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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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4146
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1008
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488
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371
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342
Accompagnement Piano
264
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91
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76
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47
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44
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31
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29
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28
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27
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7
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364
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332
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176
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153
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138
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117
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75
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59
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58
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32
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30
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19
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14
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13
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8
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4
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3
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3
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2
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2
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1
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1772
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1610
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234
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207
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132
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106
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79
Voix Soprano, Piano
59
Chorale
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Voix Baryton, Piano
18
Voix Alto, Piano
14
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9
Voix Tenor
8
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6
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5
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4
Soli, choeur mixte et accompagnement
4
Chorale SSATTB
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2 Flûtes traversières (duo)
1925
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1526
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1407
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807
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534
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468
Flûte traversière
417
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380
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377
Quatuor de Saxophones: 4 saxophones
317
Saxophone (partie séparée)
297
2 Hautbois (duo)
285
3 Clarinettes (trio)
278
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
251
2 Flûte à bec (duo)
227
Flûte, Hautbois, Clarinette, Basson
218
Saxophone Soprano et Piano
210
Flûte, Clarinette (duo)
204
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203
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174
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163
Saxophone, Clarinette (duo)
158
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146
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138
2 Flûtes traversières, Piano
135
Flûte, Violon
134
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121
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111
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108
Quintette de Saxophone: 5 saxophones
105
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104
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96
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90
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88
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84
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84
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72
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68
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66
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66
Flute (partie séparée)
65
2 Clarinettes, Piano
57
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39
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37
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35
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31
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30
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27
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25
Flûte, Hautbois, Piano (trio)
25
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23
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Flûte à Bec
22
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21
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20
3 Flûtes à bec (trio)
19
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17
Hautbois, Clarinette, Basson (trio d'anches)
15
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14
Flûte, Hautbois, Basson
14
Flûte à bec Soprano, Piano
12
Saxophone Soprano
12
Flûte, Basson et Piano
12
Clarinette, trompette et piano
12
5 Flûtes à bec
10
Hautbois
10
2 Saxophones, Piano
9
2 Cors Anglais Et Pianoforte
9
Hautbois, violon (duo)
9
Cor Anglais
9
Hautbois et alto (duo)
9
Clarinette, Harpe (duo)
9
Flûte, Violon, Violoncelle et Piano
9
Flûte à bec Tenor
8
Flûte à bec Alto, Piano
7
Saxophone et Harpe
6
Clarinette, Trombone (duo)
6
Hautbois, Harpe
6
Piccolo, Piano
5
2 Hautbois, Piano
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Flûte à bec Alto
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Flûte à Bec, Piano
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Piccolo
5
Flute, harpe et violon
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Flûte, Violoncelle, Guitare
5
Flûte et Trio à cordes
5
Clarinette Basse
4
Flûte irlandaise
4
Ensemble à vent
4
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Harmonica
3
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3
2 Hautbois et Cor anglais
3
Flûte, Violon, Guitare
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Saxophone et Orgue
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3
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Hautbois, Clarinette et Piano (Trio)
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2
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2
Saxophone et violoncelle
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1
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1
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Saxophone et Piano
1
Clarinette, Orgue
1
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1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Melodica
1
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1
Hautbois, Trompette (duo)
1
2 Hautbois et Basson
1
Flûte, Tuba (duo)
1
Clarinette, Saxophone, Piano
1
Ocarina
1
2 Flûtes, Basse continue
1
Flûte et Quatuor à Cordes
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
843
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807
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766
Trombone et Piano
473
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313
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250
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242
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238
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197
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156
Trompette, Trombone (duo)
140
2 Cors (duo)
131
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114
Cor et Piano
112
Trombone
84
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69
Quatuor de Cuivres
69
Cor (partie séparée)
67
Ensemble de Trombones
61
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59
Quatuor de cuivres: 4 trombones
58
Cor
57
Tuba et Piano
54
2 Trompettes, Clavier (piano ou orgue)
51
2 Tubas (duo)
48
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45
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43
Ensemble de Trompettes
31
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31
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30
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29
Quatuor de cuivres: 4 trompettes
28
Trompette, Violoncelle et Piano
24
2 Euphoniums (duo)
23
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22
3 Trombones (trio)
20
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17
Trio de Cuivres
15
Cor, Violoncelle (duo)
13
3 Trompettes (trio)
12
Trompette, Basson (duo)
12
Euphonium
12
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11
2 Trombones, Piano
10
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9
Ensemble de Cors
9
Cor Anglais
9
4 Tubas
9
Euphonium, Tuba (duo)
9
Trombone basse
8
Cor et Harpe
8
3 Euphoniums
7
Trompette, Harpe
6
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6
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Cor et Basson (duo)
5
2 Cors, Piano
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Trombone basse et Piano
4
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3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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Cornet A Pistons
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3
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3
Clarinette, Cor (duo)
3
Trompette, violon (duo)
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Cor anglais, Guitare (duo)
2
Trombone, Cor (duo)
2
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1
Cor, Violoncelle et Piano
1
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1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor et Orgue
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1797
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1167
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1070
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1018
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805
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664
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584
Violon, Violoncelle (duo)
570
Alto, Piano
504
Trio à Cordes: violon, alto, violoncelle
479
Violoncelle, Piano
478
Trio à Cordes: 2 violons, violoncelle
423
Violon, Alto (duo)
234
Violoncelle
196
2 Harpes (duo)
178
Quintette à cordes: 2 violons, alto, violoncelle, basse
142
Trio à Cordes: 2 violons, alto
121
Alto seul
116
Violon (partie séparée)
111
Contrebasse (partie séparée)
74
Alto, Violoncelle (duo)
74
2 Violons, Piano
68
Harpe, Violon (duo)
62
Harpe, Flûte (duo)
50
Violon, Guitare (duo)
50
Trio à cordes: 3 violins
49
4 Violoncelles
48
Alto (partie séparée)
47
2 Contrebasses (duo)
42
Piano Trio: Violon, Alto, Piano
40
Contrebasse, Piano (duo)
39
Quatuor à cordes: 4 violons
36
Contre Basse
29
Violoncelle (partie séparée)
27
Trio à cordes
22
Violon, Basson (duo)
21
2 Violoncelles, Piano
21
Trio à Cordes: 3 violoncelles
19
Violoncelle, Contrebasse (duo)
17
Harpe, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
14
Alto et Basson
13
Alto et Harpe
13
Violoncelle , Guitare (duo)
13
Ensemble de Violons
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Alto, Guitare (duo)
10
Harpe, Voix
8
Ensemble d'Altos
7
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
5
Trio à cordes: 3 altos
4
Flûte, Contrebasse (duo)
3
3 Harpes
3
Violoncelle, Orgue
3
Violoncelle, Basse continue
3
5 Harpes
2
Violon, Basse continue
2
Harpe, Trombone (duo)
2
2 Altos, Piano
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Violon, Trompette et Piano
1
Violon, Tuba (duo)
1
Alto et orchestre
1
Harpe, Violon, Violoncelle
1
Autoharp
1
4 Contrebasses
1
3 Contrebasses
1
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Orchestre d'harmonie
1478
Orchestre à Cordes
617
Cloches
461
Orchestre
407
Ensemble de cuivres
384
Ensemble Jazz
317
Orchestre de chambre
219
Ensemble de Percussions
86
Jazz combo
80
Batterie
69
Percussion (partie séparée)
66
Marimba
39
Batterie (partie séparée)
32
Percussion
27
Fanfare
24
Timbales (partie séparée)
22
Vibraphone
12
2 Xylophones
7
Xylophone, Piano
6
2 Marimbas
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette de Cuivres: autres combinaisons
3
2 Caisses Claires (duo)
3
Caisse Claire
3
Piano et Orchestre
2
3 Percussions
1
2 Percussions
1
Conga
1
Quintette à Vent
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Ensemble d'École
1
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AUTRES
Formation musicale - Solfège
3
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Sullivan: The Lost Chord for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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Flûte traversière et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.594417 Composed by G F Handel. Arr…
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Flute,Piano - Level 3 - Digital Download SKU: A0.594417 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658349. Published by David McKeown (A0.594417). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Flute with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Flûte traversière et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #643165. Published by Diego Marani (A0.1038234). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for flute with piano is suitable for classroom, repertoire and recital.
$9.99
9.13 €
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Flûte traversière et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Flute and Piano
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Diego Marani
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Flûte traversière et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Flûte traversière et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
#
Flûte traversière et Piano
#
Johann Sebastian Bach
#
James M
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Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Two Dances
Flûte traversière et Piano
Flute and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM254 Composed b…
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Flute and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM254 Composed by Ian Vlemmiks. Score and Part. 12 pages. Forton Music - Digital #FM254. Published by Forton Music - Digital (F2.FM254). ISBN 9790570481538.Flute and Piano. Two contrasting dances for flute and piano. Slumber Dance is slow and luscious with rich harmonies shifting in parallel, above which the flute floats and interjects. Life Dance is a total contrast, with busy ostinati and an exciting flute part. Showing influences of Debussy and Messiaen, an exciting and challenging work for the intermediate to advanced player.
$9.95
9.1 €
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Flûte traversière et Piano
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Ian Vlemmiks
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Two Dances
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Forton Music - Digital
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SheetMusicPlus
Für Elise, for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587566 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.587566 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361583. Published by David McKeown (A0.587566). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Flute with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Flute and Piano
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David McKeown
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SheetMusicPlus
Beacon Fell; a duet for two flutes
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.998312 Composed by Graham Hickey. Concert,Co…
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Flute,Piano - Digital Download SKU: A0.998312 Composed by Graham Hickey. Concert,Contemporary. Score and part. 22 pages. Graham Hickey #6286101. Published by Graham Hickey (A0.998312). A duet for two flutes of intermediate to advanced level. A very playful duet which can be used in recitals or concerts or even background events. For many years since moving to Preston, our favourite place for an afternoon walk has been Beacon Fell in Lancashire. It is a relatively small (110 acres) forest which sits on a hill of a bump, but has such charm. As you arrive you can see this bump getting bigger from a distance. You can just walk around and listen to the birds and the nature as it relaxes you.
$14.99
13.7 €
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Flûte traversière et Piano
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Graham Hickey
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Beacon Fell; a duet for two flutes
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Graham Hickey
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SheetMusicPlus
Bach Prelude for Two Flutes & Piano (BWV 846)
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.800110 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Sacred,Standards,Wedding. 10 pages. Nancy Frese Tabb #6526449. Published by Nancy Frese Tabb (A0.800110). Bach's Prelude in C (BWV 846) is arranged as a trio to include two flutes and piano. While the piano part stays true to the original version, the two flutes are playing a complementary harmony to accompany the beautiful sounds of JS Bach. The piano part is slightly challenging, but the two flute parts are easily learned in just a few rehearsals. In addition, this piece is transposed to the key of F Major for easier accessibility. This is a great ensemble piece for a student performance and is appropriate as well for weddings and church services.
$4.99
4.56 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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Nancy Frese Tabb
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Bach Prelude for Two Flutes & Piano
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Nancy Frese Tabb
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SheetMusicPlus
Four Simple Pieces for Flute
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pillin…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pilling. 20th Century,Classical,Contest,Festival. Score and part. 22 pages. Forsyth Brothers Ltd #1015095. Published by Forsyth Brothers Ltd (A0.1434991). These short but perfectly formed pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin. Buffoon The Cuckoo Ländler Jig Bercuse (Trio for Flute, Oboe and Piano) Sarabande (Trio for Flute, Clarinet and Piano) Pilling was a much loved figure in the Mancunian musical world, known to generations of young pianists for her imaginative piano teaching pieces. Most famous for classic 'Harmonization of Melodies at the Keyboard' series, Dorothy Pilling also composed many piano duets and solos, as well as songs and other works. According to the Voxturturis blog:'Her music remains fresh and light; characterised by strong melodies and late romantic harmony which she improvised well and the pieces are, in the main, short. Instantly appealing to players and audiences alike, most of her work shows a high degree of compositional craft'.
$9.99
9.13 €
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Flûte traversière et Piano
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Dorothy Pilling
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Four Simple Pieces for Flute
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Forsyth Brothers Ltd
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SheetMusicPlus
Sonata for Flute and Piano, Op. 12
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
18.28 €
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Flûte traversière et Piano
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Tyler J
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Sonata for Flute and Piano, Op. 12
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TJHoltMusic
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.12 €
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Flûte traversière et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
Planet (The sun sets on Venus) for 2 flutes and piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.577162 Composed by David Warin Sol…
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Flute,Piano - Level 3 - Digital Download SKU: A0.577162 Composed by David Warin Solomons. 20th Century. Score and part. 5 pages. David Warin Solomons #2119577. Published by David Warin Solomons (A0.577162). Arrangement of my mysterious song for two altos and piano, which is a poetic vision of a nearby planet. and the passing of an imagined civilisation there. (Inspired by a poem by Supervielle). The pdf file contains the piano score and the separate flute parts The sound sample is a performance by ELyce Ostermann, Nancy Tyler and Richard Riccardi.
$8.00
7.31 €
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Flûte traversière et Piano
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David Warin Solomons
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Planet
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David Warin Solomons
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SheetMusicPlus
Puccini Medley: Un Bel Di (Madame Butterfly) and Musetta's Waltz (La Boheme): Two Flutes and Piano
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1208647 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. 18 pages. John A. Dempsey #806748. Published by John A. Dempsey (A0.1208647). Two splendid Italian arias combined into a piano trio for two flutes and piano, this Puccini medley includes melody augmentation, rubato, dynamic shading, and multiple time signatures as well as a lavish finale. Included: Un Bel Di (One Fine Day) from Madame Butterfly and Q'uando M'en Vo (Musetta's Waltz) from La Boheme. This soaring, romantic music is recommended for multiple venues, including concerts, recitals, weddings and more. Wedding music uses: a prelude, unity candle accompaniment, and a bridesmaid processional. 14 pages of music (that includes separate two-page parts for flute 1 and flute 2). Key: G major. Â Flute Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
10.96 €
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Flûte traversière et Piano
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Giacomo Puccini
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John A
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Puccini Medley: Un Bel Di
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John A. Dempsey
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SheetMusicPlus
Two Flutes and Piano for Christmas, Vol. II (12 arrangements)
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.505446 Composed by Various. Arranged by Cindy Blevins. Christmas. 99 pages. Cindy Blevins #117097. Published by Cindy Blevins (A0.505446). Two Flutes and Piano for Christmas, Vol. II contains 12 beautiful arrangements for two flutes and piano. You receive the scores and the separate parts. You can view some score samples. The audio sample is an excerpt from Silent Night. The songs included in this book are: Angels We Have Heard On High, Bring a Torch, Jeannette, Isabella, Deck the Halls, God Rest Ye Merry, Gentlemen, Greensleeves, In the Bleak Midwinter, Jesu, Joy of Man's Desiring, Joy to the World, Silent Night, Sussex Carol, The Son of Mary and We Three Kings. My website: https://www.blevinsmusic.com.
$24.95
22.81 €
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Flûte traversière et Piano
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Various
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Cindy Blevins
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Two Flutes and Piano for Christmas, Vol. II
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Cindy Blevins
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SheetMusicPlus
[Zupko] Two Canzonas
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.952782 Composed by Ramon Zupko. 20th Century…
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Flute,Piano - Digital Download SKU: A0.952782 Composed by Ramon Zupko. 20th Century. Score and part. 35 pages. American Composers Alliance Inc. #4623427. Published by American Composers Alliance Inc. (A0.952782). Two lyrical pieces for two flutes and piano - PDF download includes score and parts.
$15.95
14.58 €
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Flûte traversière et Piano
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Ramon Zupko
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[Zupko] Two Canzonas
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American Composers Alliance Inc.
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SheetMusicPlus
Swan Lake Theme, for Solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tc…
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Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737757. Published by David McKeown (A0.587685). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Flute and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Flûte traversière et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Flute and Piano
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David McKeown
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SheetMusicPlus
Gian Paolo Chiti: In Sogno for two flutes (doubling piccolo, C flute, alto flute and bass flute) and
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.533801 Composed by Gian Paolo Chit…
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Flute,Piano - Level 5 - Digital Download SKU: A0.533801 Composed by Gian Paolo Chiti. Concert,Contemporary,Standards. Score and part. 17 pages. Musik Fabrik Music Publishing #3046735. Published by Musik Fabrik Music Publishing (A0.533801). A modernist work for two flutes (both double piccolo and C flute, 1st doubles alto flute and 2nd bass flute) and piano. Duration circa 10 minutes. One score for three players: three copies should be printed.
$32.95
30.12 €
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Flûte traversière et Piano
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Gian Paolo Chiti
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Duration circa 10 minutes
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Gian Paolo Chiti: In Sogno for two flutes
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Bicycle Built for Two - Flute Solo
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1233823 Composed by Harry Dacre. A…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1233823 Composed by Harry Dacre. Arranged by Lynette Auberjeunois. Chamber,Contest,Festival,Folk. Score and part. 7 pages. Flute Files Publishing #829385. Published by Flute Files Publishing (A0.1233823). A Bicycle Built for Two flute solo sheet music. Composed by Harry Dacre. Arranged by Lynette Auberjeunois for late beginner level. Digital download in the key of F includes a one page flute solo and a three page piano score. Range: C2 to C3. Published by Flute Files Publishing (FO70-1001).
$2.99
2.73 €
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Flûte traversière et Piano
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Harry Dacre
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Lynette Auberjeunois
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A Bicycle Built for Two - Flute Solo
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Flute Files Publishing
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SheetMusicPlus
The Favorite for solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1092663 Composed by Scott Joplin. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.1092663 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696765. Published by David McKeown (A0.1092663). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Flute with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Flûte traversière et Piano
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Scott Joplin
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David McKeown
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The Favorite for solo Flute and Piano
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David McKeown
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SheetMusicPlus
The Winds Answer, trio for two flutes & piano
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1027540 Composed by Brenda…
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Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1027540 Composed by Brenda Meether. Contemporary. Score and individual part. 5 pages. Brenda Meether #1910789. Published by Brenda Meether (A0.1027540). Original composition for two flutes & piano.
$5.95
5.44 €
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Flûte traversière et Piano
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Brenda Meether
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The Winds Answer, trio for two flutes & piano
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Brenda Meether
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SheetMusicPlus
Nobody Knows The Trouble I've Seen - Duet for two Flutes with Piano accompaniment
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.511929 Composed by Traditional. Arranged by Bragi Thor Valsson. Praise & Worship,Sacred,Spiritual. 4 pages. Bragi Thor Valsson #6466341. Published by Bragi Thor Valsson (A0.511929). An arrangement of the well-known Spiritual Nobody Knows The Trouble I've Seen for two flutes with piano accompaniment. The piece is in A Major.
$6.99
6.39 €
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Flûte traversière et Piano
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Traditional
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Bragi Thor Valsson
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Nobody Knows The Trouble I've Seen - Duet for two Flutes with Piano accompaniment
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Bragi Thor Valsson
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SheetMusicPlus
For the Beauty of the Earth, Two Flutes and Piano
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.513565 Composed by Conrad Kocher. Arranged by Cindy Blevins. Praise & Worship. 8 pages. Cindy Blevins #124317. Published by Cindy Blevins (A0.513565). This is a beautiful, playable arrangement for two flutes and piano. You receive the score and the individual parts.
$5.99
5.48 €
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Flûte traversière et Piano
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Conrad Kocher
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Cindy Blevins
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For the Beauty of the Earth, Two Flutes and Piano
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Cindy Blevins
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SheetMusicPlus
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