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--INSTRUMENTS--
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ALTO
AUTOHARPE
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Night in New York
Non classifié
43
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89
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67
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18
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6
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1
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1
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28
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22
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
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Vous avez sélectionné:
Night in New York
Flûte traversière et Piano
Partitions à imprimer
3 partitions trouvées
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"Night-Time in New York" A Blue Waltz for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Grant Horsley
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Grant Horsley
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"Night-Time in New York&q
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Grant Horsley
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1235189 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Blues,Contemporary,Contest,Festival,Jazz,Wedding....
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Flute,Piano - Level 3 - SKU: A0.1235189 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Blues,Contemporary,Contest,Festival,Jazz,Wedding. Score and part. 14 pages. Grant Horsley #830724. Published by Grant Horsley (A0.1235189). Night Time in New York is a short concert piece for Flute and piano around 4 minutes It is a gentle romantic waltz which has blues elements It is in ternary form in concert C major- range just over 2 octaves- highest note top EThe sections are in C major and A flat major, before returning to the opening theme in C major once more -then small coda. I have set it at Intermediate level but the whole score is on here for you to assess suitability. Should work well for concerts, recitals, productions, weddings, valentines, even has a Christmas tint. It is something perhaps a little different for the repertoire. N.B. Tenor sax, Alto sax, Clarinet in B flat, flute choir, clarinet choir and piano solo versions are available.
$5.50
A Night In Tunisia
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Pomp and Circumstance March No. 1 for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1038234 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards....
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Flute,Piano - Level 3 - SKU: A0.1038234 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #643165. Published by Diego Marani (A0.1038234). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for flute with piano is suitable for classroom, repertoire and recital.
$9.99
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