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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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63
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17
Piano seul
15
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4
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2
Instruments en Do
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Facile
1
+ 3 instrumentations
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Guitare
4
Guitare notes et tablatures
1
Voix
Chorale SATB
32
Voix Alto, Piano
9
Chorale 3 parties
7
Voix Baryton, Piano
3
Chorale Unison
3
Voix Soprano, Piano
1
Voix haute
1
Chorale SSAA
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix seule
1
+ 6 instrumentations
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2 Saxophones (duo)
11
Saxophone Alto et Piano
7
Flûte, Hautbois, Clarinette, Basson
6
Saxophone, Clarinette (duo)
6
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
Saxophone Tenor et Piano
5
Quatuor de Saxophones: 4 saxophones
5
Clarinette
4
Saxophone Tenor
4
3 Saxophones (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Clarinette (duo)
3
2 Flûtes traversières (duo)
3
Clarinette, Trompette (duo)
3
Flûte, Violon
2
Clarinette et Piano
2
Saxophone Soprano
2
Saxophone Baryton
2
Hautbois, Piano (duo)
2
Flûte traversière et Piano
2
Hautbois, Clarinette (duo)
2
Flute (partie séparée)
2
Flûte, Alto (duo)
2
Hautbois (partie séparée)
2
Hautbois, Flûte
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
Flûte traversière
1
Saxophone et Guitare
1
Cor anglais, Piano
1
Clarinette Basse, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
Saxophone Alto
1
Piccolo, Piano
1
3 Clarinettes (trio)
1
Ensemble de Flûtes
1
Saxophone (partie séparée)
1
Quatuor de Flûtes à bec
1
Flûte, Trompette (duo)
1
Trio de Flûtes: 3 flûtes
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor et Piano
4
Trompette, Saxophone (duo)
4
Trombone et Piano
4
Euphonium, Piano (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette
3
Quatuor de cuivres: 4 trombones
2
Trombone
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Cor anglais, Piano
1
Trompette, Piano
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Cor
1
Ensemble de Trombones
1
2 Trompettes (duo)
1
Tuba et Piano
1
+ 15 instrumentations
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Cordes
Violon, Violoncelle (duo)
3
4 Violoncelles
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violoncelle, Piano
3
Alto, Piano
2
Violon
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
Contre Basse
1
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
Alto seul
1
2 Violons (duo)
1
Violon et Piano
1
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8
Orchestre d'harmonie
7
Ensemble de cuivres
6
Orchestre de chambre
3
Jazz combo
3
Orchestre, Violon
1
Fanfare
1
Piano et Orchestre
1
Ensemble Jazz
1
Orchestre à Cordes
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Flûte traversière et Piano
Partitions à imprimer
2 partitions trouvées
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Sullivan: The Lost Chord for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Romantic Sonata - Poems of Light
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Hoover
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Romantic Sonata - Poems of Lig
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Musicart Publications
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. ...
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Flute,Piano - Level 4 - SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95
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