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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
My First Concert
Non classifié
249
Piano & claviers
Piano seul
112
Piano, Voix
26
Piano Facile
21
1 Piano, 4 mains
7
Piano, Voix et Guitare
6
Orgue
5
Instruments en Do
5
2 Pianos, 4 mains
4
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
11
4 Guitares (Quatuor)
5
2 Guitares (duo)
5
Guitare notes et tablatures
5
3 Guitares (trio)
3
Ukulele
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
40
Chorale 3 parties
10
Chorale TTBB
7
Chorale Unison
5
Voix haute
4
Chorale 2 parties
4
Chorale SSAA
4
Voix Baryton, Piano
2
Voix Soprano, Piano
2
Voix moyenne, Piano
2
Voix basse
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
78
Quintette de Saxophone: 5 saxophones
49
Quatuor de Saxophones: 4 saxophones
23
Flûte, Hautbois, Clarinette, Basson
18
Flûte traversière et Piano
12
Ensemble de saxophones
11
Ensemble de Clarinettes
11
2 Saxophones (duo)
9
Hautbois, Piano (duo)
7
Saxophone Alto et Piano
7
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor
5
Flûte traversière
5
Quintette de Flûte : 5 flûtes
4
Ensemble de Flûtes
4
Saxophone Alto
4
2 Flûtes traversières (duo)
3
Clarinette et Piano
3
Saxophone (partie séparée)
3
Clarinette
3
Flûte et Guitare
3
Saxophone Tenor et Piano
3
Hautbois (partie séparée)
2
Clarinette, Violon (duo)
2
Saxophone Soprano
2
Saxophone Baryton, Piano
2
Saxophone, Clarinette (duo)
2
Cor anglais, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Trompette (duo)
2
2 Hautbois (duo)
2
2 Clarinettes (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette (duo)
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Clarinette Basse, Piano
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Hautbois, Basson (duo)
1
Cor Anglais
1
Flûte, Trompette (duo)
1
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Flûte à bec Soprano, Piano
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
+ 51 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Ensemble de Trompettes
10
Trompette
8
Ensemble de Trombones
8
Trompette, Piano
5
Quatuor de Cuivres
5
Tuba et Piano
3
Cor et Piano
3
2 Cors (duo)
3
Tuba
3
Cor
3
Trombone
3
Euphonium, Piano (duo)
3
2 Trombones (duo)
3
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Cor anglais, Piano
2
Trombone et Piano
2
Trombone basse et Piano
1
Ensemble de Cors
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
2 Tubas (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor Anglais
1
3 Trompettes (trio)
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
28
2 Violoncelles (duo)
11
Violon
10
Trio à Cordes: violon, alto, violoncelle
9
Violon, Alto (duo)
8
Violon, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
6
Ensemble d'Altos
6
Violoncelle, Piano
6
Violoncelle
5
2 Altos (duo)
4
Alto seul
4
2 Violons (duo)
4
Alto, Violoncelle (duo)
4
Alto, Piano
4
Violon (partie séparée)
2
Harpe
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Harpe et Piano
1
Violoncelle, Orchestre
1
Harpe, Flûte (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
233
Orchestre
32
Orchestre à Cordes
21
Ensemble de cuivres
20
Orchestre de chambre
10
Ensemble de Percussions
8
Ensemble Jazz
7
Jazz combo
5
Piano et Orchestre
1
Fanfare
1
Marimba
1
Orchestre, Violon
1
Batterie
1
Cloches
1
+ 9 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CHRISTIAN (contempor…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
My First Concert
Flûte traversière et Piano
Partitions à imprimer
12 partitions trouvées
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1
Nearer my God to thee. Flute and piano
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Flûte traversière et Piano
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Musique Sacrée
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Anonimo
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Ester Alessandrini
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Nearer my God to thee. Flute a
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ester
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SheetMusicPlus
Flute,Piano - SKU: A0.1063982 Composed by Anonimo. Arranged by Ester Alessandrini. Christmas,Concert,Contemporary,Easter,Praise & Worship. Full Performa...
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Flute,Piano - SKU: A0.1063982 Composed by Anonimo. Arranged by Ester Alessandrini. Christmas,Concert,Contemporary,Easter,Praise & Worship. Full Performance. Duration 95. Ester #4839755. Published by ester (A0.1063982). Arrangement for flute and piano suitable for students at the first 3 years of study.
$2.00
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Bach: Bist du bei mir BWV 508 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score a...
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Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Amir Awad
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Gabriel Fauré : Fantais
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Amir Awad
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pa...
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Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel Fauré for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the Opéra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la Société des Instruments à Vent, and, from 1893, as a professor at the Conservatoire. Fauré was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. Fauré decided to pass the orchestration of his incidental music for Maeterlinck's play Pelléas et Mélisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, Fauré complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.
$5.00
The Virgin Mary Had A Baby Boy
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Evelyn R
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Evelyn Larter Music
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The Virgin Mary Had A Baby Boy
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Evelyn R Larter
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.749848 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part...
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Flute,Piano - Level 4 - SKU: A0.749848 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part. 9 pages. Evelyn R Larter #3887155. Published by Evelyn R Larter (A0.749848). This is a light-hearted setting of the West Indian carol, originally part of my clarinet collection, Carols For The King From Around The World, (also at SMP Press) and now available for the first time for solo flute and piano. For advanced intermediate performers, its calypso rhythm conveys the joy of the season. It is suitable for many occasions during the weeks leading up to Christmas. More information about my music may be found at www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$6.99
Rondo in C minor, for Flute and Piano
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Flûte traversière et Piano
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Steven Shade
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Rondo in C minor, for Flute an
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Steve Shade
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SheetMusicPlus
Flute,Piano - SKU: A0.834332 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and part. 18 pages. Steve Shade #3240755. ...
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Flute,Piano - SKU: A0.834332 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and part. 18 pages. Steve Shade #3240755. Published by Steve Shade (A0.834332). Rondo in C minor for Flute and Piano begins with an energetic and aggressive statement of the main theme. The energy of the first section is brought to even higher levels in second section as the piano accompaniment drives the excitement forward with an unsettling tremolo and throbbing syncopation. The second section crashes to an ending, leading to a chromatic re-transition back to the main theme. After this reinstatement, the flute and piano trade-off the melody in a lyrical passage. The first and section sections are repeated before a variation on the main section is introduced. This variation builds into a swift and unbridled coda that drives the piece to a close.The flutist needs nimble fingers to execute the quick passages, and a delicate touch for the lyrical passages. The pianist, while equally as important as the flutist in this Rondo, will share in the limelight by being demanded to play advanced passage work. This piece is re-written for flute from my original composition, Rondo in C minor for Violin and Piano.Contents: Complete score for the pianist and the flute playerDifficulty: AdvancedDuration: About 4 minutes.
$2.95
Silent Night with While Shepherds Watched Their Flocks
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Noël
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Stephen R Dalrymple
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Silent Night with While Shephe
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Stephen R Dalrymple
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.818241 By Stephen R Dalrymple. By Franz X Gruber, Josef Mohr, George Frederick Handel, Nahum Tate. Arranged by Stephen R...
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Flute,Piano - Level 3 - SKU: A0.818241 By Stephen R Dalrymple. By Franz X Gruber, Josef Mohr, George Frederick Handel, Nahum Tate. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christmas. Score and part. 49 pages. Stephen R Dalrymple #3396921. Published by Stephen R Dalrymple (A0.818241). Silent Night with While Shepherds Watched Their Flocks♫ Christmas carol arrangement for flute and piano by Stephen R Dalrymple♫ transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello♫ Silent Night - lyrics - Josef Mohr 1816; melody - Franz X Gruber 1820 ♫ While Shepherds Watched Their Flocks - lyrics -Nahum Tate 1700, melody - from George Frederick Handel 1728 ♫ This was the first arrangement that I wrote for Katie, my daughter and our first performance in public together. I wrote it for her Christmas public school band concert. She was in her second year of band instruction. Later, I embellished the flute part as her flute skills continued to improve. At 11 years old she demonstrated good technique and tone, and would eventually graduate from university majoring in flute performance. ♫ Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) ♫ A duplicate YouTube video in French is available under the title Voici noël!, O douce nuit  https://youtu.be/IboOVuY2icU
$4.50
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Fum, Fum, Fum
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Evelyn R
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Evelyn Larter Music
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Fum, Fum, Fum
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Evelyn R Larter
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.749834 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part...
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Flute,Piano - Level 4 - SKU: A0.749834 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part. 6 pages. Evelyn R Larter #3691983. Published by Evelyn R Larter (A0.749834). This is a fun arrangement of the traditional Spanish carol, originally part of the clarinet collection, Carols For The King From Around The World, (also at SMP Press) and now available for the first time for solo flute and piano. It is suitable for any occasion during the Christmas season. See also the newly published version for flute, string quartet and piano. Contact me if interested in a recorded piano accompaniment. More information about my music may be found at www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$7.95
By The Sleepy Lagoon
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Flûte traversière et Piano
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FACILE
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Contemporain
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the Sleepy Lagoon has been a p
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Eric Coates
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Andrew Middleton
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By The Sleepy Lagoon
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Andrew Middleton
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.846732 Composed by Eric Coates. Arranged by Andrew Middleton. 20th Century,Classical. Score and part. 6 pages. Andrew Mi...
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Flute,Piano - Level 2 - SKU: A0.846732 Composed by Eric Coates. Arranged by Andrew Middleton. 20th Century,Classical. Score and part. 6 pages. Andrew Middleton #453421. Published by Andrew Middleton (A0.846732). By the Sleepy Lagoon has been a popular piece of light entertain music by the British composer, Eric Coates since it was first composed in 1930. The piece is inspired by warm summer's day on the south coast of England. This arrangement for flute and piano would be ideal for the early intermediate performer and is ideal for concert performances. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$4.99
Valse - Scherzo op.34 for flute and piano
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flut
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James Strauss
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SheetMusicPlus
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pag...
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Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
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