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On the Other Shore
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Vous avez sélectionné:
On the Other Shore
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Reflections of Water for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Phyllis Avidan Louke
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Reflections of Water for Flute
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Louke Publishing
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479...
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Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263). PROGRAM NOTESReflections of Water for Flute & Pianoby Phyllis Avidan Louke 1. A Cool Mountain Streamhttp://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3 2. A Quiet Morning on the Lakehttp://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3 3. Frolic in the Surfhttp://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3 This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves. Scored for flute and piano. 5:00 Level 3 Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published. Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions. Ms. Louke has also been the recipient of annual ASCAP awards since 2004. Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded. She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company. Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications. For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/
$15.00
Breeze for Flute and Piano (2023)
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Flûte traversière et Piano
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AVANCÉ
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. ...
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Flute,Piano - Level 5 - SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$10.00
Breeze for Flute and Piano - FLUTE (2023)
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Flûte traversière et Piano
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano - F
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pa...
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Flute,Piano - SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pages. Mary Ellen Haupert #905095. Published by Mary Ellen Haupert (A0.1316354). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$5.00
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On the Other Shore
