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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
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3
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3
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2
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1
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55
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11
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8
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7
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6
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4
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1
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Saxophone
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50
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38
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27
Saxophone Tenor
23
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21
Saxophone Alto et Piano
21
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21
2 Clarinettes (duo)
19
Quintette de Saxophone: 5 saxophones
19
Saxophone, Clarinette (duo)
19
Flûte, Hautbois, Clarinette, Basson
17
Clarinette
15
Saxophone (partie séparée)
13
Flûte traversière
12
Hautbois (partie séparée)
12
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11
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11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Tenor et Piano
10
Clarinette, Trompette (duo)
10
Hautbois, Piano (duo)
10
Flûte traversière et Piano
9
Hautbois, Basson (duo)
8
Flûte, Violon
8
Clarinette et Piano
7
3 Saxophones (trio)
7
Saxophone Soprano
7
Flûte, Alto (duo)
7
2 Hautbois (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois, Flûte
6
Saxophone Baryton, Piano
6
Hautbois, Clarinette (duo)
6
Saxophone Soprano et Piano
6
Ensemble de saxophones
5
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5
Clarinette et Alto
5
3 Clarinettes (trio)
5
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4
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4
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4
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3
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3
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3
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3
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2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette Basse
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette et Basson
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Quatuor de Flûtes à bec
1
Clarinette, Guitare (duo)
1
Cor anglais, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone
23
Trombone et Piano
23
Trompette, Saxophone (duo)
13
Trompette
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trombones (duo)
6
2 Trompettes (duo)
6
Cor et Piano
6
Trompette, Trombone (duo)
6
Trombone (partie séparée)
4
Tuba et Piano
4
Trompette, Piano
4
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trombones
2
Ensemble de Tubas
1
Trombone basse
1
Tuba
1
Cor anglais, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon, Violoncelle (duo)
20
Violon
17
Violoncelle
13
Violon et Piano
12
2 Violons (duo)
11
Violon, Alto (duo)
10
Alto, Piano
10
Violoncelle, Piano
7
2 Violoncelles (duo)
7
2 Altos (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Harpe
2
Contrebasse, Piano (duo)
2
Alto seul
2
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
63
Orchestre
34
Ensemble de cuivres
22
Orchestre à Cordes
18
Ensemble Jazz
14
Orchestre de chambre
11
Ensemble de Percussions
6
Cloches
5
Jazz combo
5
Batterie
2
Fanfare
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
One Last Time
Flûte traversière et Piano
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Last Tango in Leicester Square
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.764009 Composed by Barbara Arens. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.764009 Composed by Barbara Arens. Concert,Contemporary,Jazz,Latin,Standards. Score and part. 5 pages. Barbara Arens #6417289. Published by Barbara Arens (A0.764009). Last Tango in Leicester Square I think you’ll have fun with this one! You might want to watch some tangos on YouTube, so you get a feel for the very strict time, the importance of the accents, the tiny ritardandos...
$3.50
3.16 €
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Flûte traversière et Piano
#
Barbara Arens
#
Last Tango in Leicester Square
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Barbara Arens
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.5 €
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Flûte traversière et Piano
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Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.72 €
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Flûte traversière et Piano
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Camille Saint-Saens
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James M
#
Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.5 €
#
Flûte traversière et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Invention #1 for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1299446 Composed by Felix Rivera. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.
$14.99
13.52 €
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Flûte traversière et Piano
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Felix Rivera
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Invention #1 for Flute and Piano
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Felix Rivera
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SheetMusicPlus
Goodbye Yellow Brick Road
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.547874 By Elton John. By Bernie Ta…
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Flute,Piano - Level 3 - Digital Download SKU: A0.547874 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073383. Published by jmsgu3 (A0.547874). ALTO FLUTE & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages. Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
48.66 €
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Flûte traversière et Piano
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Beautiful Dreamer (Flute Solo, Piano Accompaniment)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1045125 Composed by Stephen Foster…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1045125 Composed by Stephen Foster. Arranged by Cathy Stamegna. Film/TV,Instructional,Romantic Period,Standards,Wedding. Score and part. 8 pages. Cathy Stamegna #649691. Published by Cathy Stamegna (A0.1045125). This solo arrangement begins in the traditional manner, albeit changing the original 9/8 meter to 3/4 with melodic and rhythmic embellishment in the solo part. Appropriate for instruction, recitals, concerts, and public events. Concert Key: Eb (original key). Set of Parts. Performance Time: 1:55. One of Stephen Foster’s most-beloved songs, some claim “Beautiful Dreamer†to be the last of his compositions, written just a few days before his death. Featured in films and television throughout the years.
$4.99
4.5 €
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Flûte traversière et Piano
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Stephen Foster
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Cathy Stamegna
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Beautiful Dreamer
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Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
Flûte traversière et Piano
Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53377 Op.…
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Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell†was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.
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4.5 €
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Flûte traversière et Piano
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Eugene Walckiers
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Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
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Schott Music - Digital
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SheetMusicPlus
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