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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Slowly
Non classifié
167
Piano & claviers
Piano seul
280
Piano Facile
52
Piano, Voix et Guitare
42
Piano, Voix
19
Orgue
12
Instruments en Do
8
1 Piano, 4 mains
5
Accordéon
2
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Clavecin
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
21
Ligne De Mélodie, (Paroles) et Accords
8
Basse electrique
5
Ukulele
5
Paroles et Accords
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Ensemble de Ukulélés
1
2 Guitares (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
89
Chorale 3 parties
18
Chorale TTBB
11
Voix Alto, Piano
9
Chorale SSAA
5
Voix seule
5
Chorale 2 parties
4
Chorale Unison
4
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix duo
2
Voix haute
1
Voix basse, Piano
1
Chorale SSATB
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
13
Flûte traversière et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Hautbois, Piano (duo)
10
Clarinette et Piano
9
Quatuor de Saxophones: 4 saxophones
8
2 Saxophones (duo)
7
Saxophone Alto et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte et Guitare
6
Flûte traversière
6
Ensemble de Flûtes
5
Quintette de Saxophone: 5 saxophones
5
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor et Piano
4
Saxophone Alto
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette (partie séparée)
3
Saxophone Tenor
2
Ensemble de Clarinettes
2
Saxophone Baryton, Piano
2
Ensemble de saxophones
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
2 Flûtes traversières (duo)
2
3 Clarinettes (trio)
2
2 Flûte à bec (duo)
2
Flûte, Clarinette (duo)
2
Flûte à bec Tenor
2
Clarinette
2
2 Clarinettes (duo)
2
Clarinette Basse, Piano
2
3 Saxophones (trio)
2
Cor anglais, Piano
2
Flûte, Violon
1
Flute (partie séparée)
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
Flûte à Bec
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette et Basson
1
Hautbois (partie séparée)
1
Saxophone, Clarinette (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Saxophone Soprano et Piano
1
Flûte à bec Soprano
1
4 Hautbois
1
Clarinette, Guitare (duo)
1
+ 46 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
9
Cor et Piano
9
Trompette, Piano
8
Trombone et Piano
5
Tuba et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trombones (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Trompette (partie séparée)
2
2 Trompettes (duo)
2
Cor
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
Tuba
1
Ensemble de Cors
1
Tuba (partie séparée)
1
3 Trombones (trio)
1
Tuba et Orgue
1
Trombone
1
Cor anglais, Guitare (duo)
1
2 Cors (duo)
1
Cor (partie séparée)
1
Trompette, Cor (duo)
1
Trombone (partie séparée)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
3 Trompettes (trio)
1
3 Cors (trio)
1
4 Tubas
1
Trompette, Trombone (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon
16
Violon et Piano
13
Violoncelle, Piano
12
Alto, Piano
9
Harpe
6
Violoncelle
6
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon (partie séparée)
5
Contrebasse, Piano (duo)
3
2 Violons (duo)
3
Alto (partie séparée)
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
2 Violoncelles (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
53
Fanfare
25
Orchestre
25
Ensemble de cuivres
14
Orchestre à Cordes
14
Cloches
10
Orchestre de chambre
7
Ensemble Jazz
6
Batterie
6
Ensemble de Percussions
3
Xylophone, Piano
2
Percussion (partie séparée)
1
Piano et Orchestre
1
Marimba
1
Jazz combo
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Vous avez sélectionné:
Slowly
Flûte traversière et Piano
Partitions à imprimer
13 partitions trouvées
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1
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
D'amore Si Muore (Milva Version)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Milva
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Eileen Gilligan
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan....
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Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95
Budapest
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Flûte traversière et Piano
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DÉBUTANT
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Folk Rock
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Rock
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George Ezra
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Jps Arrangements
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Budapest
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Jps Arrangements
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1394848 By George Ezra. By George Barnett and Joel Pott. Arranged by Jps Arrangements. Folk,Pop,Rock. Score and ...
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Piano,Soprano Flute - Level 1 - SKU: A0.1394848 By George Ezra. By George Barnett and Joel Pott. Arranged by Jps Arrangements. Folk,Pop,Rock. Score and part. 6 pages. Jps Arrangements #978330. Published by Jps Arrangements (A0.1394848). Budapest for Flute sheet music for beginnersBudapest†is a catchy song by British singer-songwriter George Ezra.Released in 2013, it became a hit and is known for its upbeat melody and nostalgic lyrics.The song is an ode to the city of Budapest, capital of Hungary. Ezra sings about a romantic trip to the city, where he feels free and in love. The melody is infectious, with a folk-pop beat that invites listeners to dance.For beginner pianists, the “Budapest†sheet music could be a great choice. It features melody andSimple chords, perfect for those who are starting to play.*the arrangement is without the figures.Remember to practice slowly and enjoy the musical journey while playing this beautiful music! 🎹🎶.
$4.99
Budapest
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Flûte traversière et Piano
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DÉBUTANT
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Folk Rock
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Rock
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George Ezra
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Jps Arrangements
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Budapest
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Jps Arrangements
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1394847 By George Ezra. By George Barnett and Joel Pott. Arranged by Jps Arrangements. Folk,Pop,Rock. Score and ...
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Piano,Soprano Flute - Level 1 - SKU: A0.1394847 By George Ezra. By George Barnett and Joel Pott. Arranged by Jps Arrangements. Folk,Pop,Rock. Score and part. 6 pages. Jps Arrangements #978329. Published by Jps Arrangements (A0.1394847). Budapest for Flute sheet music for beginnersBudapest†is a catchy song by British singer-songwriter George Ezra.Released in 2013, it became a hit and is known for its upbeat melody and nostalgic lyrics.The song is an ode to the city of Budapest, capital of Hungary. Ezra sings about a romantic trip to the city, where he feels free and in love. The melody is infectious, with a folk-pop beat that invites listeners to dance.For beginner pianists, the “Budapest†sheet music could be a great choice. It features melody andSimple chords, perfect for those who are starting to play.*the arrangement is with the figures.Remember to practice slowly and enjoy the musical journey while playing this beautiful music! 🎹🎶.
$4.99
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
La Plus que Lente
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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David D
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La Plus que Lente
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David D Mason
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.770242 Composed by Claude Debussy. Arranged by David D. Mason. 20th Century,Concert,Standards. Score and part. 6 pages. ...
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Flute,Piano - Level 4 - SKU: A0.770242 Composed by Claude Debussy. Arranged by David D. Mason. 20th Century,Concert,Standards. Score and part. 6 pages. David D Mason #6492739. Published by David D Mason (A0.770242). Despite it's title La Plus que Lente (The More than slow Waltz) was never meant to be played slowly but was more Debussy's attempt at wry humour. .
$4.99
Mr Echidna
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Fiona Hickie
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Mr Echidna
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Fiona Alice Hickie
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.738381 Composed by Fiona Hickie. Concert,Contemporary,Jazz. Score and part. 7 pages. Fiona Alice Hickie #6686887. Publis...
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Flute,Piano - Level 3 - SKU: A0.738381 Composed by Fiona Hickie. Concert,Contemporary,Jazz. Score and part. 7 pages. Fiona Alice Hickie #6686887. Published by Fiona Alice Hickie (A0.738381). A solo for flute and piano inspired by the very cute and unusual Australian animal, the echidna. Echidnas waddle along fairly slowly and keep to them selves. They are an egg laying mammal with spines that hibernates in winter. This piece has swing and classical elements to it.
$4.99
The Swan (Carnival of the Animals No.13) - flute and piano with FREE BACKING TRACK
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Austin Ralphson
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The Swan
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Austin Ralphson
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.564171 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Wedding. Score and part. 7 pages. A...
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Flute,Piano - Level 4 - SKU: A0.564171 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Wedding. Score and part. 7 pages. Austin Ralphson #6273009. Published by Austin Ralphson (A0.564171). The most famous movement from Carnival of the Animals, this slowly moving melody (which evokes the swan elegantly gliding over the water) is played over rippling sixteenths in the piano. The melody requires good control of the instrument to ensure the phrases are musical and the tone even throughout.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/Flt817bE35o (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/RiWC3
$3.99
Warrior
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Demi Lovato
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Gary D
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Warrior
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DR GARY D BELSHAW
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.796606 By Demi Lovato. By Andrew Goldstein, Demi Lovato, Emanuel Kiriakou, and Lindy Robbins. Arranged by Gary D. Belsha...
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Flute,Piano - Level 4 - SKU: A0.796606 By Demi Lovato. By Andrew Goldstein, Demi Lovato, Emanuel Kiriakou, and Lindy Robbins. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and part. 12 pages. DR GARY D BELSHAW #3023329. Published by DR GARY D BELSHAW (A0.796606). 4 minutes. 11 pages, not including sample part page. Demi Lovato writes slow movement to a Flute Sonata?! Well, not quite. But Demi Lovato's 2015 hit song, arranged here for flute and piano, would deliver an incredible sonority to a multi-movement work for flute. This would be a great addition to a recital, or for performing for community events. (Next time someone asks if you'll play a song or two for the Chamber of Commerce banquet, smile big and say, Absolutely! But, not for a wedding, right?) Ms. Lovato spins out some complicated rhythms, so you may have to spend time practicing slowly with a metronome; but don't worry - that will pay off big time. Your teacher or director will be glad for the energy and conviction you'll have to bring to this musical treasure.
$5.99
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Force of Nature
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Flûte traversière et Piano
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Till MacIvor Meyn
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Force of Nature
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Till MacIvor Meyn
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SheetMusicPlus
Flute,Instrumental Solo,Piano - SKU: A0.1027495 Composed by Till MacIvor Meyn. Contemporary,Jazz,Latin,World. Score and individual part. 44 pages. Till ...
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Flute,Instrumental Solo,Piano - SKU: A0.1027495 Composed by Till MacIvor Meyn. Contemporary,Jazz,Latin,World. Score and individual part. 44 pages. Till MacIvor Meyn #550251. Published by Till MacIvor Meyn (A0.1027495). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Force of Nature’ is a three-movement sonata for flute and piano that considers natural forces that are unseen, but whose powerful effects are nonetheless evident. In the first movement, Prevailing Winds, the piano presents a flurry of chord clusters that yield to an introductory flute melody. Ostinato patterns, prevalent throughout most of the movement in the piano, support the flute lines with a rhythmic drive. An extended flute cadenza explores motives presented to close the movement. The middle movement, Reflection/Refraction, reveals a slowly building spectrum of string and wind colors. Dissonance Tango continues and amplifies the push and pull of tensions, focusing on the power of passion as it develops in the heat of the Latin dance.
$22.00
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