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Sonata No.10 Op.3
Non classifié
18
Piano & claviers
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15
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4
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1
2 Guitares (duo)
1
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Flûte traversière et Piano
6
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6
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5
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4
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3
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3
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3
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3
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2
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2
Flûte et Guitare
2
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1
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1
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1
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1
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5
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2 Violoncelles (duo)
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Harpe
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2 Contrebasses (duo)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Vous avez sélectionné:
Sonata No.10 Op.3
Flûte traversière et Piano
Partitions à imprimer
6 partitions trouvées
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Loeillet - Flute Sonata No.10 in C major Op.4 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Loeillet de Gant Jean Baptiste
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Santino Cara
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Loeillet - Flute Sonata No.10
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517496 Composed by Loeillet de Gant Jean Baptiste. Arranged by San...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517496 Composed by Loeillet de Gant Jean Baptiste. Arranged by Santino Cara. Baroque. Score and parts. 16 pages. Santino Cara #5801675. Published by Santino Cara (A0.517496). Complete score and part of the Flute Sonata No.10 in C major Op.4 for Flute and Harpsichord or Piano. Composed in 1712 by Jean- Baptiste Loeillet de Gant. Transcribed by Santino Cara.
$14.40
Corelli - Gavotte (from Violin Sonata) in C major - Easy
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Flûte traversière et Piano
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FACILE
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Arcangelo Corelli
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Piacere Music Sheets
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Corelli - Gavotte
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1100081 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.1100081 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 6 pages. Piacere Music Sheets #703947. Published by Piacere Music Sheets (A0.1100081). Opus/Catalog Number: Op.5 No.10 - movement 4 Key/Tone: C Major Movements/Sections: Allegro Year/Date of Composition: 1700 Difficulty:Â Grade 3/12 (Easy) Obs.: This piece is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and It is part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were This Gavotta is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and it's part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were included in the flute part. Included: Full score and separated parts for each instrument.
$2.95
Handel - Flute Sonata No.19 in B flat major Op.1 HWV 377 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Handel George Frideric
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Santino Cara
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Handel - Flute Sonata No.19 in
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.517471 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and part. 10 pages. Santino Cara #57...
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Flute,Piano - Level 3 - SKU: A0.517471 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and part. 10 pages. Santino Cara #5721679. Published by Santino Cara (A0.517471). Complete score and part of the Flute Sonata No.19 in B flat major HWV 377 for Flute and Harpsichord or Piano. Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$18.40
10 Romantic Songs for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Various
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César Madeira
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10 Romantic Songs for Flute an
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1274326 Composed by Various. Arranged by César Madeira. Classical,Film/TV,Multicultural,Romantic Period,Weddi...
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Piano,Soprano Flute - Level 3 - SKU: A0.1274326 Composed by Various. Arranged by César Madeira. Classical,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 99 pages. Sheet Music To Play Editions #866466. Published by Sheet Music To Play Editions (A0.1274326). The Romantic Era Song Album (Book 1&2). The Most Famous Romantic Songs. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Beethoven - Moonlight Sonata Schubert - Serenade D.957 Chopin - Prelude No.4, Op.28Schumann - TräumereiSaint-Saens - Le CygneBizet - HabaneraMassenet - MeditationElgar - Pomp and CircumstancePuccini - O Mio Babbino CaroDebussy - Clair de LuneFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
(+)
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Sonata No.10 Op.3
