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No More Night
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Vous avez sélectionné:
No More Night
Flûte traversière et Piano
Partitions à imprimer
5 partitions trouvées
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1
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
#
dynamic control
#
DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
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Flûte traversière et Piano
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FACILE
#
Classique
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493997. Published by jmsgu3 (A0.549422). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Five Festive Favourites for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Various
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Andrew Middleton
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Five Festive Favourites for Fl
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Andrew Middleton
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.735550 Composed by Various. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and part. 61 pages. Andrew Mi...
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Flute,Piano - Level 4 - SKU: A0.735550 Composed by Various. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and part. 61 pages. Andrew Middleton #4979241. Published by Andrew Middleton (A0.735550). Sometimes at Christmas Jingle Bells is played too much and by the 25th December we can't stand to hear another rendition of Silent Night. Five Festive Favourites is a collection of pieces that have an association to the festive period with out a night of Christmas in their titles! So if you're looking for something different this year, try these arrangements for flute and piano. All five pieces are available to purchase separately too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriberMarch of the Tin Soliders by Leon Jessel https://www.sheetmusicplus.com/title/march-of-the-tin-soldiers-arranged-for-flute-and-piano-digital-..... The Skater’s Waltz by Emile Waldtefeul https://www.sheetmusicplus.com/title/the-skater-s-waltz-arranged-for-flute-and-piano-digital-sheet-m..... Christmas Polka by Adolphe David https://www.sheetmusicplus.com/title/christmas-polka-arranged-for-flute-and-piano-digital-sheet-musi..... December from The Seasons by P.I. Tchaikovsky https://www.sheetmusicplus.com/title/december-from-the-seasons-arranged-for-flute-and-piano-digital-..... Farandole from L’Arlesienne Suite No. 2 by Georges Bizet https://www.sheetmusicplus.com/title/farandole-arranged-for-flute-and-piano-digital-sheet-music/2154.....
$10.00
Eine Kleine Nachtmusik (1st Mov.) for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Eine Kleine Nachtmusik
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Diego Marani
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.528327 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding....
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Flute,Piano - Level 3 - SKU: A0.528327 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 11 pages. Diego Marani #5754351. Published by Diego Marani (A0.528327). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Flute faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$9.99
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
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