Partitions Numériques de Though You Are Young pour Flûte traversière et Piano

Partitions numériques Accès après achat

Expédition postale Téléchargement

TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 84

PIANO & CLAVIERS

Piano Facile 53 Piano seul 33 Piano, Voix et Guitare 9 Piano, Voix 8 1 Piano, 4 mains 2

Orgue 1 Piano Trio: piano, violon, violoncelle 1 Piano Quatuor: piano, violon, alto, violoncelle 1

Instrumentations suivantes

Retracter

GUITARES

Guitare 6 Guitare notes et tablatures 2 Guitare (partie séparée) 1 Mandoline 1 Ukulele 1

Dulcimer 1 Basse electrique 1

Instrumentations suivantes

Retracter

VOIX

Chorale SATB 16 Chorale 3 parties 12 Voix Alto, Piano 9 Chorale Unison 7 Chorale 2 parties 6

Chorale SSAA 5 Voix Soprano 2 Chorale 1 Voix haute 1 Voix Tenor 1 Chorale TTBB 1 Voix Soprano, Piano 1 Voix Tenor, Piano 1

Instrumentations suivantes

Retracter

VENTS

Quatuor de Saxophones: 4 saxophones 5 3 Saxophones (trio) 4 Flûte traversière et Piano 4 Clarinette 3 Hautbois (partie séparée) 2

Flûte, Clarinette et Basson 2 Flute (partie séparée) 2 Trio de Flûtes: 3 flûtes 2 Quatuor de Clarinettes: 4 clarinettes 2 3 Clarinettes (trio) 1 Clarinette, Basson (duo) 1 Quatuor de Flûtes : 4 flûtes 1 Flûte, Hautbois, Clarinette, Basson 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 Ensemble de Clarinettes 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Clarinette et Piano 1

Instrumentations suivantes

Retracter

CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5 Quatuor de Cuivres 3 Cor et Piano 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 Trompette (partie séparée) 2

Trio de Cuivres 2 Trombone 2 Cor 2 Trompette 2 2 Trompettes (duo) 1 Quatuor de cuivres: 4 trombones 1 Quatuor de cuivres: 4 trompettes 1 Quatuor de cuivres: 4 cors 1 Trombone et Piano 1 2 Trombones (duo) 1 Trompette, Trombone (duo) 1

Instrumentations suivantes

Retracter

CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 15 2 Harpes (duo) 5 Trio à Cordes: violon, alto, violoncelle 5 Violon et Piano 3 Violon 3

Trio à Cordes: 3 violoncelles 2 Quatuor à cordes : 4 altos 2 Alto, Piano 2 Alto seul 2 Violon, Violoncelle, Clarinette 1 Violoncelle, Piano 1 Contre Basse 1 Harpe 1 Trio à Cordes: 2 violons, violoncelle 1 Trio à cordes: 3 violins 1 Violoncelle 1 4 Violoncelles 1 Quatuor à cordes: 4 violons 1 Violon, Clarinette, Piano (trio) 1 Trio à cordes: 3 altos 1

Instrumentations suivantes

Retracter

PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 47 Fanfare 26 Orchestre à Cordes 13 Orchestre 10 Ensemble Jazz 10

Cloches 5 Ensemble de cuivres 2 Orchestre de chambre 1

Instrumentations suivantes

Retracter

AUTRES

Vous avez sélectionné:

Though You Are Young

Flûte traversière et Piano

Partitions à imprimer

4 partitions trouvées

Sonatina of Time for early intermediate flute

Flûte traversière et Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.908188 Composed by Rebecca Maughan…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209. Published by Rebecca Maughan Cook (A0.908188). This wonderful Sonatina is in 3 movements for the intermediate flutist.Â It is a finalist for the 2022 New Voices for Young Flutists competition.Â Set in the band friendly Key of B-flat major, Movement 1 is a Classical Sonata Allegro Form with an accessible flute part and a piano part that makes it BIG!Â Â It's called 'Clockworks' because of the type of clock sounds used, especially in the piano part. The range for the flutist is Low A to High D. Â Â Movement 2 is called 'Time for Caring.'Â I wrote the melody I wanted to play.Â It's lovely and makes you want to develop an even more beautiful sound.Â It's range is Low F to High D with a fast scale going from Low F up to mid B-flat.Â Â This is also in the Key of B-flat.Â Â The 3rd Movement is also in the Key of B-flat.Â I called it 'Time to Grow.'Â It's rhythm is in 8/8, usually divided into 3+3+2, although there are a few measures where it is easier for the flutist to think of it in 2+2+2+2.Â Â It has a lot of drive in the rhythm and I think has a Broadway kind of sound, as if people were moving and walking across a busy stage while singing.Â I'm uploading a recording of this which I hope you enjoy!Â The piano part is much more challenging.Â Each of these movements is accessible, musical, interesting and when paired with the accompaniment a full ensemble kind of sound.Â Â Enjoy!

$5.99 5.49 € #Flûte traversière et Piano #Rebecca Maughan Cook #Sonatina of Time for early intermediate flute #Rebecca Maughan Cook #SheetMusicPlus

Five Easy Pieces

Flûte traversière et Piano

Flute and piano - Digital Download Composed by Karl Joachim Andersen (1847-1909). A…(+)

Flute and piano - Digital Download Composed by Karl Joachim Andersen (1847-1909). Arranged by Kyle Dzapo. This edition: Sheet music. The Kyle Dzapo Series. Downloadable. Op. 56. Musikverlag Zimmermann #Q54914. Published by Musikverlag Zimmermann
German - English - French.<br> <br> Flutists know Joachim Andersen (1847-1909) as the composer of 188 masterful etudes that have challenged and inspired musicians for over a century. These etudes are his legacy, but they should not completely overshadow his 54 works for flute and piano which include both brilliant showpieces and charming miniatures for the salon. Born in Copenhagen, Andersen learned to play the flute under his father's guidance. He became one of the finest flutists of his day and, as a young man, enjoyed prestigious positions in Danish and Russian orchestras. In 1881, he moved to Berlin, becoming a founding member of the Berlin Philharmonic Orchestra the following year. Andersen wrote most of his flute compositions during this enormously productive and successful period in Berlin. Though his career as a flutist ended in the early 1890s because of a debilitating tongue disease, he continued to compose lovely pieces for his instrument. Because the location of Andersen's manuscript of Opus 56 is not known, the first edition of the pieces, published by Zimmermann in 1894, has been used as the primary source for this publication. The pieces are not difficult as already indicated in the name, but not too easy because a beautiful lyrical tone is needed, you could even call them lyrical pieces as the titles (In Autumn. The Flowers. Under the Balcony. Serenade. From former Times) are not programmatic but rather the expression of feelings.German - English - French.<br> <br> Flutists know Joachim Andersen (1847-1909) as the composer of 188 masterful etudes that have challenged and inspired musicians for over a century. These etudes are his legacy, but they should not completely overshadow his 54 works for flute and piano which include both brilliant showpieces and charming miniatures for the salon. Born in Copenhagen, Andersen learned to play the flute under his father's guidance. He became one of the finest flutists of his day and, as a young man, enjoyed prestigious positions in Danish and Russian orchestras. In 1881, he moved to Berlin, becoming a founding member of the Berlin Philharmonic Orchestra the following year. Andersen wrote most of his flute compositions during this enormously productive and successful period in Berlin. Though his career as a flutist ended in the early 1890s because of a debilitating tongue disease, he continued to compose lovely pieces for his instrument. Because the location of Andersen's manuscript of Opus 56 is not known, the first edition of the pieces, published by Zimmermann in 1894, has been used as the primary source for this publication. The pieces are not difficult as already indicated in the name, but not too easy because a beautiful lyrical tone is needed, you could even call them lyrical pieces as the titles (In Autumn. The Flowers. Under the Balcony. Serenade. From former Times) are not programmatic but rather the expression of feelings.

$15.99 14.65 € #Flûte traversière et Piano #Karl Joachim Andersen #Kyle Dzapo #Five Easy Pieces # Musikverlag Zimmermann #SheetMusicPlus

Solo Book for Winds - Flute

Flûte traversière et Piano

Flute & piano - Grade 1 - Digital Download SKU: IZ.FSW091F Composed by David Marcha…(+)

Flute & piano - Grade 1 - Digital Download SKU: IZ.FSW091F Composed by David Marchand and Elizabeth Borowsky. Score and Parts. 47 pages. Imagine Music - Digital #FSW091F. Published by Imagine Music - Digital (IZ.FSW091F). 9 x 12 in inches.By David Marchand and Elizabeth Borowsky. This collection of original songs is designed for students who have studied their instruments for a limited time (Level 1-2). The songs in the collection are approximately one minute in length and are in keys and meters commonly found in most instrumental methods. The ranges of the songs seldom go above one octave. There are fourteen songs in the collection sequenced by level of difficulty. There is great variety within the collection as each of the songs as its own unique character. For each song, there is a solo score and a solo/piano-accompaniment score. As an aid, the collection includes a CD with two tracks: one with only the solo part, one with only the accompaniment part. Although the accompaniments sound musically sophisticated, they were designed to be playable by the younger pianist. In the event that no pianist is available, the soloist could use the CD as his or her accompaniment. [CD available from the publisher.] March Petite: Goin Baroque: Spanish Dance:.

$16.00 14.66 € #Flûte traversière et Piano #David Marchand and Elizabeth Borowsky #David Marchand and Elizabeth Borowsky #Solo Book for Winds - Flute #Imagine Music - Digital #SheetMusicPlus

Poème

Flûte traversière et Piano

From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arrange…(+)

From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15265. Published by Schott Music - Digital
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

$4.99 4.57 € #Flûte traversière et Piano #Zdenek Fibich (1850-1900) # Wolfgang Birtel #Poème #Schott Music - Digital #SheetMusicPlus