Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude for Flute and
Non classifié
466
Piano & claviers
Orgue
19
Piano seul
14
Piano, Voix
8
Piano, Voix et Guitare
6
Accompagnement Piano
5
Piano Facile
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1
Voix
Chorale SATB
9
Chorale Unison
3
Chorale 3 parties
3
Voix Alto, Piano
1
Vents
Flûte traversière et Piano
403
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
202
2 Flûtes traversières (duo)
161
Flûte, Hautbois, Clarinette, Basson
111
Flûte, Clarinette (duo)
104
Flûte traversière
94
Flûte, Clarinette, Piano (trio)
42
Quatuor de Flûtes : 4 flûtes
38
2 Flûtes traversières, Piano
37
Hautbois, Piano (duo)
29
Flûte, Violon et Violoncelle
27
Flûte, trombone et piano
27
Saxophone Tenor et Piano
26
Quintette de Flûte : 5 flûtes
25
Flûte, Violoncelle, Piano (trio)
24
Flûte, Violon, Piano
23
Trio de Flûtes: 3 flûtes
23
Saxophone Alto et Piano
19
Flûte, Hautbois, Piano (trio)
19
Flute (partie séparée)
19
Flûte, Alto et Piano
17
Flûte et Guitare
17
Ensemble de Flûtes
15
Flûte, Clarinette et Basson
15
Clarinette et Piano
14
Flûte, Violoncelle
11
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Violon, Violoncelle et Piano
9
Flute, Cor (duo)
8
3 Saxophones (trio)
8
Flûte, Basson et Piano
7
Flûte, Hautbois, Basson
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Violon
7
Hautbois, Flûte
6
Flûte, Violoncelle, Guitare
6
Flûte, Hautbois (duo)
5
Flûte traversière, Orgue (duo)
5
Flûte, Saxophone (duo)
4
Flûte, Trombone (duo)
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
3
Saxophone Soprano et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Tuba (duo)
2
Flûte, Violon, Guitare
2
Clarinette
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Trompette (duo)
1
3 Clarinettes (trio)
1
Flûte, Hautbois, Violon
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
+ 52 instrumentations
Retracter
Cuivres
Trombone et Piano
22
Cor et Piano
14
Trompette, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 2 instrumentations
Retracter
Cordes
Violon et Piano
27
Alto, Piano
25
Violoncelle, Piano
18
Harpe, Flûte (duo)
12
Harpe, Violon (duo)
8
Harpe, Violoncelle (duo)
8
Alto et Harpe
8
Violon
6
Trio à Cordes: violon, alto, violoncelle
6
Harpe, Voix
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Harpe
1
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
Alto seul
1
Violoncelle
1
Contrebasse, Piano (duo)
1
Flûte, Contrebasse (duo)
1
2 Violons, Piano
1
Contre Basse
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
14
Orchestre d'harmonie
14
Orchestre
13
Ensemble de cuivres
3
Cloches
2
Big band
1
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
25
Partitions Numériques
403
Librairie Musicale
76
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Prelude for Flute and
Flûte traversière et Piano
Partitions à imprimer
403 partitions trouvées
<
1
26
51
....
401
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
(+)
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
(+)
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Flut
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
(+)
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Wachet auf BWV 140 for F
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
(+)
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
Christmas Prelude for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Graham Yates
#
Christmas Prelude for Flute an
#
Graham Yates
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1138498 Composed by Graham Yates. Chamber,Christmas,Classical,Holiday,Sacred. Score and part. 20 pages. Graham Yates #73...
(+)
Flute,Piano - Level 4 - SKU: A0.1138498 Composed by Graham Yates. Chamber,Christmas,Classical,Holiday,Sacred. Score and part. 20 pages. Graham Yates #738838. Published by Graham Yates (A0.1138498). Duration: c. 9 minutes. Maestoso introduction followed by three uninterrupted movements: Allegretto, Lullaby and Jubilant. The movements are composed original themes invoking three holiday moods: playful/outdoor winter fun, prayerful/meditative, and celebratory/grandiose. The movements also briefly and subtly incorporate well known melodies: Jingle Bells, Silent Night and Angels We Have Heard on High. With a little rearranging each movement could be performed independently; similarly, any C instrument could play the flute's part, adjusting the octaves as needed. Separate flute part is included.
$11.99
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
(+)
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
(+)
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
"Prelude In E Minor" by Frederic Chopin for Flute and Piano-Jazz/Pop Version-Video
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
#
Fishel Pustilnik
#
"Prelude In E Minor"
#
F & N Enterprise
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.634094 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 7 pages. F & N...
(+)
Flute,Piano - Level 4 - SKU: A0.634094 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 7 pages. F & N Enterprise #3509515. Published by F & N Enterprise (A0.634094). An excellent arrangement of the famous Song Prelude in E Minor by Chopin for Flute and Piano-Jazz/Pop Version. Video for Violin and Piano:https://www.youtube.com/watch?v=cnD79GxaX4oThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Prelude In E Minor" by Chopin-Piano Background for Flute and Piano-Jazz/Pop Version
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
#
Fishel Pustilnik
#
"Prelude In E Minor"
#
F & N Enterprise
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.634109 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,World. Score and part. 7 pages. F & N Ent...
(+)
Flute,Piano - Level 4 - SKU: A0.634109 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,World. Score and part. 7 pages. F & N Enterprise #3510617. Published by F & N Enterprise (A0.634109). Piano Background for famous Song Prelude In E Minor by Frederic Chopin for Flute & Piano (Jazz/Pop Version)Plus Version at SMP: S0.352395 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Carmen Prelude for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Georges Bizet
#
Karen North
#
Carmen Prelude for Flute and P
#
Karen North
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1026011 Composed by Georges Bizet. Arranged by Karen North. Classical,Concert,Romantic Period,Standards. Score and part....
(+)
Flute,Piano - Level 3 - SKU: A0.1026011 Composed by Georges Bizet. Arranged by Karen North. Classical,Concert,Romantic Period,Standards. Score and part. 12 pages. Karen North #5756311. Published by Karen North (A0.1026011). Popular arrangement for Flute (Intermediate level) and Piano of Bizet's Carmen Prelude. Excellent piece for concert or exam performance with contrasting middle section and impressive finish.119 bars long - with performance time between 2:30-3:00 mins depending on tempo.
$5.99
Prelude for Flute and Piano
#
Flûte traversière et Piano
#
Jordan Grigg
#
Prelude for Flute and Piano
#
Jordan Grigg
#
SheetMusicPlus
Flute,Piano - SKU: A0.1057489 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 650. Jordan Grigg #3464...
(+)
Flute,Piano - SKU: A0.1057489 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 650. Jordan Grigg #3464937. Published by Jordan Grigg (A0.1057489).
$3.99
Bach-Gounod: Ave Maria for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Alt
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
(+)
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Flu
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
(+)
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Bass Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easte...
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Prelude from 5th Harpsichord suite Arrangement for flute and piano
#
Flûte traversière et Piano
#
Classique
#
G
#
JCBmusic
#
Prelude from 5th Harpsichord s
#
Rachel Brown
#
SheetMusicPlus
Flute,Piano - SKU: A0.954364 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 6 pages. Rachel Brown #4319155. Published by Rachel ...
(+)
Flute,Piano - SKU: A0.954364 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 6 pages. Rachel Brown #4319155. Published by Rachel Brown (A0.954364). This is the prelude from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations).
$5.15
Allemande from 5th Harpsichord suite Arrangement for flute and piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
G
#
JCBmusic
#
Allemande from 5th Harpsichord
#
Rachel Brown
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.954366 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 8 pages. Rachel Brown #4319223. Published ...
(+)
Flute,Piano - Level 3 - SKU: A0.954366 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 8 pages. Rachel Brown #4319223. Published by Rachel Brown (A0.954366). This is the allemande from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations).
$5.15
Aria (with variations) from 5th Harpsichord suite Arrangement for flute and piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
G
#
JCBmusic
#
Aria
#
Rachel Brown
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.954367 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 14 pages. Rachel Brown #4319241. Published...
(+)
Flute,Piano - Level 3 - SKU: A0.954367 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 14 pages. Rachel Brown #4319241. Published by Rachel Brown (A0.954367). This is the aria and variations from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations) *Please note - the variations are different to the popular published version for trumpet - I have taken mine closer to the original score. The trumpet version published by another company has variations which are composed by the arranger.*
$5.15
Courante from 5th Harpsichord suite Arrangement for flute and piano
#
Flûte traversière et Piano
#
Classique
#
G
#
JCBmusic
#
Courante from 5th Harpsichord
#
Rachel Brown
#
SheetMusicPlus
Flute,Piano - SKU: A0.954365 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 6 pages. Rachel Brown #4319227. Published by Rachel ...
(+)
Flute,Piano - SKU: A0.954365 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 6 pages. Rachel Brown #4319227. Published by Rachel Brown (A0.954365). This is the courante from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations).
$5.15
20 Easter Hymn Solos for Flute and Piano: Vols. 1 & 2
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Various
#
20 Easter Hymn Solos for Flute
#
Ben Dockery
#
SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,Sacred. Score and part. 82 pages. Ben Dockery #766722. Published by...
(+)
Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,Sacred. Score and part. 82 pages. Ben Dockery #766722. Published by Ben Dockery
These twenty classic Easter hymns have been arranged for flute solo with piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.
Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$12.99
10 Easter Solos for Flute and Piano - Volume 1
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Various
#
10 Easter Solos for Flute and
#
Ben Dockery
#
SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Sacred. Score and part. 21 pages. Ben Dockery #6287593. Published by Ben Dockery...
(+)
Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Sacred. Score and part. 21 pages. Ben Dockery #6287593. Published by Ben Dockery
These classic Easter hymns have been arranged for solo flute with optional piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons.
Includes:
Alleluia! Alleluia! (Ode to Joy)
At the Cross
Christ Arose (Low in the Grave He Lay)
Christ the Lord is Risen Today
Crown Him With Many Crowns
I Stand Amazed in the Presence (How Marvelous)
Jesus Paid It All
Near the Cross
Nothing but the Blood
Were You There
$8.99
Meditation (Opus 18), for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Cesar Auguste Franck
#
Nigel Williams
#
Meditation
#
Nigel Williams
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.763424 Composed by Cesar Auguste Franck. Arranged by Nigel Williams. Multicultural,Standards,World. Score and part. 12 p...
(+)
Flute,Piano - Level 3 - SKU: A0.763424 Composed by Cesar Auguste Franck. Arranged by Nigel Williams. Multicultural,Standards,World. Score and part. 12 pages. Nigel Williams #5363101. Published by Nigel Williams (A0.763424). This beautiful haunting melody by Cesar Franck forms part of a larger piece for organ, and it is ideal material for an arrangement for flute and piano. The gentle rocking nature of the melody is supported by the piano accompaniment throughout, and the music requires much rubato and space. The tempo can be a little slower or a little quicker than the sound file suggests. This arrangement is excellent repertoire for High School students working at home, and equally it would make an excellent prelude in any service of worship where Cesar Franck's music is admired. The performance duration is four minutes and the full score comes with individual parts attached. Enjoy browsing my many instrumental solos, duets and ensemble arrangements on SMP.
$4.99
Three Preludes for Flute and Piano
#
Flûte traversière et Piano
#
Contemporain
#
Grigor Arakelian
#
Three Preludes for Flute and P
#
Grigor Arakelian
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - SKU: A0.980904 Composed by Grigor Arakelian. Contemporary. Score and parts. 16 pages. Grigor Arakelian...
(+)
Instrumental Duet Flute,Instrumental Duet,Piano - SKU: A0.980904 Composed by Grigor Arakelian. Contemporary. Score and parts. 16 pages. Grigor Arakelian #4631793. Published by Grigor Arakelian (A0.980904).
$5.99
Prelude of Consecration - Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
Prelude of Consecration - Flut
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.572249 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contem...
(+)
Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.572249 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #3365089. Published by James M Stevens Music ASCAP (A0.572249). This is an original composition for flute and piano in a relaxed, peaceful, and sacred style at the intermediate level. There is a separate flute part in the score. The piano is stand alone solo and the piano recording, Prelude of Consecration (Sacred Piano MP3 can be used as an accompaniment track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/cY8SjBRzBp0
$6.99
Prelude from "Suite Bergamasque" for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Claude Debussy
#
Diego Marani
#
Prelude from "Suite Berga
#
Diego Marani
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1095080 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Stand...
(+)
Flute,Piano - Level 3 - SKU: A0.1095080 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #699158. Published by Diego Marani (A0.1095080). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for flute with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
I Will Arise and Go to Jesus (Flute & Piano)
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Joseph Hart
#
Carol Troutman Wiggins
#
I Will Arise and Go to Jesus
#
Carol Troutman Wiggins
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.732893 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Spiritual,Traditional. Sc...
(+)
Flute,Piano - Level 3 - SKU: A0.732893 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Spiritual,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4595929. Published by Carol Troutman Wiggins (A0.732893). I WILL ARISE AND GO TO JESUS Flute & Piano DuetComposed by Joseph Hart in 1759, this hymn, also known as Come, Ye Sinners, Poor and Needy has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.Piano Rehearsal Track available on this site.
$9.99
<
1
26
51
....
401
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Prelude for Flute and
