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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLARINETTE
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Suite for Oboe
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563
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18
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6
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4
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4
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1
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1
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4
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452
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173
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155
Hautbois (partie séparée)
92
Hautbois
73
2 Hautbois (duo)
64
Hautbois, Basson (duo)
56
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49
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37
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15
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14
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12
Flûte traversière et Piano
8
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6
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6
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5
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5
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4
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3
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3
3 Flûtes à bec (trio)
2
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2
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2
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2
Flûte à bec Soprano
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Saxophone Alto et Piano
2
3 Clarinettes (trio)
2
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1
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1
3 Hautbois
1
Clarinette, Harpe (duo)
1
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1
Flûte à bec Soprano, Basse continue
1
Ensemble de Clarinettes
1
Hautbois, Orgue
1
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1
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1
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1
4 Hautbois
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Flute (partie séparée)
1
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1
Trompette, Piano
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1
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Violon, Alto (duo)
7
Violon
4
Violoncelle, Piano
3
Alto, Piano
3
Violon et Piano
3
2 Violons (duo)
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Harpe, Flûte (duo)
2
Violoncelle
2
Alto seul
1
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Orchestre & Percussions
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93
Orchestre
26
Orchestre de chambre
24
Orchestre à Cordes
3
Ensemble Jazz
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Percussion (partie séparée)
2
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Suite for Oboe
Flûte traversière et Piano
Partitions à imprimer
8 partitions trouvées
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1
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Clémence de Grandval : Suite for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and ...
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Flute,Piano - Level 4 - SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and part. 79 pages. Musik Fabrik Music Publishing #950947. Published by Musik Fabrik Music Publishing (A0.1366608). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.1. Prélude2. Scherzo3. Menuet4. Romance5. Finale.
$24.95
Intrada for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Intrada for Flute and Piano
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Sy Brandon
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.754908 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and part. 6 pages. Sy Brandon #3216411. Publishe...
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Flute,Piano - Level 4 - SKU: A0.754908 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and part. 6 pages. Sy Brandon #3216411. Published by Sy Brandon (A0.754908). Intrada for flute and piano is energetic and playful with a lot of interplay between instruments. This is the first movement of six contrasting movements for a woodwind doubler that was composed for and premiered by Bret Pimentel. Each movement can stand alone as a solo piece or it can be played by a woodwind doubler as part of a suite. The other movements are Valse for Bassoon, Romanza for Oboe, Marche for Clarinet, Nocturne for Saxophone, and Galop for Piccolo.
$4.99
Bach - Air from Suite no. 3 in D, for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Len Rhodes
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Len Rhodes
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Bach - Air from Suite no. 3 in
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Len Rhodes Music
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1226076 By Len Rhodes. By Johann Sebastian Bach. Arranged by Len Rhodes. Baroque,Wedding. Score and part. 4 pages. Len R...
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Flute,Piano - Level 4 - SKU: A0.1226076 By Len Rhodes. By Johann Sebastian Bach. Arranged by Len Rhodes. Baroque,Wedding. Score and part. 4 pages. Len Rhodes Music #822028. Published by Len Rhodes Music (A0.1226076). Better known as 'Air on the G String', this piece has been arranged for flute and piano by Len Rhodes. Written in Leipzig, circa 1729-1731, and originally scored for three trumpets, two oboes, strings and basso-continuo, Bach's 'Air' works beautifully for solo flute and supporting piano accompaniment. Download includes flute part and score.
$5.95
Halcyon, for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Nigel Williams
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Halcyon, for Flute and Piano
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Nigel Williams
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.763269 Composed by Nigel Williams. 21st Century,Instructional. Score and part. 6 pages. Nigel Williams #3568055. Publish...
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Flute,Piano - Level 2 - SKU: A0.763269 Composed by Nigel Williams. 21st Century,Instructional. Score and part. 6 pages. Nigel Williams #3568055. Published by Nigel Williams (A0.763269). 'Halcyon' is an expressive and tranquil piece for flute and piano and is especially well suited to the early to intermediate ability level High School music student. The word Halcyon denotes a mythical bird said by ancient writers to be able to calm the wind and waves during the winter solstice. The musical structure is simple binary and the digital sound file begins at the 23rd measure, the beginning of the second section. The performance duration is a little over two and a half minutes and the full score download contains separate parts. See also similar scores for violin and oboe with piano.
$4.99
Hellenic Dances (flute version)
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Flûte traversière et Piano
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AVANCÉ
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Panagiotis Theodossiou
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Hellenic Dances
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Panagiotis Theodossiou
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.886662 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score and part. 25 pages. Panagiot...
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Flute,Piano - Level 5 - SKU: A0.886662 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score and part. 25 pages. Panagiotis Theodossiou #3057501. Published by Panagiotis Theodossiou (A0.886662). Hellenic Dances, for flute and piano (2010) I.Dance of the Youngsters, Pentozalis (traditional tune from Crete) II.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) III.Dance of the Past, Dance (traditional tune from Heipiros) IV.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Transcription of four parts by Hellenic Suite for viola and piano. Tranciptions for clarinet and piano, oboe and piano, alto saxophone and piano, tenor saxophone and piano, flugelhorn and piano and wind quintet are available. The work is dedicated to Stathis Kiosoglou for whom is written and has been performed by Stathis Mavrommatis and Christina Panteli at Pera Multipurpose Hall, Konstantinople in 2011 and twice by O Ihos os Ehei wind quintet in municipality of Larisa, Greece, 2014).
$12.00
Faure: Berceuse (Lullaby) from Dolly - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Jim Paterson
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Faure: Berceuse
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Music Files Ltd
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1489895 Composed by Gabriel Faure. Arranged by Jim Paterson. 19th Century,Children,Classical,Romantic Period. Score and ...
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Flute,Piano - Level 4 - SKU: A0.1489895 Composed by Gabriel Faure. Arranged by Jim Paterson. 19th Century,Children,Classical,Romantic Period. Score and part. 11 pages. Music Files Ltd #1066769. Published by Music Files Ltd (A0.1489895). Faure's original Dolly Suite is for Piano Duet. This arrangement is for Flute and Piano. The video shows a similar arrangement for Oboe and Piano.
$5.99
How Can I Keep From Singing
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Flûte traversière et Piano
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FACILE
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Traditional
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Gail Ford
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How Can I Keep From Singing
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Gail Ford
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SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1417928 Composed by Traditional. Arranged by Gail Ford. Celtic,Folk,Irish. Score and part. 4 pages. Gail Ford #9...
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Piano,Soprano Flute - Level 2 - SKU: A0.1417928 Composed by Traditional. Arranged by Gail Ford. Celtic,Folk,Irish. Score and part. 4 pages. Gail Ford #999472. Published by Gail Ford (A0.1417928). A beautiful folk song - well suited to either flute or oboe, as part of a folk evening, an informal concert, or an encore.
$5.99
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