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Vous avez sélectionné:
Seven's The One - Trumpet 4
Flûte traversière et Piano
Partitions à imprimer
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1
St Clement's Isle (from Tales from the Cornish Coast) Flute & Piano. By Keri Degg
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1247384 Composed by Keri Degg. 21s…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1247384 Composed by Keri Degg. 21st Century,Celtic,Film/TV,Irish,Jazz,New Age. Score and part. 3 pages. Masquerade Music #842019. Published by Masquerade Music (A0.1247384). St Clement's Isle by Keri Degg is a piece from a collection of six ambient original soundscapes for flute and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 and is aimed at grade 2-5 players.St Clement's Isle is suitable for Flute (Standard C flute) and the difficulty level of the piece is around grade 4 (approximately).A full Youtube playlist is also available if you'd like to hear each separate piece in its entirety (with sheet music samples shown) here: https://www.youtube.com/watch?v=hyAj-0RktQoYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above);Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Bb clarinet edition and Alto saxophone edition.
$3.99
3.62 €
#
Flûte traversière et Piano
#
Keri Degg
#
St Clement's Isle
#
Masquerade Music
#
SheetMusicPlus
Godrevy Island (from Tales from the Cornish Coast) Flute & Piano. By Chris Lawry
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1247369 Composed by Chris Lawry. 2…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1247369 Composed by Chris Lawry. 21st Century,Celtic,Film/TV,Folk,Irish. Score and part. 4 pages. Masquerade Music #842004. Published by Masquerade Music (A0.1247369). Godrevy Island by Chris Lawry is a piece from a collection of six ambient original soundscapes for flute and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 and is aimed at grade 2-5 level.Godrevy Island is suitable for Flute (Standard C flute) and the difficulty level of the piece is around grade 3 (approximately).A full Youtube playlist is also available if you'd like to hear each separate piece in its entirety (with sheet music samples shown) here: https://www.youtube.com/watch?v=hyAj-0RktQoYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above)Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Bb clarinet edition and Alto saxophone edition.
$3.99
3.62 €
#
Flûte traversière et Piano
#
Chris Lawry
#
Godrevy Island
#
Masquerade Music
#
SheetMusicPlus
Lankidden (from Tales from the Cornish Coast) Flute & Piano. By Keri Degg
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1247382 Composed by Keri Degg. 21s…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1247382 Composed by Keri Degg. 21st Century,Celtic,Film/TV,Folk,Irish. Score and part. 3 pages. Masquerade Music #842017. Published by Masquerade Music (A0.1247382). Lankidden by Keri Degg is a piece from a collection of six ambient original soundscapes for flute and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 aimed at grade 2-5 players.Lankidden is suitable for Flute (Standard C flute) and the difficulty level of the piece is around grade 3-4 (approximately).A full Youtube playlist is also available if you'd like to hear each separate piece in its entirety (with sheet music samples shown) here: https://www.youtube.com/watch?v=hyAj-0RktQoYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above);Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Bb clarinet edition and Alto saxophone edition.
$3.99
3.62 €
#
Flûte traversière et Piano
#
Keri Degg
#
Lankidden
#
Masquerade Music
#
SheetMusicPlus
Hanover Cove (from Tales from the Cornish Coast) Flute & Piano. By Keri Degg
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1247375 Composed by Keri Degg. 21s…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1247375 Composed by Keri Degg. 21st Century,Celtic,Film/TV,Folk,Irish. Score and part. 3 pages. Masquerade Music #842010. Published by Masquerade Music (A0.1247375). Hanover Cove by Keri Degg is a piece from a collection of six ambient original soundscapes for flute and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 and aimed at grades 2-5.Hanover Cove is suitable for Flute (Standard C flute) and the difficulty level of the piece is around grade 4-5 (approximately).A full Youtube playlist is also available if you'd like to hear each separate piece in its entirety (with sheet music samples shown) here: https://www.youtube.com/watch?v=hyAj-0RktQoYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above)Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Bb clarinet edition and Alto saxophone edition.
$3.99
3.62 €
#
Flûte traversière et Piano
#
Keri Degg
#
Hanover Cove
#
Masquerade Music
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.62 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.44 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.62 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.62 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
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SheetMusicPlus
Le Portrait de Daisy Hamilton
Flûte traversière et Piano
Flute and piano - advanced - Digital Download Eight Pieces for Flute and Piano. Compo…
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Flute and piano - advanced - Digital Download Eight Pieces for Flute and Piano. Composed by Charles Koechlin (1867-1950). Arranged by Robert Orledge. This edition: score and parts. Filmmusik, Geheimtipp, Flute. Il Flauto traverso. Downloadable. Op. 140, Op. Heft 4. Schott Music - Digital #Q6598. Published by Schott Music - Digital
Finally, the music of Charles Koechlin is no longer an insider tip, but is being discovered for both the concert hall and the CD! With our edition we are now presenting a largely unknown facet of his work. Because hardly anyone knows that Koechlin turned to film at an advanced age. Although Koechlin was aware that there was no prospect of a cinematic implementation, he even designed a film scenario in 20 scenes in which he himself should appear in a double role! At the age of 66 he saw the actress Lilian Harvey as Princess Marie-Christine in Princesse a vos ordres in a Parisian movie theater . He was so enchanted that he made the little pieces Le Portrait de Daisy Hamilton for her composed - captivating miniatures that were not written as film music, but drawn from film experiences.<br> .<br> Three volumes of the unfinished compositions Le Portrait de Daisy Hamilton , notated on two to four lines, have already been published by Schott, now we are publishing two volumes of eight pieces each for flute and piano and for clarinet and piano. Two more books (11 pieces for piano and string quartet and 10 pieces for string sextet) will follow. With the total of seven planned issues, Charles Koechlin's last as yet unpublished works from the field of film will finally be accessible to posterity.
$22.99
20.85 €
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Flûte traversière et Piano
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Charles Koechlin
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Robert Orledge
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Le Portrait de Daisy Hamilton
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Schott Music - Digital
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SheetMusicPlus
Come Sail Away
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549291 By Styx. By Dennis Deyoung.…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549291 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16 pages. Jmsgu3 #3483793. Published by jmsgu3 (A0.549291). Duration: 4:25, score: 10 pages, 62 measures, solo part: 2 pages, piano part: 4 pages. Suitable for the recital stage or nightclub performance. Come Sail Away is a song by American progressive rock group Styx, featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, Come Sail Away charted at #8 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career.
$52.95
48.01 €
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Flûte traversière et Piano
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Styx
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James M
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Come Sail Away
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jmsgu3
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SheetMusicPlus
Come Sail Away
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549305 By Styx. By Dennis Deyoung.…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549305 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16 pages. Jmsgu3 #3484179. Published by jmsgu3 (A0.549305). Duration: 4:25, score: 10 pages, 62 measures, solo part: 2 pages, piano part: 4 pages. Suitable for the recital stage or nightclub performance. Come Sail Away is a song by American progressive rock group Styx, featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, Come Sail Away charted at #8 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career.?
$27.95
25.34 €
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Flûte traversière et Piano
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Styx
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James M
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Come Sail Away
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jmsgu3
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SheetMusicPlus
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