MEDLEY of PATRIOTISM is an arrangement of 3 patriotic songs for Flute and Piano (Score and Part included). The songs include: 1) Battle Hymn of the Republic, 2) God of Our Fathers and 3) America, the Beautiful... with a reprise of Battle Hym of the Republic. This arrangement works great for offertories, special music, concerts or any event where Patriotism for God and Country is emphasized. (15 pages including cover).

A mp3 PIANO ACCOMPANIMENT TRACK is also available listed as:

MEDLEY of PATRIOTISM (Piano Accompaniment for Flute)

This collection contains 10 familiar hymns and praise choruses arranged as easy instrumental duets (for FLUTE solo with PIANO accompaniment). From flowing and peaceful to bright and uplifting, these arrangements are a welcome addition to the repertoire for beginning woodwind students. These familiar hymn arrangements are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.

For each song, there is a combined score (grand staff) with both parts on each page (FLUTE and PIANO) plus a separate 1-staff score for the FLUTE. Each song is also available separately with accompanying preview pages and audio samples.

Song titles included in this collection:
Be Still and Know
Close to Thee
Faith of Our Fathers
God Is So Good
I Have Decided to Follow Jesus
I?ve Found a Friend
Kum Ba Yah
Shall We Gather at the River
Shalom
Sweet By and By

German - English - French.

Flutists know Joachim Andersen (1847-1909) as the composer of 188 masterful etudes that have challenged and inspired musicians for over a century. These etudes are his legacy, but they should not completely overshadow his 54 works for flute and piano which include both brilliant showpieces and charming miniatures for the salon. Born in Copenhagen, Andersen learned to play the flute under his father's guidance. He became one of the finest flutists of his day and, as a young man, enjoyed prestigious positions in Danish and Russian orchestras. In 1881, he moved to Berlin, becoming a founding member of the Berlin Philharmonic Orchestra the following year. Andersen wrote most of his flute compositions during this enormously productive and successful period in Berlin. Though his career as a flutist ended in the early 1890s because of a debilitating tongue disease, he continued to compose lovely pieces for his instrument. Because the location of Andersen's manuscript of Opus 56 is not known, the first edition of the pieces, published by Zimmermann in 1894, has been used as the primary source for this publication. The pieces are not difficult as already indicated in the name, but not too easy because a beautiful lyrical tone is needed, you could even call them lyrical pieces as the titles (In Autumn. The Flowers. Under the Balcony. Serenade. From former Times) are not programmatic but rather the expression of feelings.