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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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CLASSIQUE - BAROQUE …
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240
PIANO & CLAVIERS
Piano seul
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23
Piano, Voix et Guitare
22
Orgue
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Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
14
Mandoline
9
Basse electrique
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5
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4
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3
Ukulele
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Chorale SATB
27
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4
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3
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Chorale TTBB
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3
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1
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1
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1
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VENTS
Flûte traversière et Piano
23
Clarinette et Piano
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Saxophone Tenor et Piano
11
Saxophone (partie séparée)
10
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Soprano et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Flûtes traversières (duo)
6
2 Saxophones (duo)
5
Quintette de Clarinettes: 5 clarinettes
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Clarinette, Harpe (duo)
2
Cor anglais, Piano
2
Hautbois, Basson (duo)
2
Ensemble de Flûtes
2
Clarinette
2
Quintette de Saxophone: 5 saxophones
2
3 Saxophones (trio)
2
Flûte et Guitare
2
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette Basse, Piano
1
Hautbois, Clarinette (duo)
1
Hautbois, Harpe
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
2 Flûte à bec (duo)
1
Hautbois, Basson et Piano
1
Saxophone Baryton, Piano
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Clarinette et Alto
1
3 Flûtes à bec (trio)
1
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CUIVRES
Trombone et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
11
Trombone (partie séparée)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette (partie séparée)
7
Cor et Piano
6
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Trompette
3
3 Trombones (trio)
2
Cor anglais, Piano
2
2 Trombones (duo)
2
2 Cors (duo)
2
Cor
2
Tuba et Piano
2
Trombone
1
Quatuor de Cuivres
1
2 Tubas (duo)
1
Tuba
1
3 Trompettes (trio)
1
2 Cors, Piano
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
25
Alto, Piano
19
Violoncelle, Piano
18
Harpe
15
Trio à Cordes: violon, alto, violoncelle
10
Violon
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
4
Harpe, Violon (duo)
3
Violoncelle
3
2 Violons (duo)
3
2 Altos (duo)
3
Violon, Alto (duo)
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
2
Contrebasse, Piano (duo)
2
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Alto seul
1
2 Altos, Piano
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
45
Orchestre d'harmonie
40
Orchestre
22
Ensemble de cuivres
18
Cloches
18
Batterie
16
Orchestre à Cordes
16
Ensemble de Percussions
8
Orchestre de chambre
7
Fanfare
5
Jazz combo
4
Batterie (partie séparée)
2
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AUTRES
Vous avez sélectionné:
The Second Line: Score
Flûte traversière et Piano
Partitions à imprimer
23 partitions trouvées
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1
Sonata for Flute No. 1 (Piano Score Only)
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by Ian Lester (A0.1028807). Sonata for Flute No. 1 draws inspiration from various sources:The first movement is loosely inspired by Brahms' Clarinet Sonata in F Minor and the long melodic lines and wide intervalic leaps found in that work. Irish folk music was another influence, and a jig-like section followed by a brief cadenza leads us into a Stravinsky-esque, technical section. After a brief moment of tranquility in the form of a slow jazz passage, the movement ends with a recap of the original thematic material.The second movement of mixes elements reminiscent of Beethoven and the film music of Hollywood Western movies, specifically scores by Ennio Morricone.The last movement is an aggressive tour de force finale which constantly switches between ideas but always ends up coming back to the repeated two quarter-note flutter-tongued motive before coming to a joyous conclusion. .
$10.99
9.96 €
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Flûte traversière et Piano
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Ian Lester
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Sonata for Flute No. 1
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Ian Lester
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SheetMusicPlus
All The Things You Are
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.647782 By Jack Leonard with Tommy …
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Flute,Piano - Level 4 - Digital Download SKU: A0.647782 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 14 pages. Theupperstaff #2929289. Published by theupperstaff (A0.647782). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement.
$8.99
8.15 €
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Flûte traversière et Piano
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
Shadow veiled as the years pass
Flûte traversière et Piano
Fl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM519 Composed by Richa…
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Fl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM519 Composed by Richard Lambert. Flute and Piano. Score and Part. 9 pages. Forton Music - Digital #FM519. Published by Forton Music - Digital (F2.FM519). ISBN 9790570484188.This piece is a reworking of the song 'An End' from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement. Likewise the secondary motif, first heard in bars 27 to 30, is presented differently each time. Wistful throughout and unashamedly melodic, the flute is in constant dialogue with the piano accompaniment.
$7.95
7.21 €
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Flûte traversière et Piano
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Richard Lambert
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Shadow veiled as the years pass
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Forton Music - Digital
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SheetMusicPlus
Feline Tea Party Waltz
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1220585 Composed by Adrienne Ingli…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1220585 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Halloween. Score and part. 10 pages. Adrienne Inglis (ASCAP) #816921. Published by Adrienne Inglis (ASCAP) (A0.1220585). Intermediate flutists! Purrrrrfect piece for cat lovers! The piano part is quite playable for flute teacher who also kind of play piano.Feline Tea Party Waltz for flute and piano is dedicated to Carol Masters, as a musical celebration of her cats. You’ll hear motives representing the different kitty personalities and a special kind of timbral trill effect not usually found in intermediate level flute repertoire. If you’re allergic to cats, this piece won’t make you sneeze, but it might make you chuckle.Performance note — The timbral trills color the note, but change the pitch very little. For the timbral trill on G#5, finger G#5 and trill the E key with the middle right hand finger. For the timbral trill on A4, finger A4 and trill the F key with the right hand index finger. The trills on C6 are regular trills using the second trill key.Find the world premiere performance here at 1:22:https://www.youtube.com/live/KdJgvehug3c?feature=share&t=82.
$5.99
5.43 €
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Flûte traversière et Piano
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Adrienne Inglis
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Feline Tea Party Waltz
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Adrienne Inglis
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SheetMusicPlus
Silent Night with While Shepherds Watched Their Flocks
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.818241 By Stephen R Dalrymple. By …
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Flute,Piano - Level 3 - Digital Download SKU: A0.818241 By Stephen R Dalrymple. By Franz X Gruber, Josef Mohr, George Frederick Handel, Nahum Tate. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christmas. Score and part. 49 pages. Stephen R Dalrymple #3396921. Published by Stephen R Dalrymple (A0.818241). Silent Night with While Shepherds Watched Their Flocks♫ Christmas carol arrangement for flute and piano by Stephen R Dalrymple♫ transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello♫ Silent Night - lyrics - Josef Mohr 1816; melody - Franz X Gruber 1820 ♫ While Shepherds Watched Their Flocks - lyrics -Nahum Tate 1700, melody - from George Frederick Handel 1728 ♫ This was the first arrangement that I wrote for Katie, my daughter and our first performance in public together. I wrote it for her Christmas public school band concert. She was in her second year of band instruction. Later, I embellished the flute part as her flute skills continued to improve. At 11 years old she demonstrated good technique and tone, and would eventually graduate from university majoring in flute performance. ♫ Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) ♫ A duplicate YouTube video in French is available under the title Voici noël!, O douce nuit  https://youtu.be/IboOVuY2icU
$4.50
4.08 €
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Flûte traversière et Piano
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Stephen R Dalrymple
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Silent Night with While Shepherds Watched Their Flocks
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Stephen R Dalrymple
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SheetMusicPlus
Friction
Flûte traversière et Piano
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
18.13 €
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Flûte traversière et Piano
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Sonata for Flute and Piano, Op. 12
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
18.13 €
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Flûte traversière et Piano
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Tyler J
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Sonata for Flute and Piano, Op. 12
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TJHoltMusic
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.62 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.62 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
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SheetMusicPlus
Because He Lives
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1419742 Composed by Bill G…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1419742 Composed by Bill Gaither and Gloria Gaither. Arranged by John A. Dempsey. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 13 pages. John A. Dempsey #1001161. Published by John A. Dempsey (A0.1419742). Arranged as a duet for flute and piano, this Gaither gospel classic with its strong, steadfast message of belief in Christ and His death, burial and Resurrection is recommended for traditional church services and other worship events including Good Friday and Easter services, as a prelude, postlude, an offertory, and special music. Â The structure of the arrangement is: piano intro, first verse, chorus, second verse, chorus and a repeat of the last line of the chorus. Â The flute note range is more expansive during the second verse and chorus. Â 9 pages of music (that includes a two-page flute part). Â Key: G major.
$7.99
7.24 €
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Flûte traversière et Piano
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Bill Gaither and Gloria Gaither
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John A
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Because He Lives
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John A. Dempsey
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SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.62 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.44 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehan…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
31.73 €
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Flûte traversière et Piano
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Douglas Knehans
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Tempest-Concerto for Flute and Orchestra
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Armadillo Edition
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SheetMusicPlus
Love Story
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1376801 By Taylor Swift. By Taylor…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1376801 By Taylor Swift. By Taylor Swift. Arranged by Louis Drummond. Country,Disco,Pop,Rock. Score and part. 15 pages. Louis Drummond Van Rensburg #961350. Published by Louis Drummond Van Rensburg (A0.1376801). Love Story written by Taylor Swift was released as the lead single from her second studio album, Fearless, on September 15, 2008. It has sold over 6 million copies in the U.S. and over 18 million worldwide.In my flute and piano arrangement the piano provides a proper accompaniment for the flute with a bass line in the LH and chords and melodic lines in the RH without doubling the flute part. Score and parts are available.
$6.99
6.34 €
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Flûte traversière et Piano
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Taylor Swift
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Louis Drummond
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Love Story
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Louis Drummond Van Rensburg
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SheetMusicPlus
Capriccio
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.973252 Composed by Lynn L. Peterse…
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Flute,Piano - Level 4 - Digital Download SKU: A0.973252 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 19 pages. Lynn L. Petersen #6294001. Published by Lynn L. Petersen (A0.973252). Capriccio is a composition in one movement for flute and piano, 4-5 minutes in duration. I composed Capriccio in 1986 while I was in graduate school at the University of Minnesota. It was first performed by several students at recitals and studio classes. The form is sonata-allegro. The first theme utilizes irregular, fragmented ideas passing back and forth between the flute and piano. The second theme consists of long, lyrical lines in the flute complemented by a syncopated pattern in the piano. Capriccio may be performed as a solo piece or paired with its companion piece, Pastorale.
$9.99
9.06 €
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Flûte traversière et Piano
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Lynn L
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Capriccio
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Lynn L. Petersen
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1502544 Composed by Traditional. A…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1502544 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 8 pages. Roger Wallace #1078291. Published by Roger Wallace (A0.1502544). Flute Solo with Piano Accompaniment.Can also be played by Recorder/Oboe/Violin.Package includes a part for Clarinet/Soprano Sax.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Flute solo.Full and Piano Accompaniment demonstrations (in MP3) of the Flute solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$5.99
5.43 €
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Flûte traversière et Piano
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1151183 Composed by Traditional. A…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1151183 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 10 pages. Roger Wallace #751362. Published by Roger Wallace (A0.1151183). Flute Solo with Piano Accompaniment. Can also be played by Oboe/Violin and Pitched Percussion (ex: Marimba).Package includes parts for Clarinet/Soprano Sax/Trumpet and Alto Sax. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano). The audio sample (“Listenâ€) represents a Clarinet solo. The YouTube sample (“Watchâ€) represents a Violin solo.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$3.99
3.62 €
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Flûte traversière et Piano
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Jesu, Joy of Man's Desiring (flute and piano)
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.810086 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.810086 Composed by Johann Sebastian Bach. Arranged by Daniel C. M. Baroque,Concert,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #4966149. Published by Daniel C. M. (A0.810086). This is an arrangement for flute with an easy piano accompaniment. The flute part has only the main melody and the piano is a simplified version of the bass line with secondary voices. Although the structure of the whole piece has been shortened, it keeps the essentials to still enjoy this piece. The PDF file includes the piano score (two pages) and the flute part (one page).
$3.99
3.62 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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Daniel C
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Jesu, Joy of Man's Desiring
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Daniel C. M.
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SheetMusicPlus
Adagio Sostenuto from "Piano Concerto No. 2" for Flute and Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1220905 Composed by Sergei…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1220905 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #817247. Published by Diego Marani (A0.1220905). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for flute with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
9.06 €
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Flûte traversière et Piano
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Piano Concerto No. 2" for Flute and Piano
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Diego Marani
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SheetMusicPlus
You Belong With Me
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1446765 By Taylor Swift. By Liz Ro…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1446765 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Louis Drummond. Disco,Pop,Rock. Score and part. 17 pages. Louis Drummond Van Rensburg #1026530. Published by Louis Drummond Van Rensburg (A0.1446765). Taylor Swift's You Belong With Me is the third single from her second studio album Fearless (2008). She was inspired to write the song after she overheard a telephone call between a band member and his girlfriend.In my arrangement for piano and flute the piano provides an easy accompaniment for the flute player with a bass line in the LH and chords In the RH. My other arrangements for piano and flute of Taylor's songs include Love Story, Me! Sparks Fly and Lover.
$6.99
6.34 €
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Flûte traversière et Piano
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Taylor Swift
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Louis Drummond
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You Belong With Me
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Louis Drummond Van Rensburg
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SheetMusicPlus
Skip and Hop
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.908185 Composed by Rebecca Maughan…
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Flute,Piano - Level 1 - Digital Download SKU: A0.908185 Composed by Rebecca Maughan Cook. Concert,Contemporary,Standards. Score and part. 5 pages. Rebecca Maughan Cook #6532621. Published by Rebecca Maughan Cook (A0.908185). This happy composition for the younger flutist is set in the key of E-flat Major. It has a range from low f to second ledger line high c. Perfect for the flutist learning precise articulation. Please listen to the recording.
$3.99
3.62 €
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Flûte traversière et Piano
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Rebecca Maughan Cook
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Skip and Hop
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Rebecca Maughan Cook
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SheetMusicPlus
An Zimmern
Flûte traversière et Piano
Baritone, flute and piano - difficult - Digital Download SKU: S9.Q6943 Composed by …
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Baritone, flute and piano - difficult - Digital Download SKU: S9.Q6943 Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 3 minutes and 30 seconds. Schott Music - Digital #Q6943. Published by Schott Music - Digital (S9.Q6943). German.An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin’s late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This ‘riveness’ can be found in the work’s concentrated character, which combines fragile colours of piano and flute, an eruptive climax and exactly organized lines and motives. During the thorough revision of the score, 17 years after the composition of the primary version, I tried to preserve the character of the piece with its strong influences from Alban Berg’s expressionistic style, but to accentuate the musical ideas of the work more exactly and subtly at the same time. Benjamin Schweitzer.
$11.99
10.87 €
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Flûte traversière et Piano
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Benjamin Schweitzer
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An Zimmern
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Schott Music - Digital
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SheetMusicPlus
Ballad, op. 72
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.938820 Composed …
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Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.938820 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and individual part. 12 pages. Michael A Yenny #77425. Published by Michael A Yenny (A0.938820). A beautiful teaching piece for the flutist. Features long melodic lines for the flute with waterfalls for the pianist. Pachelbel-like in character with modulations. Duration: 2 minutes 30 seconds. C) 2005. Level: Early Advanced. Rebekah Arana-Cook, flute.
$1.99
1.8 €
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Flûte traversière et Piano
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Michael A Yenny
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Ballad, op. 72
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Michael A Yenny
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SheetMusicPlus
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