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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude no. 2
Non classifié
189
Piano & claviers
Piano seul
556
Orgue
66
Piano Facile
49
Piano, Voix
6
2 Pianos, 4 mains
5
1 Piano, 4 mains
3
Piano, Voix et Guitare
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
1
Instruments en Do
1
Clavier
1
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
38
Guitare notes et tablatures
25
2 Guitares (duo)
12
Banjo
5
Ukulele
4
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
2
Basse electrique
1
Guitare (partie séparée)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
4
Voix seule
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Flûte traversière et Piano
20
Quatuor de Saxophones: 4 saxophones
16
Clarinette et Piano
15
Quintette de Saxophone: 5 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
15
Hautbois, Piano (duo)
12
2 Flûtes traversières (duo)
10
Saxophone Alto et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Saxophone Tenor et Piano
9
2 Saxophones (duo)
9
Clarinette
9
Saxophone Soprano et Piano
8
Flûte, Hautbois, Clarinette, Basson
7
Saxophone (partie séparée)
7
Quintette de Flûte : 5 flûtes
7
2 Clarinettes (duo)
6
Clarinette (partie séparée)
5
3 Clarinettes (trio)
5
Cor anglais, Piano
4
Flûte et Guitare
4
Flûte, Violoncelle
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois (partie séparée)
3
Hautbois, Basson (duo)
3
2 Flûtes traversières, Piano
3
Flûte traversière
3
Saxophone Baryton, Piano
3
2 Hautbois (duo)
3
Clarinette Basse, Piano
3
Trio de Flûtes: 3 flûtes
2
Hautbois, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Basson (duo)
2
Hautbois et alto (duo)
2
Flûte, Alto (duo)
2
Clarinette, Violoncelle (duo)
2
3 Saxophones (trio)
2
Flûte, Tuba (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Piccolo, Piano
2
Flûte, trombone et piano
2
2 Saxophones, Piano
2
Hautbois, Violoncelle
2
Flûte, Clarinette (duo)
2
Saxophone Alto
2
2 Clarinettes, Basson
1
Ensemble de Clarinettes
1
Flûte, Trombone (duo)
1
2 Flûte à bec (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Flûte, Clarinette et Basson
1
Flute (partie séparée)
1
Ensemble de saxophones
1
Saxophone Tenor
1
Clarinette et Alto
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
2 Cors (duo)
16
Trompette, Piano
16
Euphonium, Piano (duo)
10
Trombone (partie séparée)
8
Trombone et Piano
8
2 Euphoniums et 2 Tubas
7
Cor et Piano
6
Trompette
5
2 Trompettes (duo)
4
Cor anglais, Piano
4
2 Trombones (duo)
4
Trompette (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
3
Trombone
3
Ensemble de Trombones
3
Cor
2
2 Euphoniums (duo)
2
Cor (partie séparée)
2
Euphonium, Tuba (duo)
1
Tuba et Piano
1
Trio de Cuivres
1
Trompette, Violoncelle et Piano
1
Tuba
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Trompette, Trombone (duo)
1
Trombone, Violon (duo)
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
119
Violon et Piano
25
Violoncelle, Piano
18
Violoncelle
18
2 Violoncelles (duo)
13
Alto, Piano
11
Harpe
11
Violon
10
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
7
Alto seul
5
Trio à Cordes: 2 violons, violoncelle
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
3
4 Contrebasses
2
Violon, Basson (duo)
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
2 Altos (duo)
2
Contre Basse
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
44
Orchestre
12
Cloches
6
Orchestre à Cordes
6
Ensemble de Percussions
3
Ensemble de cuivres
3
Quatuor à Vent : 4 instruments à vents
2
Timbales (partie séparée)
1
Quintette à Vent
1
Orchestre de chambre
1
Marimba
1
Batterie (partie séparée)
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Crtitères actifs :
Prelude no. 2
Flûte traversière et Piano
Partitions à imprimer
20 partitions trouvées
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1
Italian Prelude No. 2 - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
James Michael Stevens
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James Michael Stevens
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Italian Prelude No. 2 - Flute
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.573421 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Multicultural,New Age,Sacred,W...
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Flute,Piano - Level 3 - SKU: A0.573421 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Multicultural,New Age,Sacred,World. Score and part. 8 pages. James M Stevens Music ASCAP #5713911. Published by James M Stevens Music ASCAP (A0.573421). Written April 20, 2020, this is an original flute and piano composition in a dark and intense style in the key of D minor. Begins spacious and low, builds to the middle with increasing intensity and motion, before returning to the calm, dark, and spacious style in the beginning. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The track as heard can be found under Italian Prelude No. 2 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Scriabin: Prelude, Op. 51, No. 2 for Alto Flute & Harp
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1401558 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Flute,Piano - Level 3 - SKU: A0.1401558 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984742. Published by jmsgu3 (A0.1401558). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
6 Salon Pieces, Op.120, No.4 ‘Dream’ for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Nölck, August
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Mikio Kamada
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6 Salon Pieces, Op.120, No.4 &
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ACORDO Sheet Music
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.777914 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Score and part. 4 pages. ACO...
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Flute,Piano - Level 2 - SKU: A0.777914 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #2098293. Published by ACORDO Sheet Music (A0.777914). August Nölck (1862-1928) was a composer, cellist, and pianist. He composed many small pieces for cello and Piano. 6 Salon Pieces, Op. 120, were originally composed for Violoncello and Piano, which consist of No. 1. 'Gypsy Maiden', No. 2. 'Aria', No. 3. 'A Dream', No. 4. 'Prelude', No. 5. 'Mazurka', and No. 6. 'Ring Dance'. No.3 'A Dream' is a small but very pretty piece.
$4.50
5 Romantic Songs for Flute and Piano - Book 2
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy, Franz Schubert
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César Madeira
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5 Romantic Songs for Flute and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1273146 Composed by Claude Debussy, Franz Schubert, Frederic Chopin, Georges Bizet, and Giacomo Puccini. Arrange...
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Piano,Soprano Flute - Level 3 - SKU: A0.1273146 Composed by Claude Debussy, Franz Schubert, Frederic Chopin, Georges Bizet, and Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 56 pages. Sheet Music To Play Editions #865344. Published by Sheet Music To Play Editions (A0.1273146). The Romantic Era Song Album (Book 2). The Most Famous Romantic Songs. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Schubert - Serenade D.957 Chopin - Prelude No.4, Op.28Bizet - HabaneraPuccini - O Mio Babbino CaroDebussy - Clair de LuneFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Raindrop Prelude
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Flûte traversière et Piano
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FACILE
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Classique
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Frederic Chopin
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Marie-Ève Mainguy
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Raindrop Prelude
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Marie-Eve Mainguy
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.804901 Composed by Frederic Chopin. Arranged by Marie-Ève Mainguy. Concert,Contemporary,Film/TV,Romantic Period,Stand...
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Flute,Piano - Level 2 - SKU: A0.804901 Composed by Frederic Chopin. Arranged by Marie-Ève Mainguy. Concert,Contemporary,Film/TV,Romantic Period,Standards. Score and part. 7 pages. Marie-Eve Mainguy #6486927. Published by Marie-Eve Mainguy (A0.804901). Raindrop Prelude (Prelude op. 28, no. 15) composed by Frédéric Chopin, originally in Db.Easier version for flute solo & piano accompaniment : arrangement in C Major created by Marie-Ève Mainguy in 2021.Full score and individual parts included.Contact info: marieeve.mainguy@gmail.com.
$3.49
Prelude in E minor by Chopin - Flute and Piano (Full Score)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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César Madeira
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Prelude in E minor by Chopin -
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1229770 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,...
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Piano,Soprano Flute - Level 3 - SKU: A0.1229770 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 2 pages. Sheet Music To Play Editions #825525. Published by Sheet Music To Play Editions (A0.1229770). Prelude Op.28 No.4 in E minor. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Prelude
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Flûte traversière et Piano
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Frederic Chopin
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Timofei Dokshitser
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Prelude
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Editions Marc Reift - Digital
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SheetMusicPlus
Flute & Piano - Grade 4 - SKU: R0.39988 Op. 28 No. 24. Composed by Frederic Chopin. Arranged by Timofei Dokshitser. Flute & Piano. Score and part...
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Flute & Piano - Grade 4 - SKU: R0.39988 Op. 28 No. 24. Composed by Frederic Chopin. Arranged by Timofei Dokshitser. Flute & Piano. Score and parts. 7 pages. Duration 2'19. Editions Marc Reift - Digital #39988. Published by Editions Marc Reift - Digital (R0.39988).
$11.95
Prelude in E Minor - Chopin - Alto Flute
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Flûte traversière et Piano
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FACILE
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Classique
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Frederic Chopin
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Phil Rawle
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Prelude in E Minor - Chopin -
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Phillip Rawle
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.824634 Composed by Frederic Chopin. Arranged by Phil Rawle. Classical,Concert. Score and part. 1 pages. Phillip Rawle #6...
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Flute,Piano - Level 2 - SKU: A0.824634 Composed by Frederic Chopin. Arranged by Phil Rawle. Classical,Concert. Score and part. 1 pages. Phillip Rawle #6065515. Published by Phillip Rawle (A0.824634). Arranged for Alto Flute and Piano. An easy starter piece for intermediate players. A very well known melody by Frederick Chopin (Op.28, No.4)
$3.00
Bach-Gounod: Ave Maria for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
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Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Bach-Gounod
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James M
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Piano -S0
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Bach-Gounod: Ave Maria for Flu
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
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Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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Flûte traversière et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Flute,Piano - Level 2 - SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Like a River Glorious (Flute and Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christian contemporain
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James Mountain and Claude Debu
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John A
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Like a River Glorious
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John A. Dempsey
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.524087 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Worsh...
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Flute,Piano - Level 4 - SKU: A0.524087 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #4742333. Published by John A. Dempsey (A0.524087). A hymn that celebrates God's perfect peace and love, Like a River Glorious is arranged here as a duet for flute and piano.  The incidental music winding its way through the hymn is Claude Debussy's Arabesque, No. 2.  Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude or special music.  9 pages of music (that includes a separate two-page flute part).  Key: G major  .
$6.99
Ave Maria (Bach-Gounod) flute with piano (mp3 accompaniment also available)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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J
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Edna J
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Ave Maria
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Bloom Musicnotes
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.836224 Composed by J.S. Bach & Charles Gounod. Arranged by Edna J. Bloom. Christian,Christmas,Contemporary,Sacred,Weddin...
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Flute,Piano - Level 3 - SKU: A0.836224 Composed by J.S. Bach & Charles Gounod. Arranged by Edna J. Bloom. Christian,Christmas,Contemporary,Sacred,Wedding. Score and part. 9 pages. Bloom Musicnotes #5212805. Published by Bloom Musicnotes (A0.836224). This reverential meditation improvised by Charles Gounod over J.S. Bach's Prelude No. 1 has been arranged for flute and piano. Alternatively, it can be performed or learned using the mp3 file [product SO 712407] featuring flute, piano, harp, and strings - sure to enhance the experience. This download includes three items: 1) flute solo with accompaniment cues 2) accompaniment part with flute cues. Both versions include the lyrics of this beautiful prayer written in with the notes. 3) sheet with Greek, Latin, and English translation. . .
$3.99
10 Romantic Songs for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Various
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César Madeira
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10 Romantic Songs for Flute an
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1274326 Composed by Various. Arranged by César Madeira. Classical,Film/TV,Multicultural,Romantic Period,Weddi...
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Piano,Soprano Flute - Level 3 - SKU: A0.1274326 Composed by Various. Arranged by César Madeira. Classical,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 99 pages. Sheet Music To Play Editions #866466. Published by Sheet Music To Play Editions (A0.1274326). The Romantic Era Song Album (Book 1&2). The Most Famous Romantic Songs. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Beethoven - Moonlight Sonata Schubert - Serenade D.957 Chopin - Prelude No.4, Op.28Schumann - TräumereiSaint-Saens - Le CygneBizet - HabaneraMassenet - MeditationElgar - Pomp and CircumstancePuccini - O Mio Babbino CaroDebussy - Clair de LuneFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
Bach: Wachet auf for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
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Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
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1
Prelude no. 2