English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
36
Partitions
Numériques
178
Librairie
Musicale
50
Matériel
de Musique
1 770
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2908
PIANO & CLAVIERS
Piano seul
5015
Piano, Voix
2713
Piano, Voix et Guitare
572
Piano Facile
500
Orgue
161
Instruments en Do
62
Piano grosses notes
58
1 Piano, 4 mains
55
Accompagnement Piano
27
Piano Trio: piano, violon, violoncelle
18
Accordéon
12
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
7
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Clavier
1
Ensemble d'Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
163
Guitare notes et tablatures
82
Basse electrique
47
Ligne De Mélodie, (Paroles) et Accords
45
Ukulele
29
2 Guitares (duo)
22
Mandoline
12
Banjo
10
Dulcimer
9
Paroles et Accords
8
Piano, Guitare (duo)
7
Guitare (partie séparée)
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
Cithare
1
2 Ukuleles
1
Basse électrique (partie séparée)
1
Dobro
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
580
Chorale Unison
322
Chorale 3 parties
124
Chorale SSAA
75
Chorale TTBB
62
Chorale 2 parties
61
Voix seule
52
Voix Soprano, Piano
48
Voix duo, Piano
18
Voix Alto, Piano
13
Voix Tenor, Piano
11
Voix duo
9
Voix Tenor
4
Voix Baryton, Piano
4
Voix haute
4
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
2
Chorale SATBB
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
348
Clarinette
207
Quatuor de Saxophones: 4 saxophones
201
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
190
Clarinette et Piano
179
Flûte traversière et Piano
178
Saxophone
175
Flûte traversière
174
Hautbois, Piano (duo)
171
Flûte, Hautbois, Clarinette, Basson
167
Saxophone, Clarinette (duo)
152
2 Clarinettes (duo)
143
Saxophone Alto et Piano
137
2 Flûtes traversières (duo)
135
Saxophone Alto
124
Quintette de Saxophone: 5 saxophones
117
Saxophone Tenor et Piano
109
Clarinette, Violon (duo)
102
Saxophone Tenor
95
Quatuor de Clarinettes: 4 clarinettes
92
Saxophone Soprano et Piano
87
Flûte, Clarinette (duo)
83
2 Hautbois (duo)
77
Hautbois, Clarinette (duo)
74
Clarinette, Trompette (duo)
73
Saxophone Baryton, Piano
68
Saxophone (partie séparée)
65
Hautbois, Basson (duo)
63
Ensemble de saxophones
61
Flûte, Violon
57
Hautbois (partie séparée)
55
Hautbois, Flûte
51
Hautbois
50
Clarinette et Alto
49
Flûte, Saxophone (duo)
45
3 Saxophones (trio)
44
Ensemble de Clarinettes
39
Flûte, Trompette (duo)
38
Quatuor de Flûtes : 4 flûtes
37
Flûte, Alto (duo)
33
Saxophone Soprano
32
Cor anglais, Piano
32
Clarinette Basse, Piano
31
3 Clarinettes (trio)
27
Flûte à bec Soprano
23
Saxophone Baryton
23
Quintette de Clarinettes: 5 clarinettes
21
2 Flûte à bec (duo)
19
Ensemble de Flûtes
19
Flûte et Guitare
18
Trio de Flûtes: 3 flûtes
17
Quintette de Flûte : 5 flûtes
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Hautbois, Clarinette (trio)
13
Clarinette, Violoncelle (duo)
13
Clarinette, Basson (duo)
12
Flûte, Violoncelle
10
Flûte, Hautbois (duo)
10
Flûte, Clarinette et Basson
9
Clarinette (partie séparée)
8
Flûte à bec Alto
8
Harmonica
8
Quatuor de Flûtes à bec
7
Hautbois, Violoncelle
7
Flûte à Bec
7
Cor Anglais
7
Clarinette, Guitare (duo)
7
Hautbois, violon (duo)
6
5 Flûtes à bec
6
Flûte, Hautbois, Basson
6
Flûte, Violon et Violoncelle
4
Piccolo, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte irlandaise
3
Clarinette Basse
3
Flute (partie séparée)
3
Flûte, Basson et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
Cor anglais, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violoncelle et Piano
2
2 Clarinettes, Piano
2
Clarinette, Tuba
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois et alto (duo)
2
Saxophone et Guitare
2
Flûte à bec Soprano, Piano
2
Flûte traversière, Basse continue
2
Flûte, Trombone (duo)
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
Clarinette, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo
1
Flûte, Tuba (duo)
1
Hautbois, trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Basson, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Harpe
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Cornemuse
1
Flute, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, trombone et piano
1
2 Hautbois, Piano
1
Flûte traversière, Orchestre
1
Clarinette, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
222
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
214
Trombone
147
Trompette, Piano
147
Trombone et Piano
118
Cor et Piano
108
Trompette, Saxophone (duo)
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
81
2 Trombones (duo)
74
Tuba et Piano
71
2 Trompettes (duo)
71
Cor
63
Trompette, Trombone (duo)
62
Quatuor de Cuivres: 2 trompettes, Cor, trombone
59
Tuba
56
Euphonium, Piano (duo)
45
Quatuor de Cuivres
42
Cor anglais, Piano
32
2 Cors (duo)
31
Trompette (partie séparée)
30
Trombone (partie séparée)
28
Quatuor de cuivres: 4 trombones
15
Ensemble de Trompettes
13
2 Tubas (duo)
12
Ensemble de Trombones
12
Quatuor de cuivres: 4 cors
10
Trompette, Cor (duo)
9
Cor Anglais
7
3 Trombones (trio)
7
Cor (partie séparée)
7
Ensemble de Cors
6
Quatuor de cuivres: 4 trompettes
5
Tuba (partie séparée)
4
Trompette, Basson (duo)
3
Trombone basse et Piano
3
Cor, Violoncelle (duo)
3
Cor anglais, Guitare (duo)
3
Trombone basse
2
Euphonium
2
Cor et Basson (duo)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
1
3 Euphoniums
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
Trompette, Tuba (duo)
1
4 Tubas
1
Trompette, Trombone, Piano
1
Cor anglais et Harpe (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
402
Violon et Piano
211
Violon
195
Alto, Piano
170
Violoncelle
155
Violoncelle, Piano
143
Violon, Violoncelle (duo)
141
2 Violons (duo)
108
Alto seul
104
2 Altos (duo)
86
Violon, Alto (duo)
82
Quintette à cordes: 2 violons, alto, violoncelle, basse
79
2 Violoncelles (duo)
77
Harpe
67
Contre Basse
58
Contrebasse, Piano (duo)
55
Trio à Cordes: violon, alto, violoncelle
54
Trio à Cordes: 2 violons, violoncelle
48
Alto, Violoncelle (duo)
20
4 Violoncelles
13
Piano Trio: Violon, Alto, Piano
12
2 Contrebasses (duo)
12
Violon (partie séparée)
11
Trio à Cordes: 3 violoncelles
11
Alto (partie séparée)
9
Harpe, Flûte (duo)
7
Quatuor à cordes: 4 violons
7
Contrebasse (partie séparée)
6
Trio à cordes: 3 violins
6
Violon, Basson (duo)
5
Trio à Cordes: 2 violons, alto
5
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Violoncelle (partie séparée)
3
2 Harpes (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Flûte, Contrebasse (duo)
2
Violon, Tuba (duo)
2
Ensemble de Violons
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Ensemble d'Altos
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Alto et Harpe
1
4 Harpes
1
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
1
Alto et Basson
1
Harpe, Violon (duo)
1
Violoncelle, Orgue
1
3 Harpes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
452
Orchestre à Cordes
156
Orchestre
123
Batterie
80
Ensemble Jazz
73
Ensemble de cuivres
69
Orchestre de chambre
44
Jazz combo
42
Cloches
28
Fanfare
22
Ensemble de Percussions
19
Batterie (partie séparée)
7
Percussion (partie séparée)
5
Marimba
5
Xylophone
3
Ensemble d'École
3
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Time over
Flûte traversière et Piano
Partitions à imprimer
178 partitions trouvées
<
1
26
51
....
176
Part-time Lover
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.636372 By Stevie Wonder. By Stevie…
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.636372 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score and part. 7 pages. F & N Enterprise #6418143. Published by F & N Enterprise (A0.636372). An excellent arrangement of the famous Song Part Time Loverfor Flute and Piano-Jazz/Pop Version.
$4.99
4.52 €
#
Flûte traversière et Piano
#
Stevie Wonder
#
Fishel Pustilnik
#
Part-time Lover
#
F & N Enterprise
#
SheetMusicPlus
It's Been A Long, Long Time
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.592535 Composed by Jule Styne. Arr…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.592535 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366339. Published by David McKeown (A0.592535). It’s Been a Long Long Time is arranged as a solo for one Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.43 €
#
Flûte traversière et Piano
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
"Night-Time in New York" A Blue Waltz for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1235189 By Grant Horsley. By Grant…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1235189 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Blues,Contemporary,Contest,Festival,Jazz,Wedding. Score and part. 14 pages. Grant Horsley #830724. Published by Grant Horsley (A0.1235189). Night Time in New York is a short concert piece for Flute and piano around 4 minutes It is a gentle romantic waltz which has blues elements It is in ternary form in concert C major- range just over 2 octaves- highest note top EThe sections are in C major and A flat major, before returning to the opening theme in C major once more -then small coda. I have set it at Intermediate level but the whole score is on here for you to assess suitability. Should work well for concerts, recitals, productions, weddings, valentines, even has a Christmas tint. It is something perhaps a little different for the repertoire. N.B. Tenor sax, Alto sax, Clarinet in B flat, flute choir, clarinet choir and piano solo versions are available.
$5.50
4.98 €
#
Flûte traversière et Piano
#
Grant Horsley
#
Grant Horsley
#
"Night-Time in New York" A Blue Waltz for Flute and Piano
#
Grant Horsley
#
SheetMusicPlus
Christmas Time
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.760031 By Bryan Adams. By Bryan Ad…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.760031 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christmas,Contemporary,Holiday,Pop,Rock. Score and part. 16 pages. Raymond Fenech #3486235. Published by Raymond Fenech (A0.760031). Christmas Time is a song by Canadian rock singer-songwriter Bryan Adams. It was written by Adams and Jim Vallance and became Adams' most popular Christmas song. It was originally released on clear, green vinyl with a picture sleeve. It was written and recorded in Vancouver, British Columbia, Canada. No music video was shot for the song. Over thirty years after it was first recorded, the song still receives significant radio airplay each year during the Christmas season. This aria is arranged for Flute and Piano . The Duration is approx. 3.56 minutes and the level is Intermediate.
$4.99
4.52 €
#
Flûte traversière et Piano
#
Bryan Adams
#
Raymond Fenech
#
Christmas Time
#
Raymond Fenech
#
SheetMusicPlus
It Was a Lover and His Lass
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1194310 Composed by Thomas Morley.…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.1194310 Composed by Thomas Morley. Arranged by Jane Frasier. Renaissance. Score and part. 8 pages. Jane Frasier #793684. Published by Jane Frasier (A0.1194310). The original musical setting was written by Thomas Morley and published in 1600. He was one of the few composers to have worked with Shakespeare during his lifetime. It was a song in Shakespeare’s play As you Like It. Morley was member of the English Madrigal school of composers.
$8.50
7.7 €
#
Flûte traversière et Piano
#
Thomas Morley
#
Jane Frasier
#
It Was a Lover and His Lass
#
Jane Frasier
#
SheetMusicPlus
Lover
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1444574 By Taylor Swift. B…
(+)
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1444574 By Taylor Swift. By Taylor Swift. Arranged by Louis Drummond. Pop,Rock. Score and part. 14 pages. Louis Drummond Van Rensburg #1024472. Published by Louis Drummond Van Rensburg (A0.1444574). Taylor Swift's Lover is a timeless love song that could be played at a wedding reception. The lyrics are about a intimate and committed relationship, and the bridge draws on the bridal rhyme something old.In my arrangement for piano and flute, the piano provides an easy accompaniment for the flute player with a bass line in the LH and chords in the RH. My other arrangements for piano and flute of Taylors' songs include: Love Story, Me! and Sparks Fly.
$6.99
6.33 €
#
Flûte traversière et Piano
#
Taylor Swift
#
Louis Drummond
#
Lover
#
Louis Drummond Van Rensburg
#
SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.6 €
#
Flûte traversière et Piano
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.41 €
#
Flûte traversière et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Wachet auf BWV 140 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
I'm Getting Sentimental Over You
Flûte traversière et Piano
Flute & Piano - Grade 3 - Digital Download SKU: R0.43279 Composed by George Bassman…
(+)
Flute & Piano - Grade 3 - Digital Download SKU: R0.43279 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Flute & Piano. Score and parts. 6 pages. Duration 3'44. Editions Marc Reift - Digital #43279. Published by Editions Marc Reift - Digital (R0.43279).
$11.95
10.82 €
#
Flûte traversière et Piano
#
George Bassman and Ned Washington
#
Jirka Kadlec
#
I'm Getting Sentimental Over You
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.84 €
#
Flûte traversière et Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.84 €
#
Flûte traversière et Piano
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.84 €
#
Flûte traversière et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.84 €
#
Flûte traversière et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.84 €
#
Flûte traversière et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastia…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.84 €
#
Flûte traversière et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.84 €
#
Flûte traversière et Piano
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Ar…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.84 €
#
Flûte traversière et Piano
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Ar…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.84 €
#
Flûte traversière et Piano
#
Bach-Gounod
#
James M
#
Piano -S0
#
Bach-Gounod: Ave Maria for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Flute & Piano
Flûte traversière et Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.84 €
#
Flûte traversière et Piano
#
Bach-Gounod
#
James M
#
Piano
#
Bach-Gounod: Ave Maria for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.6 €
#
Flûte traversière et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. …
(+)
Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.6 €
#
Flûte traversière et Piano
#
Martin Luther
#
James M
#
piano
#
Luther: Out of the Depths for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Handel: Largo (from Xerxes) for flute and piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1311257 Composed by G F Ha…
(+)
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900255. Published by Colin Kirkpatrick Publications (A0.1311257). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for flute and piano is in G major and uses the lower register of the instrument thus making the arrangement suitable for elementary players.  The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
4.48 €
#
Flûte traversière et Piano
#
G F Handel
#
Colin Kirkpatrick
#
Handel: Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Wichita Lineman
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1077838 By Glen Campbell. By Jimmy…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.1077838 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682023. Published by jmsgu3 (A0.1077838). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
135.81 €
#
Flûte traversière et Piano
#
Glen Campbell
#
James M
#
Wichita Lineman
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak.…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
29.84 €
#
Flûte traversière et Piano
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
176
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
