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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Harpe
21
Quatuor à cordes: 2 violons, alto, violoncelle
18
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8
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2 Violoncelles (duo)
5
2 Altos (duo)
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Violon
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2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
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4 Violoncelles
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Trio à Cordes: 2 violons, violoncelle
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16
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10
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Cloches
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Jazz combo
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Times of Change
Flûte traversière et Piano
Partitions à imprimer
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TIMES OF TROUBLES FOR FLUTE AND PIANO
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.941185 Composed by Julius P. Williams. Conte…
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Flute,Piano - Digital Download SKU: A0.941185 Composed by Julius P. Williams. Contemporary. Score and part. 10 pages. Julius Penson Williams Music #3590773. Published by Julius Penson Williams Music (A0.941185). Times of Trouble was written in 1985 for solo flute and Piano during this period of the composers life he saw that being sad is not always a terrible thing. It makes you think, absorb, slow done and this sometimes lead to a period of personal creativity. The music reminds you to change things but sometimes this change may not be in your control. The Composition reflects this with it ever flow of line between the piano and flute with it Jazzy and impressionist harmonies finally ending in a final moment of hope.
$10.00
9.22 €
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Flûte traversière et Piano
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Julius P
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music 
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TIMES OF TROUBLES FOR FLUTE AND PIANO
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Julius Penson Williams Music
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SheetMusicPlus
Donauwellen Walzer (waves of the Danube) - flute and piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.954373 Composed by Joseph Ivanovic…
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Flute,Piano - Level 1 - Digital Download SKU: A0.954373 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Score and part. 15 pages. Rachel Brown #4320627. Published by Rachel Brown (A0.954373). This lovely waltz by Ivanovici makes an uplifting concert piece or addition to your music for weddings collection. A relatively easy piece and so can be enjoyed by a range of players. The piece is 7mins 30s with all repeats included and not too rushed. It is a tempo di valse and so should be held back especially on the last beat of each bar. Other instrument arrangements are available - please see my main SMP page by clicking the link in the following paragraph.A matching backing track is available here on SMP - please ensure you buy the backing track for your instrument as sometimes I have to change the key to fit the solo instrument. Find them on my SMP page here - https://www.sheetmusicplus.com/publishers/jcbmusic/5705Please inform me of public performances or any score issues at jayceebrownmusic@outlook.comEnjoy!
$5.15
4.75 €
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Flûte traversière et Piano
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Joseph Ivanovici
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JCBmusic
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Donauwellen Walzer
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Rachel Brown
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SheetMusicPlus
Donauwellen Walzer (waves of the Danube) BACKING TRACK - Flute and piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1069381 Composed by Joseph Ivanovici. Arrang…
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Flute,Piano - Digital Download SKU: A0.1069381 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Accompaniment. Duration 450. Rachel Brown #4320635. Published by Rachel Brown (A0.1069381). BACKING TRACK for matching sheet music available on my SMP publisher page. Please ensure you buy the packing track for your instrument - other instruments may have their track in a different key!This lovely waltz by Ivanovici makes an uplifting concert piece or addition to your music for weddings collection. A relatively easy piece and so can be enjoyed by a range of players. The piece is 7mins 30s with all repeats included and not too rushed. It is a tempo di valse and so should be held back especially on the last beat of each bar. Other instrument arrangements are available - please see my main SMP page by clicking the link in the following paragraph.Matching sheet music is available here on SMP - please ensure you buy the backing track for your instrument as sometimes I have to change the key to fit the solo instrument. Find them on my SMP page here - https://www.sheetmusicplus.com/publishers/jcbmusic/5705Please inform me of public performances or any score issues at jayceebrownmusic@outlook.comEnjoy!
$2.60
2.4 €
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Flûte traversière et Piano
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Joseph Ivanovici
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JCBmusic
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Donauwellen Walzer
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Rachel Brown
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SheetMusicPlus
Sonata for Flute and Piano, Op. 12
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
18.44 €
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Flûte traversière et Piano
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Tyler J
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Sonata for Flute and Piano, Op. 12
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TJHoltMusic
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.37 €
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Flûte traversière et Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.37 €
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Flûte traversière et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.37 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.37 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Autumn Nocturne
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.86…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.866759 Composed by Lois Mountz. 20th Century,Concert,Instructional,Standards. Score and parts. 4 pages. Mountzmusic #3872521. Published by mountzmusic (A0.866759). A new 2018 piano/keyboard composition of intermediate difficulty reflecting the feel of autumn as leaves are falling, and even snowflakes at times as the seasons begin to change. Watch on YouTube as the same melody is played on keyboard strings, piano, flute and harp. https://www.youtube.com/watch?v=ngcYbkOuMzk&list=PLtNRhOM9Jrl6blLS5-yiHUUpOSXi4pKAr
$5.99
5.52 €
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Flûte traversière et Piano
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Lois Mountz
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Autumn Nocturne
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mountzmusic
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SheetMusicPlus
Amazing Grace, Concert Solo for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587640 Composed by John Newton. Ar…
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Flute,Piano - Level 3 - Digital Download SKU: A0.587640 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611377. Published by David McKeown (A0.587640). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Flute with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Flûte traversière et Piano
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Flute and Piano
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David McKeown
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SheetMusicPlus
Brahms - Capriccio Op.76 No.2 - Flute Duo, 2 Flutes, Flute Group
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.824089 Composed by Johannes Brahms. Arranged by Tim TK Murray. Concert,Romantic Period,Standards. Score and parts. 10 pages. TK (Tim) Murray #5375319. Published by TK (Tim) Murray (A0.824089). Brahms' whimsical Capriccio makes a perfect encore or interlude between larger works in a concert programme. It is like a relaxed scherzo with many changes of mood and character and immediately draws the audience into its charming world. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.41 €
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Flûte traversière et Piano
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Johannes Brahms
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Tim TK Murray
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Brahms - Capriccio Op.76 No.2 - Flute Duo, 2 Flutes, Flute Group
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TK
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SheetMusicPlus
Lamento
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1366500 Composed by Ulrich Lehenst…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1366500 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical. Score and part. 7 pages. Ulrich Lehensteiner #950835. Published by Ulrich Lehensteiner (A0.1366500). A short and easy-to-play, yet emotionally very intense, mournful piece, featuring some unusual, sometimes maybe surprising harmonic changes. The uneasily driving piano-bass-line adds a sense of rhythm to the piece and contrastingly compliments the simple, legato-oriented flute-part.
$10.95
10.09 €
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Flûte traversière et Piano
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Ulrich Lehensteiner
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Lamento
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Ulrich Lehensteiner
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SheetMusicPlus
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