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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata in D minor
Non classifié
100
Piano & claviers
Piano seul
197
Piano Facile
19
Orgue
7
Clavecin
2
1 Piano, 4 mains
2
Piano, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
4
2 Guitares (duo)
4
3 Guitares (trio)
1
Voix
Vents
Flûte à Bec
13
Flûte traversière et Piano
11
Flûte, Hautbois, Clarinette, Basson
8
Flûte et Guitare
6
Saxophone Alto et Piano
5
Flûte traversière
5
Clarinette et Piano
4
2 Flûte à bec (duo)
4
2 Flûtes traversières (duo)
4
Flûte à bec Alto, Basse continue
4
Saxophone Tenor et Piano
4
Saxophone
3
Flûte à Bec, Piano
3
Hautbois, Piano (duo)
3
Saxophone Baryton, Piano
3
Clarinette
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
Flûte traversière, Basse continue
2
3 Clarinettes (trio)
2
Quatuor de Clarinettes: 4 clarinettes
2
Quatuor de Saxophones: 4 saxophones
2
Ensemble de Clarinettes
2
3 Saxophones (trio)
1
Hautbois (partie séparée)
1
Ensemble de Flûtes
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de saxophones
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble à vent
1
Flute, harpe et violon
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières, Piano
1
2 Clarinettes (duo)
1
Cor anglais, Piano
1
Flûte à bec Soprano, Basse continue
1
Ensemble De Flûte à bec
1
+ 35 instrumentations
Retracter
Cuivres
Trombone et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Euphonium, Piano (duo)
3
Tuba et Piano
3
Trompette
2
Trompette, Piano
2
Trombone
1
Ensemble de Cors
1
Cor et Piano
1
Cor anglais, Piano
1
Quatuor de Cuivres
1
+ 6 instrumentations
Retracter
Cordes
Violon
30
Violoncelle, Piano
25
Violon et Piano
21
Alto, Piano
14
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle
9
Alto seul
6
2 Violons (duo)
5
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Basse continue
3
2 Violoncelles (duo)
2
Trio à Cordes: 3 violoncelles
2
2 Violons, Piano
2
Contrebasse, Piano (duo)
2
Harpe
1
2 Altos (duo)
1
Violoncelle, Basse continue
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
4 Violoncelles
1
Alto (partie séparée)
1
Violon, Violoncelle (duo)
1
Violon, Guitare (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
6
Orchestre
1
Orchestre d'harmonie
1
Orchestre de chambre
1
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BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Sonata in D minor
Flûte traversière et Piano
Partitions à imprimer
11 partitions trouvées
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1
Giga from Corelli Sonata in D minor: Flute, Clarinet and Alto Sax
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Arcangelo Corelli
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Giga from Corelli Sonata in D
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Music-Scores.com
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 3 - SKU: A0.722501 Composed by Arcangelo Corelli. Arranged by Anne L Christopherson GRSM ARCM...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 3 - SKU: A0.722501 Composed by Arcangelo Corelli. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Christmas,Concert,Holiday,Wedding. Score and parts. 7 pages. Music-Scores.com #6705441. Published by Music-Scores.com (A0.722501). Giga is originally from a Violin sonata. It has a bouncy Vivace tempo, and is arranged as a trio for Flute, Clarinet and Alto Saxophone.Concert D minor.Playing time about 2 minutes, 20 seconds.Arranged by Anne L Christopherson at www.music-scores.com
$7.95
Loeillet - Flute Sonata No.3 in D minor Op.5 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
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Loeillet de Gant Jean Baptiste
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Santino Cara
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Loeillet - Flute Sonata No.3 i
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Santino Cara
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517479 Composed by Loeillet de Gant Jean Baptiste. Arranged by San...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517479 Composed by Loeillet de Gant Jean Baptiste. Arranged by Santino Cara. Baroque. Score and parts. 14 pages. Santino Cara #5731329. Published by Santino Cara (A0.517479). Complete score and part of the Flute Sonata No.3 in D minor for Flute and Harpsichord or Piano. Composed in 1723 Jean- Baptiste Loeillet de Gant. Transcribed by Santino Cara.
$12.40
SCHUBERT; SONATA IN A MINOR D.385 FOR FLUTE & PIANO
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Franz Schubert
#
Pat Spence
#
SCHUBERT; SONATA IN A MINOR D.
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Piper Publications
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1172095 Composed by Franz Schubert (1797 - 1828). Arranged by Pat Spence. 19th Century,Chamber,Instructional,Romantic Pe...
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Flute,Piano - Level 4 - SKU: A0.1172095 Composed by Franz Schubert (1797 - 1828). Arranged by Pat Spence. 19th Century,Chamber,Instructional,Romantic Period. Score and part. 44 pages. Piper Publications #772359. Published by Piper Publications (A0.1172095). This sonata, originally for violin and piano, is the second of a pair which though composed in 1816, were not published until 1836 as Opus 137 numbers 1 and 2. Â The style is Romantic with some progressive harmonies particularly in the first two movements followed by a Classical style Menuetto and Trio and a rondo like finale.A very enjoyable four movement sonata for players from advanced intermediate standard.
$18.00
Moonlight Sonata
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Flûte traversière et Piano
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DÉBUTANT
#
Classique
#
Ludwig van Beethoven
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Rodrigo Faleiros
#
Moonlight Sonata
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Rodrigo Faleiros
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1086918 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score and part. 7 pag...
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Flute,Piano - Level 1 - SKU: A0.1086918 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score and part. 7 pages. Rodrigo Faleiros #691108. Published by Rodrigo Faleiros (A0.1086918). A simplified and shorter version of the world famous Moonlight Sonata, composed by Ludwig van Beethoven. Just the theme of the 1st movement of the Sonata #14, op. 27, no. 2 in C# minor - here transposed to D minor, half step up, to an easier comprehension. The tuplets and the piece were converted to a 3/4 time to make it easier for students and amateurs to read and play - 1 bar of the original were transformed into 4 in this arragement. Here the melody is played by the flute and the accompainment by the piano.
$4.99
Sarro D - Flute Concerto in A minor for Flute and Cembalo (or Piano) - Score and Part
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Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Santino Cara
#
Santino Cara
#
Sarro D - Flute Concerto in A
#
Santino Cara
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.516829 By Santino Cara. By Domenico Natale Sarro. Arranged by Santino Cara. Baroque. Score and part. 23 pages. Santino C...
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Flute,Piano - Level 4 - SKU: A0.516829 By Santino Cara. By Domenico Natale Sarro. Arranged by Santino Cara. Baroque. Score and part. 23 pages. Santino Cara #2877983. Published by Santino Cara (A0.516829). Complete score and part of the Concerto in A minor for Flute and Cembalo or Piano. Composed in Naples in 1725 by Domenico Natale Sarro. Transcribed in Rome in 2009 by Santino Cara from Sonata undecima. Single PDF file with the complete score of the concerto and the separate part of the Flute. 4 Movements: 1.Largo, 2. Allegro, 3. Larghetto, 4. Spirituoso.
$18.99
LARGO from Recorder Sonata in D minor - HWV 367a - Arr. for Flute (or any instr. in C) and. Piano
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Flûte traversière et Piano
#
Classique
#
George Frideric Handel
#
Renato Tagliabue
#
LARGO from Recorder Sonata in
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Renato Tagliabue
#
SheetMusicPlus
Flute,Piano - SKU: A0.724465 Composed by George Frideric Handel. Arranged by Renato Tagliabue. Baroque. Score and part. 3 pages. Renato Tagliabue #41028...
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Flute,Piano - SKU: A0.724465 Composed by George Frideric Handel. Arranged by Renato Tagliabue. Baroque. Score and part. 3 pages. Renato Tagliabue #4102891. Published by Renato Tagliabue (A0.724465).
$9.90
Schubert: Ave Maria for Alto Flute & Piano
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Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Alto F
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
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Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Ave Maria for Flute & Piano
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Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Flute
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
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Flute,Piano - Level 1 - SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Sonata Dream" for Flute and Piano. Flute part in D Minor Flute,Native American Flute / Nakai TABlature Individual Part 21st Century,Contemporary Classical,Impressionistic,Native American,New Age Avail
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Flûte traversière et Piano
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Noël
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Kyle Shaw
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Sonata Dream" for Flute a
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Kyle Shaw
#
SheetMusicPlus
Composed by Kyle Shaw. For Piano Duet. 21st Century,Baroque Period,Christian,Sacred,Christmas. 10 pages. Published by Kyle Shaw ...
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Composed by Kyle Shaw. For Piano Duet. 21st Century,Baroque Period,Christian,Sacred,Christmas. 10 pages. Published by Kyle Shaw
$4.99
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Sonata in D minor
