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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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6
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7
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5
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Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
18
Trio à Cordes: violon, alto, violoncelle
14
Violoncelle
13
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10
Alto seul
10
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10
Violon, Violoncelle (duo)
9
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7
Harpe
6
Trio à Cordes: 2 violons, alto
5
2 Violons (duo)
4
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles (duo)
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
1
4 Violoncelles
1
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1
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1
Contrebasse, Piano (duo)
1
Violon, Alto (duo)
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violon (duo)
1
Alto et Basson
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
13
Batterie
10
Orchestre
7
Ensemble de cuivres
7
Cloches
7
Orchestre à Cordes
7
Marimba
6
Ensemble de Percussions
3
Orchestre de chambre
3
Fanfare
1
Percussion
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Piano et Orchestre
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Ensemble Jazz
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Batterie (partie séparée)
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AUTRES
Vous avez sélectionné:
Sign of the Times
Flûte traversière et Piano
Partitions à imprimer
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1
Sign Of The Times
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1038681 By Harry Styles. By Alex S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1038681 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Cadenza Editions. Pop. Score and part. 9 pages. Cadenza Editions #643667. Published by Cadenza Editions (A0.1038681). Harry Styles - Sign Of The Times for Flute and Piano (with chords).
$4.99
4.57 €
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Flûte traversière et Piano
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Harry Styles
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Cadenza Editions
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Sign Of The Times
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Cadenza Editions
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SheetMusicPlus
Sign Of The Times
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.769449 By Harry Styles. By Alex Sa…
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Flute,Piano - Level 2 - Digital Download SKU: A0.769449 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by John Rudolph. Pop,Wedding. Score and part. 17 pages. Music and Music #377078. Published by Music and Music (A0.769449). Transcription for Flute and Piano in C major.
$6.99
6.4 €
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Flûte traversière et Piano
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Harry Styles
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John Rudolph
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Sign Of The Times
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Music and Music
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SheetMusicPlus
Arirang Two Times (아리랑)
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1129510 Composed by Traditional. A…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1129510 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729958. Published by Hoopla Sheet Music (A0.1129510). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99
5.49 €
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Flûte traversière et Piano
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Traditional
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Christian Morris
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Arirang Two Times
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Hoopla Sheet Music
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.28 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.28 €
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Flûte traversière et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.86 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.69 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
#
Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mosaic for Piccolo or Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20t…
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Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 28 pages. Sy Brandon #3235521. Published by Sy Brandon (A0.754993). The American Heritage Dictionary defines mosaic as a picture or decorative design made by setting small colored pieces, such as tile, in mortar. The musical ideas in this composition are treated in a similar fashion. The small colored pieces can be compared to the musical motifs of the composition. Sometimes these fragments form a larger unit and become a recognizable melody. At other times, the fragments are combined differently therefore creating a variation to the original idea. Throughout the three-movement composition, this technique has been employed to create loose formal structures that still have unity and variety through the use of contrasting sections. The three movements themselves create contrast by being organized in a fast-slow-fast arrangement. The musical language is tonal with frequent shifts in the tonal center and with harmony in thirds and fourths. It was been recorded by Cristina Ledford and Michael McGhee on the CD Mosaic on Emeritus Recordings label.
$9.99
9.15 €
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Flûte traversière et Piano
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Sy Brandon
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Mosaic for Piccolo or Flute and Piano
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Sy Brandon
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SheetMusicPlus
Ma'iingan (Wolf) for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1141714 Composed by Adrienne Ingli…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1141714 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Halloween,Multicultural,World. Score and part. 13 pages. Adrienne Inglis (ASCAP) #742099. Published by Adrienne Inglis (ASCAP) (A0.1141714). Charming, environmentally-minded piece that introduces accessible extended techniques to intermediate flutists! Ma’iingan (pronounced mah IN-gun) is the Ojibwe word for wolf (Canis lupus). The poem “Aangodinong†(Sometimes) from Wewemi by Margaret Noodin inspired the piece. Ma’iingan issues a call to action to address the extinction crisis by saving the wolves from hunters and habitat loss. Transcribed wolf calls provide some of the melodic material for the piece and luckily fall in a good range for the flute. Designed for intermediate level flutists, the piece employs pitch bends and timbral trills using straightforward alternate fingerings as well as optional slight lip bends. These accessible extended techniques give the intermediate player an introduction to features usually found only in more difficult music. Please consider supporting the Center for Biological Diversity (https://www.biologicaldiversity.org). at 35:51 https://youtu.be/A6-z20DnXG8?t=2151.
$6.99
6.4 €
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Flûte traversière et Piano
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Adrienne Inglis
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Ma'iingan
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Adrienne Inglis
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SheetMusicPlus
Small Serenade
Flûte traversière et Piano
Flute & piano - Digital Download SKU: IZ.IMF185 Composed by Kenneth Piotrowski. Sco…
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Flute & piano - Digital Download SKU: IZ.IMF185 Composed by Kenneth Piotrowski. Score and Parts. 8 pages. Imagine Music - Digital #IMF185. Published by Imagine Music - Digital (IZ.IMF185). 9 x 12 in inches.The Small Serenade for flute and harp or piano is the third piece in the five part English Suite. The whole consists of, in order, Prelude, Minuet, Small Serenade, Pastoral and Country Dance; hence the subtitle (in the old style). However, this subtitle, to me at least, signifies one additional factor: the tempi must be strictly adhered to at all times .
$10.00
9.16 €
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Flûte traversière et Piano
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Kenneth Piotrowski
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Small Serenade
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Imagine Music - Digital
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SheetMusicPlus
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