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2 Trompettes (duo)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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2 Euphoniums (duo)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
2
Ensemble de Cors
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Trompette, Saxophone (duo)
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Trombone
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2 Euphoniums et 2 Tubas
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Trombone et orchestre
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2 Cors Anglais Et Pianoforte
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Trompette, Basson (duo)
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3 Trombones (trio)
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Quatuor de cuivres: 4 cors
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Cor anglais et Harpe (duo)
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Tuba
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Quatuor à cordes: 2 violons, alto, violoncelle
149
Violon et Piano
46
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24
Trio à Cordes: violon, alto, violoncelle
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Alto, Piano
16
Violoncelle (partie séparée)
13
Violon
11
2 Violons (duo)
10
4 Violoncelles
6
2 Violoncelles (duo)
5
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
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Violon, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Flûte (duo)
3
2 Contrebasses (duo)
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Piano Trio: Violon, Alto, Piano
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Quatuor à cordes: 4 violons
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Violon, Alto (duo)
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Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
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Violoncelle , Guitare (duo)
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Quatuor à cordes : 4 altos
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Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
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1
Alto seul
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Harpe, Violoncelle (duo)
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Orchestre à Cordes
57
Orchestre
37
Ensemble de cuivres
37
Orchestre d'harmonie
25
Orchestre de chambre
22
Ensemble Jazz
5
Vibraphone
4
Ensemble de Percussions
4
Cloches
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Jazz combo
3
Marimba
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2 Marimbas
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Piano et Orchestre
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Flûte traversière et Piano
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DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.74 €
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Flûte traversière et Piano
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Antonin Dvorak
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James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493997. Published by jmsgu3 (A0.549422). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.74 €
#
Flûte traversière et Piano
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Swan Lake Theme, for Solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tc…
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Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737757. Published by David McKeown (A0.587685). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Flute and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.29 €
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Flûte traversière et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Flute and Piano
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David McKeown
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SheetMusicPlus
That's What I Like
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.992191 Composed by Kassidy-Rose Mc…
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Flute,Piano - Level 1 - Digital Download SKU: A0.992191 Composed by Kassidy-Rose McMahon. Contemporary,Instructional,Jazz,Standards. Score and part. 8 pages. Kassidy-Rose McMahon #4265011. Published by Kassidy-Rose McMahon (A0.992191). That’s What I Like was composed in December 2018. This piece, in simple quadruple time and in the alluring key of A minor, is to be played with great vigour, energy, and force. The pedagogical target of That’s What I Like is composition and improvisation. In the middle section of the music, the performer is required to compose or improvise a melody using the rhythm provided by the composer. The composer strongly encourages the performer to be as imaginative, creative, and expressive as they can be.
$1.99
1.86 €
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Flûte traversière et Piano
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Kassidy-Rose McMahon
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That's What I Like
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Kassidy-Rose McMahon
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SheetMusicPlus
The Romantic's Heart - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573417 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573417 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5711805. Published by James M Stevens Music ASCAP (A0.573417). Written April 18, 2020, this is an original flute and piano composition in a romantic style in the key of A minor with lots of nuances in the chord progression before settling on an A major chord at the end. Here’s to all the dreamers in the world who create music and heart and help us feel things that words can not express. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The track as heard is available under The Romantic's Heart Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.52 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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The Romantic's Heart - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Schubert: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.94 €
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Flûte traversière et Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.94 €
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Flûte traversière et Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Flute & Piano
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jmsgu3
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SheetMusicPlus
"Winter" from the Four Season 1 st Mov. - Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.759876 Composed by Antonio Vivaldi…
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Flute,Piano - Level 5 - Digital Download SKU: A0.759876 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Contest,Easter,Festival,Holiday,Wedding. Score and part. 19 pages. Raymond Fenech #3422417. Published by Raymond Fenech (A0.759876). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1721 and were published in 1725. The Four Seasons is the best known of Vivaldi's works. Winter is arranged for Flute and Piano. The level is Difficult and the duration is 3.37 minutes.
$5.95
5.55 €
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Flûte traversière et Piano
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Antonio Vivaldi
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Raymond Fenech
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"Winter" from the Four Season 1 st Mov. - Flute and Piano
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Raymond Fenech
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SheetMusicPlus
Journeying (for Flute Solo)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.949367 Composed by Adam Lenhart. C…
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Flute,Piano - Level 3 - Digital Download SKU: A0.949367 Composed by Adam Lenhart. Contemporary. Score and part. 7 pages. Adam Lenhart #5196759. Published by Adam Lenhart (A0.949367). Journeying is a new and original composition designed around a long and exciting travel. This piece modulates constantly to show the changing environments of the journey, yet maintains the walking and bouncy pace of the adventurer. This solo is designed to show off the player's ability to perform accurate and clean arpeggios in 10 different major keys, as well as their ability keep the constant walking pace throughout the entire song.Journeying was selected as the winner for the University of Toledo Young Composers Competition in 2020.Includes full score and individual solo part.This piece is also available for the following solo instruments: Oboe, Violin.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$3.99
3.72 €
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Flûte traversière et Piano
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Adam Lenhart
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Journeying
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Adam Lenhart
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SheetMusicPlus
My Flute and Me
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatri…
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Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95
5.55 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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My Flute and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Five Easy Pieces
Flûte traversière et Piano
Flute and piano - Digital Download Composed by Karl Joachim Andersen (1847-1909). A…
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Flute and piano - Digital Download Composed by Karl Joachim Andersen (1847-1909). Arranged by Kyle Dzapo. This edition: Sheet music. The Kyle Dzapo Series. Downloadable. Op. 56. Musikverlag Zimmermann #Q54914. Published by Musikverlag Zimmermann
German - English - French.<br> <br> Flutists know Joachim Andersen (1847-1909) as the composer of 188 masterful etudes that have challenged and inspired musicians for over a century. These etudes are his legacy, but they should not completely overshadow his 54 works for flute and piano which include both brilliant showpieces and charming miniatures for the salon. Born in Copenhagen, Andersen learned to play the flute under his father's guidance. He became one of the finest flutists of his day and, as a young man, enjoyed prestigious positions in Danish and Russian orchestras. In 1881, he moved to Berlin, becoming a founding member of the Berlin Philharmonic Orchestra the following year. Andersen wrote most of his flute compositions during this enormously productive and successful period in Berlin. Though his career as a flutist ended in the early 1890s because of a debilitating tongue disease, he continued to compose lovely pieces for his instrument. Because the location of Andersen's manuscript of Opus 56 is not known, the first edition of the pieces, published by Zimmermann in 1894, has been used as the primary source for this publication. The pieces are not difficult as already indicated in the name, but not too easy because a beautiful lyrical tone is needed, you could even call them lyrical pieces as the titles (In Autumn. The Flowers. Under the Balcony. Serenade. From former Times) are not programmatic but rather the expression of feelings.
$15.99
14.92 €
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Flûte traversière et Piano
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Karl Joachim Andersen
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Kyle Dzapo
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Five Easy Pieces
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Musikverlag Zimmermann
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SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2 for Alto Flute & Harp
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1401558 Composed by Alexander Scri…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1401558 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984742. Published by jmsgu3 (A0.1401558). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.74 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No. 2 for Alto Flute & Harp
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jmsgu3
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SheetMusicPlus
La Lisonjera - flute-piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chamina…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
6.52 €
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Flûte traversière et Piano
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - flute-piano
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Phil Beaman
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi…
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Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pages. Jmsgu3 #4628299. Published by jmsgu3 (A0.550397). Sonata da Chiesa in Bb for Flute & Piano by Antonio Vivaldi in Four movements.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period who is widely considered one of the greatest composers of all time. He significantly influenced many other composers of the Baroque era, and his impact can still be felt in music today.Vivaldi's most significant contribution to music history was his development of the Sonata da Chiesa or church sonata. This composition was a variation of the Baroque sonata and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, focusing on melody and harmonic structure. Vivaldi was one of the first composers to use this form, and his works set the standard for future composers. His church sonatas were written in various keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the Sonata da Chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy shapes modern-era music.The mood of Vivaldi's Sonata No. 1 can be described as diverse, as it typically consists of multiple movements with varying emotional qualities. Vivaldi's cello sonatas, including Sonata No. 1, are known for their attractive melodies, stylistic variety, and dance-like movements, which can evoke emotions from lively and joyful to reflective and sad. The sonatas often feature a combination of slow and quick movements, reflecting the typical structure of church sonatas from the Baroque period. Therefore, the mood of Sonata No. 1 is likely to encompass a spectrum of emotional expressions characteristic of Vivaldi's compositional style.
$32.95
30.74 €
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Flûte traversière et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Objets Trouvés for flute and piano
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.98…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and parts. 18 pages. TheComposerStudio.Com, LLC #4579299. Published by TheComposerStudio.Com, LLC (A0.980586). Objets Trouvés (2019) (score and parts) This piece for flute and piano is dedicated to the silenced artists that perished during WWII and is inspired by two fragments that I found in the in the United States Holocaust Museum in Washington, D.C.: an ink drawing entitled A Brighter Future, by Bedrich Fritta, and a musical sketch of a twelve-tone row composed by the Moravian composer, Gideon Klein. I was captivated by the ink drawing with its clear expression of freedom and the still life that depicts a violin and musical manuscript containing a music motive in Ab major. The construction of my composition is largely derived from the dual tonal-atonal nature of the two motives as it drives forward in thematic variations expressing the conflicting emotions of hope and despair. WN The download contains the score and flute part. More information on this piece can be found at www.thecomposerstudio.com and www.williamneil.net The audio is from a concert performed at Viterbo University in La Crosse, WI performed by Jonathan Borja, flute and Mary Ellen Haupert, piano .
$30.00
27.99 €
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Flûte traversière et Piano
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William Grosvenor Neil
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Objets Trouvés for flute and piano
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Nocturne No. 2 for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.928177 Composed by P. F. Strohm. 2…
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Flute,Piano - Level 3 - Digital Download SKU: A0.928177 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and part. 20 pages. Pete Strohm Music #6715085. Published by Pete Strohm Music (A0.928177). Nocturne No. 2 for Flute and Piano, from American composer P. F. Strohm, is a tonal work in A Major, with a range of E4 to B6. The work has a slow pulse with a fluid melodic lines and an impressionistic harmonic sound. The flute moves freely both melodically and harmonically. As with the composer's Nocturne No. 1, mid-level players will benefit from the need fo sensivitive interaction with their accompanist, as well as from the subodividing required to place rhythmic figures accurately at slow tempos. The piece has a short, unaccompanied cadenza-like section before the recapitulation that covers the entire range of the piece, and shows flexibility. Level of difficulty is Medium. Performance time is 5:25. Member, ASCAP.
$9.95
9.28 €
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Flûte traversière et Piano
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P
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Nocturne No. 2 for Flute and Piano
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Pete Strohm Music
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SheetMusicPlus
Romantic Sonata - Poems of Light
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover.…
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Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95
20.48 €
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Flûte traversière et Piano
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Jeffrey Hoover
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Romantic Sonata - Poems of Light
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Musicart Publications
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SheetMusicPlus
Handel: Largo from Xerxes for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.74 €
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Flûte traversière et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Flute & Piano
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jmsgu3
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SheetMusicPlus
Poème
Flûte traversière et Piano
From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arrange…
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From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15265. Published by Schott Music - Digital
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.66 €
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Flûte traversière et Piano
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Zdenek Fibich (1850-1900)
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Debussy: Arabesque 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.551640 Composed by Claude Debussy …
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Flute,Piano - Level 3 - Digital Download SKU: A0.551640 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5327767. Published by jmsgu3 (A0.551640). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.74 €
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Flûte traversière et Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Arabesque 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.551639 Composed by Claude Debussy …
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Flute,Piano - Level 3 - Digital Download SKU: A0.551639 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5327751. Published by jmsgu3 (A0.551639). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.74 €
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Flûte traversière et Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Debussy: Arabesque 1 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.551625 Composed by Claude Debussy …
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Flute,Piano - Level 3 - Digital Download SKU: A0.551625 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325567. Published by jmsgu3 (A0.551625). Claude Debussy: Arabesque 1. Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement. Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.74 €
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Flûte traversière et Piano
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Claude Debussy
#
James Guthrie, ASCAP
#
Debussy: Arabesque 1 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Debussy: Arabesque 1 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.551624 Composed by Claude Debussy …
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Flute,Piano - Level 3 - Digital Download SKU: A0.551624 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325551. Published by jmsgu3 (A0.551624). Claude Debussy: Arabesque 1, Duration: ca. 3:30. Debussy's Arabesques are considered one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are essential in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering an impressionism genre, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.74 €
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Flûte traversière et Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Friction
Flûte traversière et Piano
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
18.66 €
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Flûte traversière et Piano
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Micareta
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.962318 Composed by Sergio Roberto de Oliveir…
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Flute,Piano - Digital Download SKU: A0.962318 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and part. 16 pages. Sergio Roberto de Oliveira #4324307. Published by Sergio Roberto de Oliveira (A0.962318). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$9.45
8.82 €
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Flûte traversière et Piano
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Sergio Roberto de Oliveira
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Micareta
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Sergio Roberto de Oliveira
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SheetMusicPlus
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