty of Silent Night arranged for flute and piano. Franz Gruber's timeless Christmas carol is elegantly transcribed for flute and piano, blending the serene melody of the flute with the gentle accompaniment of the piano. This sheet music allows the flute to express the poignant and heartfelt melody while the piano provides a rich harmonic backdrop. Perfect for festive gatherings or reflective moments, this arrangement captures the peaceful essence of the beloved carol, evoking a sense of tranquility and warmth. Enjoy playing this iconic holiday piece that resonates with the spirit of Christmas.  franz gruber silent night sheet music for flute and piano
$4.99
Invention #1 for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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New Age
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Contemporain
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Felix Rivera
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Invention #1 for Flute and Pia
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Felix Rivera
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #8...
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Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.
$14.99
Fortnight
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Taylor Swift Feat
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Glauco Fernandes
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Fortnight
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1430058 By Taylor Swift Feat. Post Malone. By Austin Post, Jack Antonoff, and Taylor Swift. Arranged by Glauco F...
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Piano,Soprano Flute - Level 3 - SKU: A0.1430058 By Taylor Swift Feat. Post Malone. By Austin Post, Jack Antonoff, and Taylor Swift. Arranged by Glauco Fernandes. Country,Pop. Score and part. 7 pages. Glauco Fernandes #1010666. Published by Glauco Fernandes (A0.1430058). Title: Exclusive Sheet Music - Taylor Swift's FortnightProduct Description:Introducing our sheet music for Fortnight, one of Taylor Swift's enchanting melodies, now adapted for performances. This version offers an accessible and exciting way to experience contemporary music, ideal for a wide range of musical presentations, such as weddings, recitals, ceremonies, and special events.For students, this sheet music provides an excellent opportunity to tackle new challenges while learning. It blends classical elements with modern pop music, allowing them to expand their technical and expressive skills by exploring popular music forms in a traditional context. This arrangement serves as a motivating tool, encouraging musical development through a repertoire that resonates with contemporary tastes and keeps learning dynamic and engaging.Teachers will find this sheet music an exceptional educational resource. It facilitates the introduction of modern arrangements into music classes, demonstrating the application of classical techniques in popular songs. This material is particularly useful for illustrating musical concepts in an educational and engaging manner, keeping students interested and active in the learning process.Secure your copy of Fortnight sheet music for performances and add to your collection a piece that combines modernity with accessibility, perfect for enhancing both practice and music education!Tag List: Taylor Swift sheet music, piano sheet music, pop music sheet music, wedding sheet music, wedding music, classical arrangement, pop music arrangement, contemporary music, event music, student music, educational material, music education, musical performance, music teaching, instrument learning, teacher music, ensemble music, group music, special occasion music, ceremony music, recital music, music student, simplified sheet music.
$7.99
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