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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude in C minor
Non classifié
81
Piano & claviers
Piano seul
299
Piano Facile
23
Orgue
21
Instruments en Do
6
Piano, Voix
5
Clavecin
2
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
Piano, Voix et Guitare
1
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
12
Basse electrique
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
2
2 Mandolines (duo)
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
3
Chorale 3 parties
1
Vents
Flûte traversière et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Saxophones: 4 saxophones
12
Clarinette et Piano
11
Hautbois, Piano (duo)
8
Saxophone Alto et Piano
8
Flûte traversière
7
Saxophone Tenor et Piano
6
3 Saxophones (trio)
5
Saxophone Soprano et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Hautbois, Clarinette, Basson
5
Clarinette
5
Cor anglais, Piano
4
Ensemble de Clarinettes
4
Flute (partie séparée)
3
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
Hautbois (partie séparée)
3
Saxophone Baryton, Piano
3
Cor Anglais
2
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Alto
1
Clarinette, Harpe (duo)
1
Saxophone Tenor
1
Piccolo
1
Saxophone Soprano
1
Ensemble de Flûtes
1
Piccolo, Piano
1
+ 26 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Euphonium, Piano (duo)
8
Trompette, Piano
7
Cor anglais, Piano
4
Cor
4
Trombone et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
3
Cor et Piano
3
Cor Anglais
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Ensemble de Trombones
2
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Tuba
1
Trompette (partie séparée)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
13
Violoncelle, Piano
10
Alto, Piano
9
Violon
6
Alto seul
6
Violoncelle
4
Harpe
4
Violon, Violoncelle (duo)
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Harpe, Voix
1
2 Violons (duo)
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
13
Ensemble de cuivres
5
Orchestre à Cordes
5
Orchestre
5
Percussion
2
Ensemble de Percussions
1
Ensemble Jazz
1
Orchestre de chambre
1
Marimba
1
+ 4 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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Vous avez sélectionné:
Prelude in C minor
Flûte traversière et Piano
Partitions à imprimer
21 partitions trouvées
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1
Prelude in C minor- Flute and Piano- Homage to JS Bach
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.785685 Composed by Grant Horsley. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.785685 Composed by Grant Horsley. 20th Century,Contemporary,Standards,Wedding. Score and part. 16 pages. Grant Horsley #5290525. Published by Grant Horsley (A0.785685). Prelude in C minor- Flute and Piano-(Intermediate level) Homage to JS BachThe work is based in it's dedication to the first prelude from his 48 preludes and fugues for Piano. For this arrangement the harmony has been put into in a minor key, adapted, and then a melody is placed over the topThe flute range is one and a half octavesit is placed at intermediate level, although an early intermediate player would probably be ok with it as it has no complicated rhythms.The youtube link has the full score for you to assess suitability. Price is for score and parts. Full score 7 pages- 4.25mins in length.Great for concerts, weddings, events, recitals, church services etc.
$5.25
4.84 €
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Flûte traversière et Piano
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Grant Horsley
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Prelude in C minor- Flute and Piano- Homage to JS Bach
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Grant Horsley
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SheetMusicPlus
Prelude in C minor - BWV 999 - Alto Flute
Flûte traversière et Piano
Alto Flute,Piano - Level 5 - Digital Download SKU: A0.1386044 By Johann Sebastian B…
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Alto Flute,Piano - Level 5 - Digital Download SKU: A0.1386044 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Score and part. 11 pages. Ygor Nunes #969990. Published by Ygor Nunes (A0.1386044). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$4.99
4.6 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in C minor - BWV 999 - Alto Flute
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Ygor Nunes
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SheetMusicPlus
Bach Prelude in C# Minor (BWV 849) for Flute Solo with Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1264754 Composed by Johann…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1264754 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Chamber,Classical,Contest,Festival. Score and part. 13 pages. Nancy Frese Tabb #857588. Published by Nancy Frese Tabb (A0.1264754). The haunting melody of Bach's Prelude in C# Minor from the Well-Tempered Klavier is scored as a Flute Solo with PIano Accompaniment. This piece keeps all of the Bach's original Baroque ornaments and features them in both the Flute and the Piano parts. Great period piece and perfect for a recital or solo/ensemble contest.
$4.95
4.56 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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Nancy Frese Tabb
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Bach Prelude in C# Minor
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Nancy Frese Tabb
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SheetMusicPlus
Prelude in E minor by Chopin - Flute and Piano (Individual Parts)
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1229758 Composed by Freder…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1229758 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 3 pages. Sheet Music To Play Editions #825524. Published by Sheet Music To Play Editions (A0.1229758). Prelude Op.28 No.4 in E minor. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.6 €
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Flûte traversière et Piano
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Frederic Chopin
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César Madeira
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Prelude in E minor by Chopin - Flute and Piano
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Sheet Music To Play Editions
#
SheetMusicPlus
Prelude in E minor by Chopin - Flute and Piano (Full Score and Parts)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1179886 Composed by Frederic Chopi…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1179886 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Children,Film/TV,Multicultural,Romantic Period,World. Score and part. 5 pages. Sheet Music To Play Editions #779834. Published by Sheet Music To Play Editions (A0.1179886). Prelude Op.28 No.4 in E minor. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.37 €
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Flûte traversière et Piano
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Frederic Chopin
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César Madeira
#
Prelude in E minor by Chopin - Flute and Piano
#
Sheet Music To Play Editions
#
SheetMusicPlus
Prelude in E minor by Chopin - Flute and Piano (Full Score)
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1229770 Composed by Freder…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1229770 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 2 pages. Sheet Music To Play Editions #825525. Published by Sheet Music To Play Editions (A0.1229770). Prelude Op.28 No.4 in E minor. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.6 €
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Flûte traversière et Piano
#
Frederic Chopin
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César Madeira
#
Prelude in E minor by Chopin - Flute and Piano
#
Sheet Music To Play Editions
#
SheetMusicPlus
Prelude in E Minor - Flute & Piano
Flûte traversière et Piano
Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.735272 …
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Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.735272 Composed by Frederic Chopin. Arranged by Andrew Middleton. Romantic Period. Score and parts. 3 pages. Andrew Middleton #4289795. Published by Andrew Middleton (A0.735272). Chopin's Prelude in E minor, Op. 28, No. 4 arranged for Flute and Piano. This arrangement would also be suitable for other instruments in C including: oboe and violin.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.6 €
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Flûte traversière et Piano
#
Frederic Chopin
#
Andrew Middleton
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Prelude in E Minor - Flute & Piano
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Andrew Middleton
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Flûte traversière et Piano
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Alexander Scriabin
#
James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
#
Flûte traversière et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Prelude No.1 In C minor For Piano
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.931656 C…
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Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.931656 Composed by Eleazar Torres Gallegos. Christmas,Concert,Holiday,Romantic Period. Score and parts. 8 pages. Eleazar Torres G. #6533459. Published by Eleazar Torres G. (A0.931656). Enjoy it!
$4.99
4.6 €
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Flûte traversière et Piano
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Eleazar Torres Gallegos
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Prelude No.1 In C minor For Piano
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Eleazar Torres G.
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Flûte traversière et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano -S0
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Bach-Gounod: Ave Maria for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Flute & Piano
Flûte traversière et Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano
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Bach-Gounod: Ave Maria for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Flûte traversière et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Flûte traversière et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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jmsgu3
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SheetMusicPlus
Rise Up, Shepherd and Follow (Trio for Flute, Alto Sax and Piano)
Flûte traversière et Piano
Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.524982
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Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.524982 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Spiritual. Score and parts. 18 pages. John A. Dempsey #6562529. Published by John A. Dempsey (A0.524982). Reimagined as a trio for flute, alto sax and piano, this hymn arrangement of Rise Up, Shepherd and Follow accentuates the dramatic message of hope, everlasting joy and intense emotion that's at the heart of this tuneful spiritual celebrating Jesus' birth.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  Key: C minor.  14 pages of music (that includes separate two-page parts for flute and alto sax).  Flute/Alto Sax Level: Intermediate.  Piano Level: Late Intermediate   There's a star in the East on Christmas morn,   Rise up shepherd, and follow   It will lead to the place where the Christ was born   Rise up, shepherd and follow.   Follow, follow   Rise up, shepherd and follow   Follow the Star of Bethlehem   Rise up, shepherd and follow.
$11.99
11.05 €
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Flûte traversière et Piano
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Traditional Spiritual
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John A
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Rise Up, Shepherd and Follow
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John A. Dempsey
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SheetMusicPlus
Meditations on Five Chants - Missa Orbis factor
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1111166 Composed by Nicholas Palme…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1111166 Composed by Nicholas Palmer. 20th Century,Christian,Classical,Religious,Wedding. Score and part. 15 pages. Nicholas D Palmer #713442. Published by Nicholas D Palmer (A0.1111166). Missa Orbis Factor is a set of Gregorian Mass chants sung for hundreds of years. These beautiful melodies are here set for flute and piano, mostly in a contemplative mood. The Gloria is a livelier setting and also somewhat more difficult. These pieces can be used in Mass, as quiet prelude music for weddings or funerals, as part of sacred concerts, and as teaching repertoire for the flutist. These settings will work with organ with some minor adaptations of the piano accompaniment. The solo part can be shared among other C instruments, adjusting octaves as necessary.
$15.00
13.83 €
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Flûte traversière et Piano
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Nicholas Palmer
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Meditations on Five Chants - Missa Orbis factor
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Nicholas D Palmer
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SheetMusicPlus
Come, Ye Sinners, Poor and Needy (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.727496 Composed by Joseph Hart. Ar…
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Flute,Piano - Level 3 - Digital Download SKU: A0.727496 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Folk,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4595869. Published by Carol Troutman Wiggins (A0.727496). COME, YE SINNERS, POOR AND NEEDYFlute & Piano DuetComposed by Joseph Hart in 1759, this hymn has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.Piano Rehearsal Track available on this site.
$9.99
9.21 €
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Flûte traversière et Piano
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Joseph Hart
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Carol Troutman Wiggins
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Come, Ye Sinners, Poor and Needy
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Carol Troutman Wiggins
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SheetMusicPlus
I Will Arise and Go to Jesus (Flute & Piano) Piano Rehearsal Track
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1065687 Composed by Joseph Hart. Arranged by…
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Flute,Piano - Digital Download SKU: A0.1065687 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 114. Carol Troutman Wiggins #4595931. Published by Carol Troutman Wiggins (A0.1065687). I WILL ARISE AND GO TO JESUS Flute & Piano DuetComposed by Joseph Hart in 1759, this hymn, also known as Come, Ye Sinners, Poor and Needy has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.
$3.99
3.68 €
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Flûte traversière et Piano
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Joseph Hart
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Carol Troutman Wiggins
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I Will Arise and Go to Jesus
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Carol Troutman Wiggins
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SheetMusicPlus
I Will Arise and Go to Jesus (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.732893 Composed by Joseph Hart. Ar…
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Flute,Piano - Level 3 - Digital Download SKU: A0.732893 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Spiritual,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4595929. Published by Carol Troutman Wiggins (A0.732893). I WILL ARISE AND GO TO JESUS Flute & Piano DuetComposed by Joseph Hart in 1759, this hymn, also known as Come, Ye Sinners, Poor and Needy has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.Piano Rehearsal Track available on this site.
$9.99
9.21 €
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Flûte traversière et Piano
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Joseph Hart
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Carol Troutman Wiggins
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I Will Arise and Go to Jesus
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Carol Troutman Wiggins
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SheetMusicPlus
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