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--INSTRUMENTS--
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Sonata for Flute and Piano, Op. 12
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Vous avez sélectionné:
Sonata for Flute and Piano, Op. 12
Flûte traversière et Piano
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Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Corelli - Allemande (from Violin Sonata) in C Major - Intermediate
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Flûte traversière et Piano
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FACILE
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Arcangelo Corelli
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Piacere Music Sheets
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Corelli - Allemande
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1099720 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.1099720 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 9 pages. Piacere Music Sheets #703592. Published by Piacere Music Sheets (A0.1099720). Opus/Catalog Number: Op.5 No.10, movement 2 Key/Tone: F Major Movements/Sections: Allegro Year/Date of Composition: 1700 Difficulty:Â Grade 4/12 (Intermediate) Obs.: This piece is the second of five movement of the Sonata Op. 5, No. 10. It is part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. This is an arrangement for Flute with piano accompaniment. Flute part includes performance suggestions for the ornaments in accordance with the practice of the Baroque period. Included: Full score and separated parts for each instrument.
$4.95
Corelli - Gavotte (from Violin Sonata) in C major - Easy
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Flûte traversière et Piano
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FACILE
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Arcangelo Corelli
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Piacere Music Sheets
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Corelli - Gavotte
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1100081 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.1100081 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 6 pages. Piacere Music Sheets #703947. Published by Piacere Music Sheets (A0.1100081). Opus/Catalog Number: Op.5 No.10 - movement 4 Key/Tone: C Major Movements/Sections: Allegro Year/Date of Composition: 1700 Difficulty:Â Grade 3/12 (Easy) Obs.: This piece is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and It is part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were This Gavotta is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and it's part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were included in the flute part. Included: Full score and separated parts for each instrument.
$2.95
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Handel - Flute Sonata No.15 in E major HWV 373 Op.1 for Flute and Harpsichord (or Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Handel George Frideric
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Santino Cara
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Handel - Flute Sonata No.15 in
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Santino Cara
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SheetMusicPlus
Small Ensemble Flute,Harpsichord,Piano - Level 4 - SKU: A0.517289 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts...
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Small Ensemble Flute,Harpsichord,Piano - Level 4 - SKU: A0.517289 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 12 pages. Santino Cara #4303259. Published by Santino Cara (A0.517289). Complete score and part of the Flute Sonata No.15 in E major HWV 373 for Flute and Harpsichord (or Piano). Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$18.40
Loeillet - Flute Sonata No.4 in D major Op.1 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Loeillet Jean Baptiste of Lond
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Santino Cara
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Loeillet - Flute Sonata No.4 i
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517478 Composed by Loeillet Jean Baptiste of London. Arranged by S...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517478 Composed by Loeillet Jean Baptiste of London. Arranged by Santino Cara. Baroque. Score and parts. 12 pages. Santino Cara #5729727. Published by Santino Cara (A0.517478). Complete score and part of the Flute Sonata No.4 in D major Op.1 for Flute and Harpsichord or Piano. Composed in 1722 Jean Baptiste Loeillet of London. Transcribed by Santino Cara.
$11.40
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Sonata for Flute and Piano, Op. 12
